How Does Iago Manipulate Othello

Somehow Iago manages to manipulate Othello into thinking that Desdemona cheated on him. When he demands that she show him the handkerchief he had given her, and she does not, he is convinced that she is being unfaithful. This is when he decides that he must kill her. Later in the novel Othello suffocates Desdemona out of jealousy.

A manipulator someone who controls the choices made by someone and their life. Iago the antagonist in Othello tricks everyone into doing what he wants. Iago a pathological liar at heart uses his excellent knowledge of the human mind, jealousy, trust, and emotions to manipulate all the characters in othello most notably, Othello into killing his own beloved wife because of an affair that never even happened.

He continues to take advantage of innocent people which demonstrates his malicious ways, but keeps the audience guessing as to why his character is the way he is. Iago seeks revenge upon Cassio for securing the lieutenant position. In his soliloquy Iago says, “If I can fasten one cup upon him, with that which he hath drunk tonight, He’ll be as full of quarrel and offense, as my young mistress’ dog” (Bevington, 2014, 2.3.45-47). Iago pursues every opportunity to eliminate any competition. His exploitation of Roderigo is shown when he says, “… her delicate tenderness will find itself abused, begin to heavy the gorge, disrelish, and abhor the Moor.

Desdemona- Desdemona is Othello 's wife and her goal is to prove to Othello that she loves him. They make a sacrifice by eloping without her father knowing. She stays faithful to Othello the entire time despite his suspicion raised by Iago. She spends the entire time wondering why he 's being this way towards her and trying to steer his judgement in the other direction with the help of Emilia. This is to no prevail because she becomes the victim in the end due to the actions of Iago. She serves as a foil to Emilia because their ideals contrast each other. Desdemona has a naïveté to her that prevents her from even believing that wives cheat on their husbands while Emilia is sure of it and even believes the blame falls on the husband for the actions of the wife.

The tragedy Othello is filled with a complex web of separate conflicts that are connected with each other. The external conflicts are very obvious, such as Iago trying to replace Cassio as lieutenant and Othello's belief in Desdemona's affair. In addition to these conflicts, however, many characters in the play also face their own internal conflicts in which they have to make a choice between two opposing forces. An excellent example of this internal conflict can be found in analyzing Roderigo. Roderigo's love for Desdemona creates conflict because he faces the choice of going back to Venice since he has no money left, or staying in Cyprus because he wants to pursue Desdemona. In more general terms, Roderigo deals with the conflict of

In Shakespeare's tragedy, Othello, Iago is uncharacteristically honest when he says "I am not what I am". However, he is not the only character whose appearance differs from the reality. Nonetheless, he is possibly the only person who intends this duplicity. Unfortunately everyone is under the impression that Iago is "honest and just". Once alone, Iago reveals "when devils will the blackest sins put on, they do suggest at first with heavenly shows as I do now". Iago is two-faced in his relationships, even in the language he uses. After referring to Othello as a "black ram", he then tells him "my lord, you know I love you". Iago has no shame in appealing to heaven and godly images in

serve god if the devil bid you” and he also says “the moor is now

To start, both Desdemona and Emilia are the wives of men of activity. Their spouses are in the Venetian military and standard men as well as men who hold positions and quality. Desdemona is the wife of Othello who is a General in the armed force with men under his charge. Emilia 's spouse is Iago who is the extremely old of Othello. Next, the two women demonstrate a level of not knowing anything about the plots in play around them. Unknowingly both Desdemona and Emilia play directly into Iago 's expert arrangement of pulverization. Desdemona and Emilia are likewise faithful wives who need to satisfy their spouses. Othello accepts that Desdemona is improperly sexual and ; along these lines Desdemona needs to quiet down his stresses concerning her faithfulness by cooling him, thusly satisfying him. Desdemona guarantees:

