Throughout the tragedy of Othello Shakespeare does an impressive job of quickly introducing and manipulating his main characters. His talents are no less when it comes to the creation and development of Emilia. Though it appears that Emilia is both a loyal and obedient wife, her actions speak much louder than her words. When Emilia betrays the sisterhood within the play of Othello much is revealed to the reader regarding her character. Through close reading and interpretation the reader may come to the realization that Emilia possessed a dangerously low self-esteem, never honestly loved someone wholeheartedly, and ultimately, acted out of jealousy of Desdemona. Low self-esteem is a dangerous mental health disorder. Although one many …show more content…
Emilia clearly does not love Desdemona as much as she claims to; as it is ultimately her fault that Othello comes to believe Iago’s lies of Desdemona’s alleged affair with Cassio. If Emilia truly had love in her heart for her dear Desdemona, she would have returned the handkerchief to Desdemona after seeing the immense amount of pain it caused her in Act IV scene ii and iii. The lack of love portrayed by Emilia can only be attributed to not only to her verbally abusive husband and the lack of affection shown by him, but also perhaps to her inability to love another person, as she is never shown true, forgiving, honest love by another human herself. Many arguments have been made pertaining to the jealousy of both Othello and Iago; however, it could easily be argued that Emilia’s jealousy in the play is a significant factor in the deaths of both Desdemona and Othello. As previously discussed, Emilia was never shown kindness or love by Iago, unless he hoped to gain something from such moments of affection. As Emilia was denied attention and love from her husband on a daily basis, she was forced to observe how her lady Desdemona was lusted and loved after by not only Othello but also her very own husband, Iago. Emilia watched as Desdemona was fawned over by Rodrigo, kissed and held by her husband, Othello, and complemented by Cassio and Iago, while Emilia received no attention in return. In an A.C. Bradley criticism of Othello, he argues that it is not until Othello is
She is then disowned by Barbantio with no further words directed to her by him but is referenced as a liar and should be kept on watch for her conniving ways by him towards Othello. Which then begins Shakespeare’s in depth writing on Othello and Desdemona’s relationship where she is as “a child to chiding” (4.2.119-120). Not even a moment after her father leaves Othello commands Iago to tell his wife, Emilia, to tend to Desdemona as a babysitter. Irony occurs within (2.1.169-171) where Desdemona challenges Iago and stands as an independent woman for Emilia objecting to his conclusion, that women no matter how beautiful or intelligent play the same “foul pranks”. However, as Othello’s jealousy and rage arises throughout the play it seems as her character has to fight even harder to breathe under his control; symbolic for her death of suffocation. Desdemona is a gentle women living under her love’s control with no power to object even if she had opposed this type of controlling relationship. As a higher class woman she had more power and respect over other women characters such as Emilia or Bianca, but is this dominance enough to feel in control of oneself? It is believed that Shakespeare added the 2 other
Emilia is what Desdemona is not. She is seen as a more practical woman as compared to Desdemona, he experiences and following of realism helps her to get an insight in the relationship of a man and woman. She is able to see what Desdemona could not as she is too good to see the realities of life. She has her one idealistic world beyond which she could not see anything. Desdemona died because of her innocence, because of something which she never did, her only fault was that she did not stood up for herself. On the other hand Emilia being a strong woman stood up against the authority of men in after Desdemona’s death to prove her innocence, but such a strong voice was something unacceptable in
In Shakespeare’s “Othello”, Emilia is considered one of the minor characters. She is the wife of Iago and the lady in waiting to Desdemona. Emilia makes a crucial contribution to the play as a whole. She contributes to the characterization of a couple of key characters and adds to the dramatic irony of the play. She plays an essential role in the escalation of the dramatic action. She also adds to some of the themes of the play.
The contrasting characters; Desdemona and Emilia, form an interesting and important relationship in the play Othello. Desdemona is very ‘sheltered’ from the ways of the world and Emilia is very ‘down to earth’ and ‘experienced’. From this difference we see a fascinating relationship between the two of them.
In the drama Othello, by William Shakespeare, there are several dynamic and interesting characters from the beginning to the end. There is one character who stands out more than any of the other main characters, her name is Emilia. Emilia plays a key role in the drama, it is her job to look over and take care of Desdemona who is the wife of Othello. Even though, Emilia would not me considered a main character to most people her actions have an enormous impact on the drama and where it heads. Emilia is also the wife of Lago who is considered the protagonist of the drama. Her actions shape and make the drama devolve to what it is today. Emilia is known for constantly being with Desdemona, her cordiality towards other characters, and for being suspicious of the husband Lago.
Her death is therefore her punishment, furthermore making Emilia a tragic victim as she has died through no fault of her own. Like Emilia, Desdemona is also a tragic victim of the men in ‘Othello’. Her murder, like Emilia’s, is through no fault of her own is a result of Othello’s jealousy and Iago’s interference. What makes Desdemona even more tragic to the audience is the fact that even in death she tries to protect her husband, telling Emilia that she has killed herself, “nobody, I myself”, this further depicts to the audience that Desdemona is a good and pure character. Her devotion to her husband makes her a tragic victim in the play as she can not be blamed for her death.
Emilia lacks the wisdom or courage to confront Othello and confirm that Desdemona is an honest person. Her actions make the
In addition, Emilia proves her underrated intelligence by standing up for what she believes is right. Desdemona, Othello's wife, and Emilia's relationship grows because of her great loyalty towards her. At the end of the play Emilia stands up for Desdemona because Othello kills her. She explains Desdemona's true love for him and would never do anything to hurt him, which proves Desdemona's innocence. Not only does Emilia stand up for Desdemona, but she also voices her opinion to Othello. Emilia shows no fear standing up to Othello to prove to him that his wife has always been faithful. At first Othello finds it implausible but then Emilia says, "Thou art rash as fire, to say that she was false. O, she was heavenly true!" (Shakespeare V: ii, 165-166).Women are looked at in Othello as unintelligent and unfaithful, but Emilia changes that stereotype by standing up to the men. From the start Emilia and Iago's relationship always seemed rocky. Emilia's confidence in herself shows that she is not afraid to stand up to her husband. Emilia realizes the danger she puts herself in when she stands up to Iago. In order to make things right, she does whatever it takes, even if that means ruining their marriage or taking her life.
