Othello and Heroism
In William Shakespeare’s tragedy Othello the audience finds heroism exhibited not only by the hero, the Moor, but also by other characters in the drama.
A. C. Bradley, in his book of literary criticism, Shakespearean Tragedy, defines a woman character, Desdemona, as a hero in the play from the very outset:
There is perhaps a certain excuse for our failure to rise to Shakespeare’s meaning, and to realize how extraordinary and splendid a thing it was in a gentle Venetian girl to love Othello, and to assail fortune with such a ‘downright violence and storm’ as is expected only in a hero. It is that when first we hear of her marriage we have not yet seen the Desdemona of the later
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At the outset of the play Iago persuades the rejected suitor of Desdemona, Roderigo, to accompany him to the home of Brabantio, Desdemona’s father, in the middle of the night. Once there the two awaken the senator with loud shouts about his daughter’s elopement with Othello. In response to the noise and Iago’s vulgar descriptions of Desdemona’s involvement with the general, Brabantio arises from bed and, with Roderigo’s help, gathers a search party to go and find Desdemona. Once that Brabantio has located Othello, the general stands with heroism before the group of armed men with swords drawn, saying confidently, “Keep up your bright swords, for the dew will rust them.” The father presses charges publicly in order to have Desdemona returned:
To prison, till fit time
Of law and course of direct session
Call thee to answer. (1.2)
The proceedings which take place before the Duke of Venice show heroism on the part of Desdemona, who stands up to her father before the body of senators with whom he has worked for years, but in a respectful manner: “My noble father, / I do perceive here a divided duty.” She elects to remain with the Moor. The general himself, in narrating how he wins the hand of Desdemona, gives testimony to his own valor during many battles. He concludes: “She loved me for the dangers I had
In Shakespeare's Othello, Othello's pride prevents him from finding the truth, eventually leading to his demise. Initially, Othello and Desdemona are deeply in love, despite her father's disapproval of their marriage. However, when Othello promotes Cassio instead of Iago to Lieutenant, Iago has his revenge by convincing Othello that Desdemona cheats on him with Cassio, destroying the marriage between Othello and Desdemona. Othello grows to meet his downfall when his trusted friend Iago causes him to think that his wife Desdemona is unfaithful.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is.\...Oh, she deceives me\ Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the
Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason
Desdemona believes that Othello is, in fact, a noble for the heroic acts that Othello has performed. As Bell suggests: "It is the heroic character Othello has made for himself that achieves his success in his wooing. He makes Desdemona put aside the prerequisites of class and race assumed for her appropriate suitor" (4). Iago,
Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”
In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character
At the outset of the play Iago persuades the rejected suitor of Desdemona, Roderigo, to accompany him to the home of Brabantio, Desdemona’s father, in the middle of the night. Once there the two awaken the senator with loud shouts about his daughter’s elopement with Othello. This is the initial reference to the role of women in the play – the
The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in
Shakespeare has been known to create terrific tales of love and tragedy. Even James Van Der Beek, a well known actor from Dawson's Creek, once commented that, “like all great romantics, Shakespeare realized love was a lot more likely to end with a bunch of dead Danish people than with a kiss”("Americans on the Bard"). This emphasizes how easily people can relate Shakespeare to tragic love. Although he did write many poems and plays with happy endings, his tragedies stand out the most. In these tragedies, people are often led through use of misconception, trickery, or both. An example of misconception can be shown by another of Shakespeare's plays, “Antony and Cleopatra,” as he wrote for Antony's part, “this foul Egyptian hath betrayed
Desdemona is shown as the most pure and proper of the women in Othello and is put into the center of all the drama. The men of the play manipulate her image of a naive lover to being a “ ...strumpet!” (V.ii.94). Desdemona is oblivious to what is going on around her and stays loyal to her morals but Iago’s rumours lure Othello to thinking otherwise. Desdemona’s true morals is her absolute devotion to her husband. She stayed loyal to her lover throughout the entire play and in the end it did her no good. “Nobody; I myself. Farewell! Commend me to my kind lord. O, farewell!” Desdemona on her deathbed, still defends her Lord’s actions. She does not fight back nor call for help, Desdemona begs for her life asking to “Kill me (Desdemona) tomorrow; let me live tonight!” (V.ii.97). She is not as strong-willed like the other ladies and is Shakespeare’s example of the archetype of the innocence and has the bases of a flat character. After the
The proceedings which take place before the Duke of Venice show heroism on the part of Desdemona, who stands up to her father before the body of senators with whom he has worked for years, but in a respectful manner: “My noble father, / I do perceive here a divided duty.” She elects to remain with the Moor. The general himself, in narrating how he wins the hand of Desdemona, gives testimony to his own valor during many battles. He concludes: “She loved me for the dangers I had passed, / And I loved her that she did pity them.”
Both Desdemona and Othello are respectful towards the lords while explaining their story of love. Perhaps this is simply their polite manner. However, their way of dealing with a tricky situation is clever. Flattering the lords and showing all due respect is destined
With the Turkish campaign against Cyprus in motion, the Duke of Venice scarcely has time for Brabantio’s protestations. And the First Senator encourages the newly married general: “Adieu, brave Moor, use Desdemona well.” The word use conveys the sexist belief of the husband’s ownership of the wife. Later, when Roderigo confesses to Iago his depression and suicidal feelings over the loss of Desdemona, the ancient seeks to keep him alive by saying that Othello will soon grow tired of his bride, stating
joy, however she refuses to marry any of the rich, handsome Venetian men that her
One can strongly argue that Othello is the bravest character in Act l and ll of Othello. In act one othello says, “Let him do his worst. The services I have done for the Venetian government shall speak more loudly than his complaints” (Shakespeare 39). At this point in the text, Iago arrives at Othello’s home, where he tells him that Brabantio will not hesitate to try to force him to divorce Desdemona. In other words, this clearly supports that Othello will not hide and be a coward. Othello is willing to let his actions do the talking instead of himself. He is not hesitant to stand up to Brabantio about his marriage with Desdemona and will do whatever it takes and will go through any punishment just to prove himself right. Furthermore, when Othello is being accused, Othello replies with, “I beg you to send me to the Saggitary inn for the lady herself and let her defend me in her father’s presence.