Othello Swan Song Essay

Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a “tragedy.” Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. This causes him to lose his ability to make good judgments and decisions. Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. As the story unfolds Othello’s character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Eventually, this leads to Othello’s suicide.

While he is flawed by his paranoia and pride, Othello is only unstable and destructive after intricate deception. Indeed, he seems maddeningly perfect to his adversaries. Even Othello's greatest enemy,

What is a tragic hero and why is Othello considered one? The tragic hero archetype is used in many different pieces of writing and with every character comes a different way of using it. While adding to the tone of the story it also adds to the characters overall personality from the reader's perspective. In Shakespeare's Othello he uses this in his main character. This slowly comes together throughout the play and is presented with many examples. There are examples of Othello's high status, tragic flaws, and his inevitable downfall.

In Othello, the plot meets the definition of both Aristotle and Shakespeare on a tragedy. Aristotle believed that the plot is the most important element in a play and that plot also clearly points out the problem of any characters to be solved. However, the protagonist of the tragedy play only partially meets the definition of Aristotle’s tragic hero. The play is set in Venice and Cyprus where a Moor, Othello, General of the Venetian army gets secretly married to a Venetian nobleman’s daughter, Desdemona. During the play Iago manipulates Othello because Lieutenant Cassio was promoted ahead of him, and also because he suspects that Othello has had an affair with his wife. “And it is thought abroad that twixt my sheets He’s done my office. I know not if’t be true; But I, for mere suspicion in that kind, Will do as if for surety” (2.1. 364-367).

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

"Othello is essentially an noble character, flawed by insecurity and a nature that is naive and unsophisticated". Looking at William Shakespeare's Othello The Moor Of Venice, the central character, Othello is revered as the tragic hero. He is a character of high stature that is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by all of the participants. Othello is first shown as a hero of war and a man of

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

For starters, Othello has been through countless dangerous adventure; his experiences make a great contribution to his nobility. Specifically, he talks about his traveling through “rough quarries, rocks, and hills whose heads touch heaven” (1.3.157). This means Othello has been to many different dangerous places throughout his life. He has experienced many deadly incidents; after countless times he has been between the realm of life and death, he is disciplined enough to become a fearless hero. His bravery to face harshness and roughness in life is a main part of his personality that creates his greatness. Finally, his courage to admit his sin of jealousy and willingness for redemption is very honorable. In particular, when he realizes his foolishness for misunderstanding his wife and kills her, he ends his life by his own hands “to die upon a kiss” (5.2.412). This is evidence of the fundamental truth that Othello kills his wife over his jealousy, his craziness, and his foolishness; so he kills himself to redeem his crime. For a man to admit his fault is a very hard thing, yet Othello, as a great general, forgets his pride to admit his flaw; it is even harder for one to kill himself to ask for forgiveness. He kissed his wife before he killed her, now he kisses her again before he kills himself; he makes an end to what he started the same way fair and square. Othello’s action show his inconsolability, as well as majestic remorse; his rue is priceless. Othello’s gallantness in acknowledging his mistake and his bravery to punish himself shows his nobility. Hence, his hardship experiences, and his sincere remorse make a major contribution to his

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

    Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.

Tragedy is mostly seen in characters pure and innocent. The deaths of those whom are innocent have a blindness to see the deceitfulness in others. Characters die who do not deserve their unfortunate fates. Desdemona is the heart of Iago’s plan and her loyalty to Othello eventually leads to her death bed. Emilia’s husband is the villain she hates, but giving him the one item he needs dooms everyone. Othello falls into Iago’s plan as soon as his fatal flaw of jealousy comes into play. In the tragic play Othello, by William Shakespeare, the innocent characters Desdemona, Emilia, and Othello are lead to their demise because they are manipulated into trusting Iago.

In Shakespeare?s play Othello, Othello himself is the tragic hero. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single person, but is rather the consequence of a wide range of feelings, judgments, misjudgments, and attempts for personal justification revealed by the characters.

William Shakespeare presents the character Othello as an excellent leader in the play, Othello. The hero has strength, charisma, and eloquence. Yet Othello cannot reason. The battlefield and Senate are, at least in Othello, depicted as places of honor, where men speak truly. In addition, the matters of war and state are relatively simple; no one lies to Othello, all seem to respect him. He never even has to fight in the play, with the enemy disappearing by themselves. This simplistic view does not help him in matters of the heart. His marriage is based on tall tales and pity and his friendships are never examined; he thinks that anyone who knows him love him. Thus the ultimate evaluation of

The tragedy of Othello is not just a story of jealousy but rather a clash of two worlds. In Shakespearean plays we many times see the protagonist fall due to deceit, human flaws, and corruption of their society. We specifically see the hero fall in Shakespeare's Othello as a man trying to be himself with a corrupt friendship in Iago. Othello is seen to be the noble moor of Venice. He is respected by society for his many actions of nobility and bravery. Iago on the other hand is the villain plotting around Othello and others in his society he lives in. The noble moor of Venice Othello is shown to be very brave and courageous of all of the city and the army he leads. Their inconsistent characteristics is what separate the two from each

Othello is a military hero, widely respected and admired by most. Even his enemies have a grudging respect for him. He has taken the loveliest lady as his bride, and has a seemingly great life. He is seen as a very good man, as proven by the words of the Duke of Venice: “..If virtue no delighted beauty lack, your son in law is far more fair than black.”(Page 47, Line 285-286). Despite all this, Othello does have a fatal