Emilia didn't have a very wonderful marriage relationship with her husband Iago. She wished for more because she really loved Iago and did some bad things like stealing the handkerchief that she knew meant so much to Desdemona just to make Iago happy, of which she did not notice(3.3.297-320). In another incident where Emilia is not appreciated by her husband, is seen when Iago is ready to compose a poem for Desdemona, because she is beautiful but refuses to do the same thing to Emilia, his wife (2.1.117-134). According to Emilia, men are the cause of many marital relationships. The jealous men posses make them ruin the relationship they have. In the play, we see this come to pass when Othello, because of being jealous loose the trust he had on his wife to the point of killing her. She further says that, women cheat on their husbands because their husbands don't satisfy their wives sexually for they go to sleep with other women beside their wives (4.3.87-88).
Coupled with Emilia’s obedience to Iago, his ploy can finally convince Othello of Desdemona’s unfaithfulness. Emilia does not agree with her husband, Iago very much, but she does obey him when she has the opportunity to do so. However, Emilia picks up Desdemona’s handkerchief, with no thought, only that it will please her husband, “what he will do with it /heaven knows, not I; /I nothing but please his fantasy,” (OTH.III.III.297-289). Subsequently, this handkerchief may not have much meaning to Emilia at this moment, but once she finally discovers the truth about her husband, she immediately accuses her husband of being a villain, and dies by his hands. Correspondingly, Emilia is also loyal to her husband, to such an extent as to lie to Desdemona about where her handkerchief has gone. As Desdemona worryingly searches for her handkerchief, Emilia denies knowing where she could have lost it, and suggests a different reason for Othello’s uneasiness, “I know no madam… /Is he not jealous?” (OTH.III.IV.14, 20). Emilia knows where the handkerchief has gone, but remains silent because her husband, Iago has told her to. As a result of Emilia’s loyalty Iago does not need to worry about others discovering where Othello’s handkerchief
There are a great deal of plays that end with the death of a wife, often due to rumors of cheating. While many of these plays serve to provide violence in the private, domestic sphere, Othello pushes this issue into the public eye. Although there are many opinions on whose fault the deaths may be, Vanita argues that Desdemona and Emilia are very similar in their deaths. She feels that these deaths are caused by a series of ever escalating male characters as well as those who refuse to
In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.
In her final moments, Desdemona chooses not to blame Othello for her death because she saw that the honor of their love was more important than honesty. After Othello was convinced that Desdemona was cheating on him, Othello had started to show his disappointment with her. He had even gone as far as hitting her (4.1 134). Despite this, Desdemona continued to stay true to Othello. Othello, though, decides to kill her. Desdemona senses a change in Othello and she has a feeling that she will die soon due to the hands of Othello. This does not stop her, though, from continuing to care for Othello. Even when Desdemona was found after Othello strangles her, she still believed that her death was not the fault of Othello. Emilia comes into the couple’s bedroom after Othello smothers Desdemona, but hears Desdemona cry out. Seeing her dying, Emilia asks who would do this. Desdemona replies that it was her fault: “Nobody – I myself. Farewell / Commend me to my kind lord. O, farewell!” (5. 2. 125-126). Not only does she try to protect Othello’s reputation by blaming herself, Desdemona tells Emilia to remind Othello about her showing that she stills respects Othello. By trying to hide the fact that Othello had murdered her, Desdemona has chosen to put the honor of their love above honesty.
Furthermore, she realizes that she has played an unintentional part in the tragedy by following Iago’s request to steal Desdemona’s handkerchief. It has all been a plot by Iago to destroy Othello, and this is finally revealed to everyone, including Emilia (Kennedy and Gioia, V. II. 179-182, 187-189). To see Emilia come to full awareness is to see first the emotional breakdown caused by this revelation, and then to see it begin to build, as she shows heartbreak, guilt, awareness of betrayal, and recognition of supreme cruelty on the part of someone she has trusted with her life. She finally speaks with the words, “Villainy, villainy, villainy!” (Kennedy and Gioia, V. II. 197), knowing she has to persuade everyone of Desdemona’s innocence. Recognition again occurs in Act V Scene II when Emilia hears Othello mention the handkerchief, after he has killed Desdemona: "With that recognizance and pledge of love / Which I first gave her. I saw it in his hand; / It was a handkerchief, an antique token / My father gave my mother" (Kennedy and Gioia, V. II. 221-224). At the same time, the attending visitors and soldiers, who have been called into action by Emilia’s cries in Act V, Scene II, are also realizing the truth of these terrible events. The reversal occurs as Emilia discloses that it was she who stole Desdemona’s handkerchief, “She give it Cassio? No, alas, I found it, / And I did give’t my husband” (Kennedy and Gioia, V. II 236-237). Immediately Othello knows that
Then, there is the matter of Othello’s wife, Emilia. One would think that being so close to Iago, she would know something of his deceitful nature. However, she is continuously hoodwinked by her husband. She seems to know nothing of his supposed rage toward Othello at being overlooked for the promotion to lieutenant. She also believes him when he pretends to be upset over Cassio’s demotion from lieutenancy. She says thus to Desdemona, “I warrant it grieves my husband/ As if the cause were his.” (III.iii.3-4). Later, she finds her lady’s