Othello: Sexual Disfunction

In Shakespeare's Othello, Othello's pride prevents him from finding the truth, eventually leading to his demise. Initially, Othello and Desdemona are deeply in love, despite her father's disapproval of their marriage. However, when Othello promotes Cassio instead of Iago to Lieutenant, Iago has his revenge by convincing Othello that Desdemona cheats on him with Cassio, destroying the marriage between Othello and Desdemona. Othello grows to meet his downfall when his trusted friend Iago causes him to think that his wife Desdemona is unfaithful.

“Othello” begins in middle of an argument between Roderigo and Iago. Desdemona and Othello’s wedding is the main topic of their argument. Desdemona is a Venetian beauty who is treated as a possession of her father, Brabantio, but by marrying an outsider Othello, she goes against the tradition of venetian custom which she is expected to marry a rich man to maintain her family’s honour. Iago reports Brabantio that his daughter is being stolen by Othello. “Awake! What ho, Brabantio! Thieves, thieves!” (1.1. 76). This quote depicts how unmarried women were treated back in 16’s century. However, while everyone in the play thinks that Othello has stolen Desdemona to marry him, Desdemona speaks herself to prove that she truly loves Othello. “That I love the Moor to love with him” (1.3. 246). Also, she even asks for her permission to go to Cyprus with Othello because she can’t stand the thought of remaining at home, which doesn’t have any adventure. There is a comparison between her social class and her

In the beginning of the play Othello exhibits behaviors leading one to believe that he

We can see the breakdown of Othello’s masculinity by the breakdown of his language. At the beginning of the play, Shakespeare uses blank verse for Othello’s parts. Othello speak in iambic pentameter, clearly and purposefully. He portrays himself and a confident and noble man when Brabantio accuses him for using witchcraft to win Desdemona. He replies in a poetic and calm manner, in comparison to Brabantio, who is aggressive and rude. Othello states, “Rude am I in my speech…” he is very humble, he apologises beforehand in case he offends anyone. We recognise him as a powerful speaker; we also know that Desdemona is seduced by his storytelling, therefore showing him as authoritative and dominating. However, as the play moves on and we begin to see Iago deception taking over Othello’s mind, his speech turns to prose. He begins to turn aggressive as he takes in more or Iago manipulative lies. “Damn her, lewd minx!, oh damn her, damn her!” and regards Desdemona as “the fair devil”, he speaks in hell imagery, which is in contrast to his previous heavenly marriage with Desdemona. This shows he is weak, therefore destroying his masculinity once again.

In the play, The Tragedy of Othello, judging from the relationship between Desdemona and Othello, seems to say that marriage based on an innocent romantic love is bound to fail. There is a common thread of betrayal and deceit among many characters. Othello and Desdemona being the most vividly portrayed. The two appear to love one another romantically at first, but it soon after transforms into a secular love. This comes to pass because there is no foundation for a relationship. There is no trust, no communication, and no understanding.

In Shakespeare’s Othello, Othello and Desdemona’s marriage was doomed from the start. They did not start well; their marriage was controversial because of their race and Othello’s failure to follow proper etiquette while he was courting her. However these issues could have been overcome with time. The biggest problem is Othello’s attitude to Desdemona. Othello’s model of Desdemona prevents him from considering her a person. He thinks of her instead as superior to himself in every way, to the point that she is a god. Her race, beauty, and status make her godly in his mind. She becomes untouchable in Othello’s mind, and he begins to distance himself from her. Because Othello thinks of Desdemona as “Alabaster”(5.2.5) he will never consider

When Othello and Desdemona were not yet married, Othello would tell stories of the wars that he had fought in. That is what led Desdemona to fall in love with Othello. The two had rushed into their marriage. They married each other because they were in "love" with in each other. They did not even really know each other. I do not think that either of them really knew of the notion of "love" to begin with. Othello was much older than Desdemona, which made them two really different people. She was young and had a full life ahead. He was set in his ways and was a bit more reserved. When Desdemona eloped, she deceived her father. This fact made Othello

When Brabantio has finally located Othello, with torches on another street in the middle of the night, the senator exclaims loudly his right of ownership: “O thou foul thief, where hast thou stow'd my daughter?” With the Turkish campaign against Cyprus in motion, the Duke of Venice scarcely has time for Brabantio’s protestations. Furthermore, the duke recognizes Desdemona’s right to marry whomever she prefers. In exasperation the senator disowns his Desdemona, not permitting her to stay at home while Othello is away at Cyprus. So she goes with the ancient and Emilia.

