Othello, By William Shakespeare

lying to his friend, and getting back at his enemy! Iago’s character has learned to use a high intensity of deception. Iago pretends to be this sweet innocent man, while in reality the audience knows his

Shakespeare’s Othello explores the destructive nature of Iago’s villainy through his ability to confuse appearance with reality through his deception and trickery. In Shakespeare’s Othello, Iago is a scheming antagonist whose goal is to destroy Othello. Iago uses foreshadowing when he says, “I am not what I am.” Iago tells the audience that his loyalty with Othello is all a scheme to destroy him, and his

In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,

William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

This statement undermines his self-esteem. Because of his self-indulgence, we are inclined to believe his superiority as a warrior. Iago points out to Roderigo that Cassio, the newly appointed lieutenant, is not a true soldier. Iago says Cassio knows more “division of a battle “ (1.1.23) than this “bookish theoric” (1.1.24). Furthermore, there is nothing Iago can do about the situation: “there’s no remedy” (1.1.35). He realizes that “preferment goes by letter and affection” (1.1.36) and not by “old graduation” (1.1.37). So Iago will continue “serve” Othello, so that eventually he can “serve [his] turn upon him (Othello)” (1.1.42). As the reader, we get a clear-cut picture of where Iago was coming from, and we were forced to sympathize Iago’s position. In order to disguise his deep dissapointment and conceal his plans for revenge (which was his choice of action), Iago begins early in the play to reinforce his image as being an honest and loyal soldier. In Act I, Scene 2 for example, in a bit of playful boasting, Iago says that “in the trade of war I have slain men, / Yet do I hold it very stuff o’ the’ conscience / to do contriv’d murder I lack inequity…” (1.2.1-3). This was an outright lie, but he had come on stage with Othello and he said this for his general’s (Othello’s) benefit, posing as the rough and ready , but good hearted soldier. Iago also hides

Here is obviously trying to plant the seed with Othello to cast doubt. Interestingly enough, Iago keeps telling Othello to be calm and just observe what is going on, Iago says this with hesitation making Othello just angrier, Iago does a good job of putting fuel to the fire. By using these indirect tactics, he is saving face from

Another example is at the very beginning when Iago proclaims to Brabantio, “Even now, now, very now, an old black ram, Is tupping your white ewe. Arise, arise!” (1.1.89-90). He uses strong racist language to incite anger in Desdemona’s father, and manipulates him into being very angry. These examples of his persuasion throughout the plot contribute to the fact that he is able to manipulate anyone however he likes. His manipulative tendencies are important in regard to the motiveless malignity. A motive is a reason for doing something, and it is generally to achieve something. With the knowledge that Iago is able to get anything he wants, one can only assume that there is nothing that is trying to get by manipulating these people, which shows that he is just being evil for the sake of being evil with no particular reason.

Iago’s intentions lie within his goal to replace Cassio as lieutenant as he complicates many relationships to the extreme, without showing his good qualities and proving himself to Othello as a strong and hard worker. Iago is more complex than what meets the eye, but he’s devious and manipulative towards the people around him; he contains a static personality and will not change because he is who he was meant to be causing mayhem.

In this moment, Iago has found a weapon to use against Othello and a confidant who has opposing feelings towards Othello. Also Iago feeling so betrayed by Othello doesn’t think what’s he’s doing is betrayal but more

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

With such a man everything is food for his malice. There is no appeasing him. His ego feeds upon the misfortunes he contrives for others, and what he feeds on only makes him hungrier. He is proof  against pity and remorse alike, as his last interview with Desdemona and his sullen defiance of his captors at the end only too painfully show us. In short, he is the demi-devil that Othello finally calls him, half a devil and half a man; yet the littleness in each of his components is formidable, spider-like, and appallingly human besides. (54)