How is the theme of suffering portrayed in ‘Othello’, ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’?
The theme of suffering can come in numerous varieties; under categories both physical and emotional. Suffering is presented as a key concept in ‘Othello’, ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’. All three texts explore many aspects of suffering in parts, however the most obvious and concentrated facet leans towards the psychological aspect rather then the physical side. In the three chosen texts many of the characters suffer from some sort of emotional trauma. Psychological suffering and distress is a major topic in all three chosen texts as the authors use this ailment in order to drive the storyline forward,
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Heathcliff eventually becomes master of Wuthering Heights as well as treating the unwanted son, Hareton after Hindley had died in the way his step-brother had treated him.
Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello
Suffering is an obstacle that everyone has to confront at all times in their life. Most of time, suffering is painful. However, if people consider it as a chance for learning, they can gain a broader appreciation of life and success. They will grow one step further in the process of overcoming and stepping out from the disincentive. However, confronting suffering is not necessarily drawing the beneficial consequences: sometimes, suffering seems ultimately pointless. It may ruin people devastatingly and even lead them to the dehumanization by drawing out their negative hidden traits. A Long Way Gone--a book of Ishmael’s dreadful memories of being a boy soldier and the atrocious truth of the war--and Othello--a tragedy of jealousy, vengeance, and love--indicate those two
Suffering and failure is presented through anything and everything one could imagine. The extent of it, however, varies by each situation and the people going through it. The Catcher in the Rye and “The Yellow Wallpaper” portray suffering and failure to a major extent in that the stories would not be the same without it. Although the situations in the two stories are not the same, the failing and suffering experiences the characters go through are similar.
Ophelia begins the play as an average girl growing up in a place that would predispose her to Post-Traumatic Stress Disorder (PTSD). Her father’s murder did not drive her insane, but shook an easily shaken system. “First her father slain: Next your son gone; and he most violent author Of his own just remove…. Poor Ophelia Divided from herself and her fair judgment, Without the which we are pictures, or mere beasts” (Shakespeare).
Both of these classics revolve around the idea of people suffering in order to keep the world around them happy, or satisfied. This suffering is what creates morality into the reader’s thinking, and suddenly a conscious begins to develop throughout the story. In a way, the theme of suffering and morality, or simplified as “good vs. evil”, can also be seen in the real life problem known as underground human trafficking. These stories display the questionable realism involving the world’s inability to settle the dispute between good and evil, as well as the capabilities it takes to go against order, even when people are suffering and morality is at question.
Rage and Melancholy : Remarking the Similarities in Hamlet and One Flew Over the Cuckoo's
Iago is successful in corrupting Othello’s mind by inducing a false situation to turn Othello insane. Othello has become insecure about his commitment to Desdemona as the play progresses. When he hears Iago say “In sleep, I heard [Cassio] say ‘sweet Desdemona, Let us be wary, let us hide our loves!’” (3.3.475-476), Othello starts to worry and lets his emotions take over, saying “I’ll tear her all to pieces!” (3.3.490). He is overcome by anger because he believes that Cassio dreamt about Desdemona and now wants to kill Cassio because he is allowing Desdemona to cheat on Othello. However, Othello also wants Desdemona killed in order to make sure that the cheating woman does not sleep with anyone else. This scenario does not turn Othello fully
Suffering-can describe a person who is filled with misery and despair. This isn't just something that is shown through actual people but can be shown through characters in books as well. One way to show how suffering is used in books is through John Steinbecks Of Mice and Men. The one character in his book whose suffering is the most undeniable would be curley's wife because of all of the hatred she gets from other people.
Othello and Iago Comparison Othello and Iago are different in their characters as well as in their colours. It could be said also, however, that they are similar because of their fallibility. Iago is overcome with his desire for revenge to such an extent that he puts it into action. Othello's love and possessiveness of Desdemona take over him until he eventually would rather kill her than allow anyone else to have her. In this way, despite their contrasts, Iago and Othello both represent the extremity of the same thing - human emotion.
Shakespeare's plays have tendencies to be tragedies with those who suffer from flaws or mental illness`s that can lead them to death. Hamlet is a tragic play written by Shakespeare about the prince who`s uncle killed his father. Hamlet lives with many difficult moments that can affect anyones mentally. In the play Hamlet, mental illness is a common problem that creates tragedy in the lives of Hamlet and Ophelia throughout the play. Hamlet displays signs of Schizophrenia with the way he hallucinates his deceased father King Hamlet. Ophelia suffers from mental illness from mental abuse she has suffered from her significant other. These two characters suffer from mental illness that affect those around them.
Depression is an uncontrollable disease of the mind, which can result from devastating events or hardships that one experiences. If left unnoticed, the individual can fall into a detrimental state, and may even be compelled to take their own life, as a result of their misery and hopelessness. In the play, Hamlet, by William Shakespeare, one of the characters, Ophelia, suffers from this disease which sadly goes unrecognized throughout the story. Her symptoms and actions hold a similarity to what someone in present time would display with this mental illness. Shakespeare depicts the symptoms and resulting consequences of depression through the character Ophelia, by drawing attention to how isolation and unrequited love may lead to
Iago put all these thoughts in Othello’s mind about Desdemona, which lead to her death. He manipulated Othello into thinking Desdemona and Cassio were having an affair. “Swell, bosom, with thy fraught, For 'tis of aspics' tongues!”(Shakespeare III.iii). Soon after he plans to kill Desdemona, Othello can’t stand the thought of an unloyal wife. If he can’t have her to himself no one will.
In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.
The 2006 film Omkara, directed by Vishal Bhardwaj is an adaptation of William Shakespeare’s play Othello. The two share many aspects, including a central theme of feminism. However, the slight variation between Bhardwaj and Shakespeare’s representation of the female characters shows changes in the female status and characteristics. With the characters Billo and Bianca, Dolly and Desdemona, and Indu and Emilia, there is no doubt that the female status has improved since the seventeenth century.
Further in to the play Othello's mistrust in Desdemona grows. Sam Wood argues,"It is Othello’s anxiety that Desdemona does not belong to him, or that the marital bond has been violated, that is the play’s main theme". Iago, Othello's sly and arguably jealous companion and colleague simply provokes Othello's jealousy and mistrust in Desdemona even more by successfully using his poisonous words to plant the seed of doubt in Othello, "She did deceive her father, marrying you,and when she seemed to shake and fear your looks,She loved them most." Iago makes Othello suspect Desdemona's faithfulness, he suggests a woman who disobeys and deceives her father is likely to do the same to her husband. Wood argues, "Iago rejects honesty because he feels
Initially, Othello is content as a general and has just married his lover Desdemona. In act two, Iago begins to plant seeds of doubt into Othello’s mind about Desdemona’s faithfulness to him. He does this by subtly influencing Othello’s thoughts through manipulation, like in act two, scene three when he asks the question “When you were wooing Desdemona, did Michael Cassio know about it?” These types of questions made doubt arise in Othello’s mind. His patience would thin when