“Some people are truly great manipulators. They can lie, cheat, treat you badly, and somehow manage to make it all seem like it’s your fault” (Manipulation Quotes 1-). Iago, in Othello, manipulates the minds of several characters to hopefully reach his desired position. He wants to get higher on the totem pole and become General after bringing down Othello. The witches, in Macbeth, want to destroy the lives of anyone above them. They are able to manipulate the future and adjust how people respond to their actions. This in turn forces them into bad situations. The ability for people to be manipulated shows amongst both plays. They both try and better themselves for the future by destroying the lives of others. People easily manipulate …show more content…
In Macbeth, the Witches and Lady Macbeth manipulate Macbeth into doing something out of the ordinary. The Wtiches manipulated him by showing him a prophecy that could possibly come true. This forced him into creating his own destiny even though his life was not meant to unfold the way the Witches described it. Lady Macbeth also manipulated his thoughts by encouraging the killing of Duncan. She showed him that it would be perfectly normal to kill someone for his own benefit. In Othello, Iago’s manipulative nature cause an extensive amount of problems. His anger got the best of him and this caused him to lash out against Othello and Cassio. He runs to tell Roderigo a lie about how Cassio allegedly slept with Desdemona. This issue which obviously never occurred causes Roderigo to then strike up a fight with Cassio. Cassio who at this time was very intoxicated, fought with Roderigo and this caused people to lose respect for Cassio. Manipulation causes people to act irrationally in their own favor. People believe the extreme since it is so far fetched it could be true. These instigated problems benefit the instigator while they manipulate and destroy the person
One of the most outrageous literary vilians of all time is William Shakespeare’s Iago. Iago has been described with many words; villian, antagonist, cruel, selfish, malignant, chaotic, etc. What motivation could one have that would posses them to act in ways to be labeled as such? Are there even any motives present, or is it just the nature of the character that gives Iago his naturaly naughty personality.
Manipulation can serve as a very impressive social tool in order to bend someone's will to fulfill your agenda and trick them into carrying out a specific action. To manipulate is to manage or influence skillfully, especially in an unfair manner. This is prevalent in the tragic play Macbeth by William Shakespeare. Macbeth, an ambitious general, is manipulated by both his wife and three witches to commit heinous crimes. The witches manipulate Macbeth by using his faith in the supernatural to force him to carry out certain actions. As well, they present him with deceiving prophecies to give him false confidence. Lady Macbeth manipulates Macbeth by questioning his manhood
Evil masterminds are always successful in their diabolical schemes, but each one does it in their own special way. Some may be highly ranked and powerful, but some may be simple people in a simple community. In the play Othello, the simple ancient, Iago is very successful at his schemes. Iago is able to get the trust of everyone around him, and to appear honest. He is also driven to continue with his schemes and to never quite.
In William Shakespeare's play "Macbeth", manipulation is a very effective device. The main character Macbeth is a puppet controlled by the words coming from the three witches and Lady Macbeth. The four troublemakers provide Macbeth with the motivation and confidence he needs to kill Duncan and perform other dark actions. Macbeth is very ambitious; there’s no doubt about this. However, there is no sign of him changing from a loyal man to a power hungry man. That is until outside influences begin to interfere with his life. The people with the greatest impact on Macbeth are his wife, Lady Macbeth and the witches. However, he then learns to manipulate others himself. In the end, all the treachery is revealed and he realizes
A manipulator someone who controls the choices made by someone and their life. Iago the antagonist in Othello tricks everyone into doing what he wants. Iago a pathological liar at heart uses his excellent knowledge of the human mind, jealousy, trust, and emotions to manipulate all the characters in othello most notably, Othello into killing his own beloved wife because of an affair that never even happened.
Iago claims to “hate the Moor” (Act 1, sc 3, line 368) so he wants to
Rhetorical strategies are continually used to get a point across or to manipulate another. Iago uses many devices to put false accusations into Othello’s head. In lines 330-447 in Act 3 scene 3, Iago uses rhetorical question, imagery, and sarcasm. He questions Othello and makes him think the worst between Cassio and Desdemona, and then his use of words adds color and a picture, so it has to be right. Last his sarcasm creates the assurances Othello needed to be duped.
Revenge is the main theme in the play Othello by William Shakespeare and it is portrayed from the character Iago. Through Iago’s soliloquies he reveals his horrible doings. Iago wants to get revenge on Othello and his loved one Desdemona. The reason why he wants to get revenge at Othello is because he promotes Cassio to Lieutenant. Iago takes advantage of his reputation “Honesty Iago” to manipulate other characters in the play to get revenge from Othello. Iago is aware that he can easily manipulate the people around him to get revenge from Othello that he does not stop and think about the harm he is causing. Iago is a brilliant character that he successfully manipulates Cassio, Desdemona, Roderigo and his own wife Emilia to fulfill his
"Keep your friends close and your enemies closer" is a quote that very well describes how two-face Iago really is. In William Shakespeare's play, Othello, Iago's hatred toward the Moor, Othello, leads him to devise a plan against him. As a result, Othello goes from truly loving his wife to hating her with a passion. Othello's hatred and anger proves fatal for Desdemona, Emilia, Roderigo, and Othello, himself. Iago effectively manipulates Othello, Roderigo, and Cassio by; presenting himself as an honest individual to Othello, lying to Roderigo about getting him married to Desdemona and helping Cassio with his problem to obtain the lieutenant position from him.
8ahlmeier 5characters so well, Iago uses ethos to effectively ;udge which method of persuasion to use based on a character’s 0ualities, flaws, motives, and desires, and Iago’s relationship to him or her.Iago easily evokes "assio’s emotions through pathos. #e recogni%es the honorable and valiant virtues "assio e2hibits and uses these virtues to fashion "assio into a pawn. Iago, knowing alcohol to be the counteragent of "assio’s virtues, encourages the sport of drinking to the point where "assio rela2es his conduct and allows his emotions to overcome him, breaking out in a fight which causes him to forfeit his position as officer !II.iii.465-$. "assio has a strong desire for redemption and reinstallation, and Iago suggests "assio beseech
Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking
What makes a successful villain? In the case of Shakespeare’s Othello, Iago’s ability to manipulate the people around him with his words is what leads to his success. The play Othello is a tragedy. True to form, the play sees multiple deaths, all of which were due to Iago’s influences. The main theme of the drama is revenge. The events that take place are due to Iago’s pursuit of revenge. Iago manipulates the people and events throughout the course of the play in order to enact this revenge. In Othello, Iago manipulates the situations he finds himself in, the people who happen to be around him, and the words that come out of his mouth to ensure his mission for revenge is a success.
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs
Iago is undoubtably the villian in William Shakespeare's 'Othello', however the reason behind his evil deeds are less clear. There are many possibilities as to why Iago betrayed his superior Othello. Was he simply envious of Othello's status or did Iago plot to destroy Othello for his own enjoyment?
William Shakespeare’s Iago is often thought of the devil in the story. As the villain, Iago manipulated multiple characters countless number of times, used his intelligence to slip away from problematic situations and to create illusions for many characters, as well as having dreadful intentions for reasons that don’t justify his purpose. For many viewers, this causes a stir of emotions, including hate, disgust, sorrow, and surprisingly, admiration for Iago. How can a man with Iago’s intentions and his cold-hearted soul could be admired in this story? Why should the audience applaud the villain, instead of looking-down upon with shock? In Shakespeare’s Othello, Iago‘s immoral character compels the audience to acknowledge his ambition through