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Essay about Othello and Iago ? Two of a kind?

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When reading Shakespeare's “Othello the Moor of Venice”, the two main hero's seem to be very different, both in character and actions.
Othello seems to be an honest man who believes other people. He is respected by society for his nobility and bravery. Iago is a villain, plotting around not only against Othello. Othello demotes him to a lower status, and despite beeing a trained soldier, Iago is quite a coward when it comes to confronting an enemy with a sword.
Although these two figures seem so different, they are [much more] alike, in more than one way. They both share the army way of life, and they tend to curse and use harsh language when upset. They both betray the people they are close to.
Othello and Iago are suspicious towards …show more content…

Iago, on the other hand, is a coward. The audience hears him talk about his battles, but when actually holding a sword, he prefers to avoid confrontation. [FOR INSTANCE , WHEN TRYING TO KILL CASIO,]"Iago darts from concealment behind Cassio, wounds him in the leg, and exit" (V, i, 27).
The audience can therefore see two different characters. Othello is naïve while Iago is the villain. Othello is respected by everyone. Iago feels he disserves[DESERVES] more respect, better position, more money, and a more beautiful woman. Othello is a brave and victorious general that overshadows Iago, a coward that stabs his rivals from behind.
However, in spite of this difference, Othello and Iago are alike in more than one way. Othello and Iago are both soldiers. They obey orders of military fashion. Othello gets his orders from the duke and senate. Iago is doing more simple soldier chores, like when Cassio calls him "to the watch" (II, iii, 13).
This shared way of life probably made them talk the way they do, in a rude fashion, especially when they are mad. "I'll tear her all to pieces" (III, iii, 431), "O, blood, Iago, blood!" (III, iii, 451), cries Othello during a conversation of theirs. When interrogating Desdemona, he degrades her by asking "What, not a whore?" (IV, ii, 86). Iago too, builds up a negative impression

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