With growing affection for Cassio, his prostitute, Bianca follows him around to show her love for him. Cassio’s attitude comes about as he wishes the Moor “Not see [him] womaned” (III.iv.223). Ignoring Cassio’s blatant disrespect, Bianca proves her love for him by retorting, “I pray you bring me on the way” (III.iv.227). Cassio tosses Bianca to the side like a piece of trash, yet Bianca remains steadfast and continuously displays her love and affection for Cassio. The devotion Shakespeare has bestowed on Bianca proves the claim where Shakespeare stresses the genuine capabilities women have for love despite their jobs. contrary to the beliefs of many men. Shakespeare also uses Emilia to prove the good in women by displaying Emilia’s selfless capabilities. Upon realizing the death of Desdemona, Emilia unearths that Othello's justification for this murder was false. Overcome by so much grief, Emilia, had to endure the threats that Iago shoots her way for unearthing this false basis (V.ii.281-282). Pure, loyal to Desdemona, and ultimately innocent, Emilia is killed. Because Emilia continues to do the right thing despite the threats Iago sends her way, she embodies good nature at its highest level. The qualities of purity--love, selflessness, and good nature--is shown through both Emilia and

In her final moments, Desdemona chooses not to blame Othello for her death because she saw that the honor of their love was more important than honesty. After Othello was convinced that Desdemona was cheating on him, Othello had started to show his disappointment with her. He had even gone as far as hitting her (4.1 134). Despite this, Desdemona continued to stay true to Othello. Othello, though, decides to kill her. Desdemona senses a change in Othello and she has a feeling that she will die soon due to the hands of Othello. This does not stop her, though, from continuing to care for Othello. Even when Desdemona was found after Othello strangles her, she still believed that her death was not the fault of Othello. Emilia comes into the couple’s bedroom after Othello smothers Desdemona, but hears Desdemona cry out. Seeing her dying, Emilia asks who would do this. Desdemona replies that it was her fault: “Nobody – I myself. Farewell / Commend me to my kind lord. O, farewell!” (5. 2. 125-126). Not only does she try to protect Othello’s reputation by blaming herself, Desdemona tells Emilia to remind Othello about her showing that she stills respects Othello. By trying to hide the fact that Othello had murdered her, Desdemona has chosen to put the honor of their love above honesty.

Othello’s mind that eventually lead to his downfall. He makes remarks of how Desdemona and Cassio are very close and then presents facts, like how he saw Cassio with the handkerchief he gave to Desdemona. This begins to make Othello paranoid that his wife may not be as faithful as he had thought, which starts leading him down a very dark path. Then, he proceeds to become angrier and angrier with Cassio. Othello feels extremely betrayed, due only to his suspicion that Cassio had slept with his wife.

Iago is a master at manipulating the characters weaknesses in Othello. Iago manipulates Cassio by convincing Cassio to drink, knowing that Cassio weakness is saying the wrong things when he is drunk. Iago knows that this can cause Cassio to lose his position as Othello’s trust worthy Leitenient. Iago says "O, they are our friends, but one cup, I'll drink for you.” Iago drinks with Cassio knowing that he won’t get drunk but Cassio will.

That fact in and of itself should make Cassio weary of Iago. Added to that, Iago influences Cassio to drink more alcohol than Cassio can handle. This leads to the fight between Cassio and Roderigo. During this time Iago poisons Montano’s impressions of Cassio by telling him, “I fear the trust Othello puts in him,”(II.iii.120). Iago also says alcohol “‘Tis evermore the prologue to his sleep.”(II.iii.123). Iago, again, uses Othello’s trust in his character. Othello, when he finally gets the story from Iago, is blinded by Iago’s “honesty and love” and says that these “doth mince [his judgement in] this matter,/ making it light to Cassio.”(II.iii.241-242). Nevertheless, Cassio asks for and acts on advice from Iago. This advice is the crucial mandate that ensures Iago will be able to plant the seed of doubt in Othello’s mind.

This shows how strong Emilia can be and she knows when and when not to listen to her husband even if it means she may die because in this moment nothing stopped her from telling the

Othello is one of the greatest plays due to its variety of character and themes. The immorality seen in Iago, the gullibility in Othello, and the desperation of Desdemona make the story. The theme of social status plays a huge role in the story. In addition, the theme of appearance versus reality also plays a huge role in how each tragedy happens. In the critical essay “Othello” it discusses the idea that the characters are cast as outsiders due to false interpretation of what is happening or what is being said. On the other hand, the piece “Othello Character Analysis” emphasizes how characterization reflects the greatness of the piece.