Othello, By William Shakespeare

Revenge is the main theme in the play Othello by William Shakespeare and it is portrayed from the character Iago. Through Iago’s soliloquies he reveals his horrible doings. Iago wants to get revenge on Othello and his loved one Desdemona. The reason why he wants to get revenge at Othello is because he promotes Cassio to Lieutenant. Iago takes advantage of his reputation “Honesty Iago” to manipulate other characters in the play to get revenge from Othello. Iago is aware that he can easily manipulate the people around him to get revenge from Othello that he does not stop and think about the harm he is causing. Iago is a brilliant character that he successfully manipulates Cassio, Desdemona, Roderigo and his own wife Emilia to fulfill his

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

In Shakespeare’s Othello, the nominal character, an honorable Venetian general, is driven to madness through the deceptions of his honest right hand Iago. Iago plots to ruin Othello and through his deception, he drives Othello’s insecurities by implanting the idea of infidelity of his beloved wife Desdemona. Othello goes on to murder his wife, and after he discovers Iago’s plot, he kills himself. In a time when women were looked down upon, Shakespeare crafted a drama in which women took part in major roles. Modeled by Elizabethan England the women in Othello were portrayed in a light justified by society as in Othello, these women were nothing more to than objectified possessions, forced to submit to the ever dying will of their husbands. This is displayed by Desdemona and Emilia’s and relationships with their husbands.

A society consists of diverse cultures, looks, values, and beliefs. In a world with one predominant culture, those perceived as different from the norm are associated with negative images and treated inferior to the superior culture. The negative images associated with color, specifically blackness, has a detrimental effect on the victims who are racially stereotyped. The character Othello is a unique character in English literature, because unlike the other members of society, Othello is an outsider in Venice. He is a black man living in a white world, married to a white woman, and a leader of white men in battle. Othello is persuaded that his wife, Desdemona, is cheating on him, leading him to murder her. Some argue that because Othello was the typical black stereotype he killed Desdemona, but evidence suggests that Othello viewed his own racial identity as undesirable for Desdemona and killed her out of honor and self-hatred. Henceforth, the long-term psychological effects of racism affects an individual’s self-identity and his or her relationship with others.

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

William Shakespeare’s Othello would not be a dramatic tragedy if the smiling villain, Iago, were a deaf mute. There is no doubt that the destruction of each character can be blamed on jealous Iago. The theme of jealousy helps propel the plot naturally and demonstrates the consequences of being morbidly jealous. The circumstantial evidence Iago provides acts like a lethal poison, which surrounds Othello in suspicion and envy but also turns him into an inhuman murderer. Jealousy is the ‘monster’ that unresonably conducts the great suffering in the story.

Since the two used to be so intimate, the key to understanding Iago’s superobjective is to understand what made him harbor such hatred for Othello. To put it simply, Iago was hurt that Othello gave Cassio the lieutenant job instead of giving to him. At face value, that reason doesn’t seem to be a strong enough motive to destroy another man’s life. There had to have been more to this than just the fact that Iago didn’t get a promotion. Iago “believes Cassio got the appointment because of an old friendship with Desdemona, and probably because he carried messages between Othello and Desdemona during their courtship.” (Crawford). Iago, knowing this, felt as if the entire system of military honor and merit had crumbled. Had the promotion been based on merit, Iago would’ve gotten the job, because “…[Othello’s] eyes had seen the proof/ At

Over the course of the play, Iago offers numerous reasons for him desiring revenge. The first motive is the loss of a promotion to Cassio. “’Tis the curse of service: preferment goes by letter and affection, And not by old gradation,” (I.i.33-35). Iago feels that Cassio was chosen over him because he is more likable instead of earning it like Iago felt he had. Bloom describes this anger in terms of religion. “His religion is war, and his god is Othello, and so his fury when Cassio is preferred to him is the fury of the priest or worshipper who has been found unworthy,” (Bloom). Iago feels that Othello must make amends for his rejection. The next reason he gives is the supposed infidelity of his wife. Iago says “And it is thought abroad that ‘twixt my sheets H’as done my office.” (I.iii.378-379).

