Othello: A Sympathetic Character

Othello is the protagonist of the story, he is married to Desdemona and is general of the army in Venice. Othello has a growth and fixed mindset simply because if he falls he’ll try again to do better. Othello shows having a

Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason

The characterization of Othello contributes to theme in many different ways. Othello is someone who everyone seemed to trust. “This only is the witchcraft I have used. Here comes the lady. Let her witness it.” (pg.41). This quote analyzes how Othello is honest, he is proving that if others were asked about a certain event, they would

What is a tragic hero and why is Othello considered one? The tragic hero archetype is used in many different pieces of writing and with every character comes a different way of using it. While adding to the tone of the story it also adds to the characters overall personality from the reader's perspective. In Shakespeare's Othello he uses this in his main character. This slowly comes together throughout the play and is presented with many examples. There are examples of Othello's high status, tragic flaws, and his inevitable downfall.

Desdemona believes that Othello is, in fact, a noble for the heroic acts that Othello has performed. As Bell suggests: "It is the heroic character Othello has made for himself that achieves his success in his wooing. He makes Desdemona put aside the prerequisites of class and race assumed for her appropriate suitor" (4). Iago,

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

These instances heighten his nobility as a character. He is in great demand by the duke and senate due to his honorable qualities. This is evidenced by Cassio's comment that the senate "sent about three several quests" to look for Othello (I.ii.46). Othello is a noble man who is well known and respected for his position as a general. He is experienced in battle and shows great courage and demonstrates high levels of dignity. Othello shows immense respect for his fellow man, we see this in his initial relationships with Casio an Iago. Othello's valiant personality is a major part of his success in the military as well as with his marriage, to Desdemona. Because of his exotic qualities, he is able to woo his wife in an art of story telling, reflecting his nobility and honor. Such a storey seduces Desdemona, causing a strong bind to Othello made from a mixture of love and lust. The Venetian government trusts Othello enough to put him in full martial and political command of Cyprus; indeed, in his dying speech, Othello reminds the Venetians of the "service" he has done their state (V.ii.348). However noble or revered by his peers Othello may be, it is his honor, aided by his naivety and insecurity that lead to his destruction.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

The tragic hero, Othello, is a Moorish general in the Venetian army that has just married the Venetian nobleman’s daughter, Desdemona. Although Othello was not born into nobility (upper class), his marriage to Desdemona brings him to a noble stature in Venice society. Othello is much older than his wife and of different descent and race, but he willingly stood before Desdemona’s father and fought for their love and right to marriage, he states, “How I did thrive in this fair lady’s love, / And she is mine” (1.3.127-28). This qualifies him to meet the first Aristotelian component for being the plays tragic hero. The first distinguishing feature Aristotle identifies in regards to the tragic hero is that he is the protagonist in high

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

    Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.

Shakespeare portrays Othello as the general without faults, perfect. Yet, he slowly reveals the weaknesses of Othello’s love for Desdemona. For this love he will forsake anything. Iago is quick to pick on this and starts working towards destroying Othello through his only shortcoming.

Othello’s tragic flaw can be viewed as jealously which ultimately leads to his downfall. When Othello is manipulated by Iago to believe that Desdemona is having an affair with Desdemona, Othello does not change from his good person mentality. However, Othello carries out with the plan for murder for which he believes is a fine reason to end Desdemona’s once previous life to preserve her innocence. Othello is the tragic hero within the play titled after him and because of his title, because of this Othello, the Moor of Venice follows one of Aristotle’s requirements.

    By definition, a tragedy is a story that details the downfall of a protagonist. Most often, the protagonist (tragic hero) is a member of high society who is faced with an oppositional force, be it internal or external. In his Poetics, Aristotle states that "tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on actions, again all success or failure depends...." This quote illustrates an aspect of tragedy upon which many works are based, including