Othello Has Been Described as ‘Fatally Self-Centered’ and ‘Lacking in Self-Knowledge’.

Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason

The play begins with the introduction of the confident and well-respected general of the Venetian army, Othello. This version of Othello is calm, brave, and fairly unaffected by any racial prejudices against him. He speaks with great sophistication and respect to others, which indicates both his intelligence and rationality. When he elopes with Desdemona, the

Set in 16th century Venice, Othello, by William Shakespeare, explores the idea of an outsider from the very beginning of the play. Shakespeare uses Othello, a black army general, to explore the relationship of an outsider in high Venetian society using a variety of approaches. The reader sees characters consistently referring to Othello in derogatory and demeaning terms, as well as frequent implications that Othello is scarcely human. Further exploration of an outsider in society comes from Othello himself, as he outlines a few of the major differences that set him and the community apart.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

Powerful words are used in the world of “Othello” and can create order or chaos. Othello uses language when he tells his stories of war to Desdemona and as a result wins her heart. A positive example of the power of language is how Othello and Desdemona fall in love (Krieger, 2012). “She wished she had not heard it, yet she wished that heaven had made her such a man” (I, iii, 160-161). Iago uses the negative power of language as corruption to

Likewise another weakness of Othello’s would be that he is a man who gets confused easily and cannot judge right from wrong. This can be seen when

“Othello” is a Shakespearian tragedy set in sixteenth century Venice during the Turkish and Venetian Wars. The story follows the powerful Moor of Venice, Othello, and his tragic moral, military and marital downfall due to the corruption instigated by his jealous ancient, Iago. Throughout the play, the themes of womanhood, appearance versus reality, as well as prejudice in identity are explored. Further, contemporary responders can extract individual meaning through applying the literary criticisms.

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

Only by considering a range of perspectives can we truly appreciate the world of Shakespeare’s Othello. It is through my exploration of these perspectives and their relationship with changing morals and values that has enriched my understanding of the play. One such reading of the play challenges the marginalisation and objectification of woman in a patriarchal Venetian society, while taking into account the changing role of women in modern society. Another interpretation of Othello examines its post colonial elements through the protagonist Othello, and his insecurities of being a black man in a white society. My interpretation of the play as a portrayal of the values existing in Shakespeare’s time is filtered through these

In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.

As in almost all tragedies, especially those of William Shakespeare, the tragic hero always runs into misfortune. The play Othello is no exception. In this play, every character acquainted with the tragic hero appears to be unfortunate. While these misfortunes are oddly related to Othello, are they his fault or did each character attract them out of their own actions? To answer this daunting question, one must consider the three most unfortunate characters: Othello, Desdamona and Roderigo and analyse their downfall which eventually lead to their deaths. It is known from reading the play that Iago is the one who manipulates all three of them. Examinations of their connection with him before their deaths are necessary to answer this

Othello is a military hero, widely respected and admired by most. Even his enemies have a grudging respect for him. He has taken the loveliest lady as his bride, and has a seemingly great life. He is seen as a very good man, as proven by the words of the Duke of Venice: “..If virtue no delighted beauty lack, your son in law is far more fair than black.”(Page 47, Line 285-286). Despite all this, Othello does have a fatal

We see an example of how a dramatist creates not only character, but also the theme of opposition which is really the main idea to the play. (For example in Act 1 Scenes 2 and 3 it’s clear that he’s Othello’s dignified. His use of

Shakespeare is very well known for his inclusion of tragic flaws throughout the storylines of his novels. Hero’s, as courageous as they may seem, are just like any other person and go through flaws throughout their lifetime regardless of the extent of their situation. In Shakespeare’s novel Othello, with all the events twisting the readers mind from one side to another, there are many distinct qualities that portray Othello’s tragic flaw. Iago was portrayed as an honest character but with his careful deceptions jabbing in Othello’s mind, he is far from honest. Othello’s tragic flaw is that he trusts others opinions more than his own perceptions and Shakespeare develops this flaw by using convincing persuasive appeals and strong syntax throughout

Everything about Othello’s mind, on the contrary, is direct, healthy, objective; with an openness and docility of childhood he loses himself in