           Iago not only wanted revenge on Othello, but as well on Cassio for stealing his job away from him. "If I can fasten buy one cup upon him, with which he hath drunk tonight already, he'll be as full of quarrel and offense as my young mistress' dog" Othello. Act II. iii. 49-52. Iago got Cassio so drunk that he got into a fight with another officer, and when Othello found out about this, he quickly fired him. Iago, befriending Cassio, told him to speak to Desdemona about getting his job back and this was done for a reason. Iago states his motives clearly. He intended to use Desdemona's righteousness against her.

Shakespeare’s Othello is seemingly about the blooming affection between a man and a woman. However, it is a love story gone wrong—or is portrayed as so by the author. In the historical context of Othello, which is set during the Turkish-Venetian war in the 16th century, it is essential to emphasize that Othello is the love story between Othello, the Moorish general, and Desdemona, the Venetian lady. This racial difference is most problematic to the eyes of the white Venetian society, allowing characters like Brabantio, Roderigo, and Iago to use this weakness against Othello. The hatred and jealousy, especially by Iago, is clearly illustrated through the language they use in referring to Othello. While Shakespeare uses characters like Iago

In Shakespeare’s Othello, the titular character, an honorable Venetian general, is driven to madness through the deceptions of his honest right hand Iago. Iago plots to ruin Othello and through his deception, he fuels Othello’s insecurities through implanting the idea of infidelity of his beloved wife Desdemona. Othello goes on to murder his wife, and after he discovers Iago’s plot, he kills himself. In a time when women were looked down upon, Shakespeare crafted a drama in which women took part in major roles. Modeled by Elizabethan England the women in Othello were portrayed in a light justified by society as in Othello, these women were nothing more to than objectified possessions, forced to submit to the ever dying will of their husbands. This is displayed by Desdemona and Emilia’s and relationships with their husbands.

In the Shakespearean play Othello, Othello kills his wife on the assumption that she was cheating on him. Othello gets this idea from his assistant Iago who wanted to be Othello’s lieutenant but lost the job to a man named Cassio. The entire play revolves around Iago carrying out his revenge on Othello while trying to be named his lieutenant. During the play, the audience sees Iago manipulate the other characters to get what he wants. One of the characters he manipulates is Othello by telling him that his wife is cheating on him and sharing a bed with Cassio. Othello is further tricked by Iago,who gets him to kill his wife and clean up the mess that Iago left.

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

William Shakespeare wrote Othello during a time of great racial tension in England. In the drama, he introduces Othello, a military general who works for the state of Venice but is by origin a Moor (a black Arab). This gives him the unique position of being one of the most important men in Venice, while simultaneously being seen as an outsider. In writing such a character for a seventeenth century English audience, the author is clearly attempting to send a message. This tension between human desire and the need for control, not only in politics but in intimate relationships, is an equalizing force among humans of different races, backgrounds, and societal status. Othello conveys a theme that all humans – even those considered outsiders, even those in powerful positions – are vulnerable to destruction through their own lusts, jealousies, and desires. While, Othello is written as a tragic character, it is important to note that the source of his tragedy was not his color or background, but his human weaknesses that were, in some measure, shared by all the characters. This paper will explore how human desires and weaknesses can bring about destruction, particularly when exploited by an ill-intentioned individual.

At all points of one’s life, one has desires; what separates and defines a person is determined by how that person goes about dealing with those desires. Some believe in working honestly towards his or her aspirations and others in seizing it at any cost. Iago, the antagonist of the play Othello is one of those people who would do anything in order to get what he wishes. Because Othello names Cassio lieutenant instead of him, he begins to device a plan in vengeance to bring Othello and Cassio down, which ends up tragic for all of the major characters. Iago’s obsessive need for revenge stems from jealousy and ambition, and because he is a master manipulator, the plan goes extremely smooth for the majority of the play.