Othello’s anger prevents him from having a healthy marriage, i.e. one with open communication. When Iago implies that Desdemona had sex with Cassio, Othello gets filled with rage. He says, “First to be hanged, and then to confess—I tremble at it. Nature would not invest herself in such shadowing passion without some instruction. It is not words that shake me thus” (IV. i. 40-43). Othello

Susan Snyder states "Barbantio, Iago and finally Othello see the love Between Othello and Desdemona as unnatural, ‘nature erring from it self’." Othello expresses this through his statement,

Daringly, Shakespeare opens this tragedy of love not with a direct and sympathetic portrayal of the lovers themselves, but with a scene of vicious insinuation about their marriage. The images employed by Iago to describe the coupling of Othello and Desdemona are revoltingly animalistic, sodomistic. [. . .] This degraded view reduces the marriage to one of utter

In Act II Scene I he tells her, "It gives me wonder great as my content to see you here before me. O my soul's joy!" and " If it were now to die, ‘Twere now to be most happy" (Shakespeare 1168-69). Othello implies that his life was in chaos before he met Desdemona (1186). Othello, however, is also very insecure of Desdemona's love for him (Mabillard 1). He doesn't understand why she would go against her father and her society by marrying a man that is black (1). The only reason that he can come up with is that she married him for his courageous journeys (1). In Act I scene iii he explains to the Duke, "She lov'd me for the dangers I had pass'd" (Shakespeare 1157). In Act III scene ii he tries to put his doubts to rest

Othello and Iago love emotions shows throughout the play that they have certain different view on their wives. Othello is so in love with Desdemona that he can’t imagine the thought of her being unfaithful to him. The aspect of him and his unbreakable love for Desdemona can be seen in these lines: “But that I love the gentle Desdemona, I would not my unhoused free condition, Put into circumscription and confine” (Othello 561;lines 25-28). Othello and Desdemona shows a healthy and genuine love for each other. Othello shows his affection for Desdemona despite their racial differences. Throughout the play Othello reassures us about their love and no one else’s thought can break it.

Shakespeare explores more than just excessive, impetuous love in portraying the Moor. Othello has been prepared for his role as a jealous, murderous husband from the beginning of the play because his love for Desdemona is suspicious. Othello immediately discloses that the love he and Desdemona share derives from his stories of war, which are strong and heroic: "She loved me for the dangers I had passed/and I loved her that she did pity them." (1.3.168-169). He explains to Iago, "But that I love the gentle Desdemona/I would not my unhoused free condition/put into circumscription and confine/for the sea's worth." (1.2.25-28). Othello tells Iago that sea treasures could not make Othello surrender his love for war and nothing could make him surrender his love for Desdemona. This shows that the power Othello derives from war describes the powerful quality of his love. It seems doubtful that the love Othello has for violent "feats of broil and battle" can be used to describe his love for Desdemona who is "of spirit so still and quiet that her motion/ blushed at herself," without compromising the safety of love (1.3.131, 1.3.96-97). In fact, when he returns from suppressing the Cyprus revolt, he calls out to Desdemona, "My fair warrior!" (2.1.180). Although Desdemona has fallen in love with Othello by listening to his "travailous history", stating that she is a "fair warrior" does not seem to be the next logical step in

Othello’s immediate trust for Iago’s speculations demonstrate the truth of the matter that Othello is not close with his wife to be able to hear the truth from her. Othello exhibits assurance in Iago and goes to him for advice. In return, Iago deceives Othello by pointing out Desdemona’s actions saying “She did deceive her father” by marrying a Moor (III.iii.206). Iago is implying that Desdemona is not to be trusted because she lied to her father. Othello now disregards Desdemona and changes his attitude towards her. Othello believes that if she was able to lie and hide a relationship from her own father, she is capable of hiding her cheating ways from him. Othello is persuaded that Desdemona has what it takes to go behind the backs of the people she loves and this creates