Othello, by William Shakespeare Essay

Iago is an interesting individual and a mystery, because he conceals his secret jealousy and hatred towards Othello, while setting in motion his dubious plot of lies and deceit. Through this Othello begins to believe that Desdemona is unfaithful and murders her. When Othello finds out

Desdemona is the last frontier between Iago and Othello, and Iago puts everything at stake to ruin her reputation.

In Othello, Shakespeare forms the villainous character, Iago through his complex language. Iago shows his evil nature towards Roderigo through his use of demeaning animal imagery. Iago also uses an extended metaphor to try and trick the ignorant Roderigo and (unknowingly to Roderigo), insults him. Lastly, Iago uses repetition to beguile Roderigo to keep paying him. Iago’s slyness is clearly seen through his deceiving language towards the end of Act I.

In each case, Iago manipulates Othello so that Othello sees the appearance that Iago wants him to see, rather than the reality of what is actually happening. In this way, Iago becomes a kind of "director"—he even directly addresses the audience through his many soliloquies—and Shakespeare draws attention to the way that a playwright and actors create an appearance onstage that tricks the audience into seeing something other than reality.

We are introduced to the antagonist, Iago and another character that shares hate for Othello also because he loves Desdemona in Act 1 Scene 1. The first line in Act 1 Scene 1 states ' Tush, never tell me! I take it much unkindly. That thou, iago, whon hast had my purse. As if the strings were thine, shouldst know of this' In translation ‘All this time I’ve thought you were such a good friend that I’ve let you spend my money as if it was yours’. That opening statement already demonstrates Iago’s inner personality and builds a slight reputation from readers for him. As Iago convinces his plan of the destruction of Othello will work, we also start to notice how casually and easily Iago can convince characters using his strong

She begins the play as a independent and thoughtful person, but she must struggle against all odds to make Othello believe that she is not too independent. Desdemona is a symbol of innocence and helplessness. However in the beginning of the play, she seems to be mature and quite insightful of events around her. Iago often tells Othello that she is unfaithful. It seems that she refuses to accept what Iago is doing. She has a tendency to be sympathetic towards other people's situations, like Cassio. This also further inspired Othello's jealousy when Iago pointed out that Cassio and Desdemona were speaking in private. She often pays attention to other people’s thoughts, yet remains distrustful if they differ from her own. She has a loyalty to her husband in all aspects of life,

Nevertheless, Iago’s manipulation influences Othello and Desdemona’s relationship, and it affects the other characters in the play. One of Iago’s motive

A key figure, if not the most important in the play, is that of the malcontent Iago, who sows the seeds of jealousy in Othello’s mind, and presents him with ‘proof’ to back up his suspicions. Iago acts as a catalyst to Desdemona’s murder and it is his intricate

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

As Desdemona engages in a conversation with Iago, the plays main antagonist, she wants him to “come on, assay.” (126) She begins to encourage Iago to try rather than just sitting around not doing anything about the situation to help it move in a positive direction, showing her intelligent and spiritual nature to all characters around her…including ones that end up having a negative effect on her present and future life.

Iago is a soldier who works alongside of Othello who has proved to be loyal and hardworking, therefore he is confident Othello will give him the promotion of lieutenant. When Othello gives the promotion to Michael Cassio, Iago sets out to make Othello’s wife, Desdemona, look like she is cheating on Othello with Cassio. Iago is extremely malicious and intelligent surrounding this situation:

The three characters of Iago, Desdemona and Othello are gradually revealed to the audience as Act One unfolds. All three are linked to one another and talk to and about each other. Their characters unfold through their interaction with others and how they behave in isolation. The first impression formed of Iago comes from what Roderigo says. Being gullible, Roderigo has given Iago his purse. A character who accepts an offer like this is likely to be of doubtful reputation. The first words spoken by Iago are a strong oath. Already it is obvious that he has little respect for religion. Iago also sees little point in fighting purely in theory. He despises Cassio, partly because he

The tragedy is inherent in the Othello-Desdemona relation, and Iago is a mechanism necessary for precipitating tragedy in a dramatic action… His self-centredness doesn’t mean self-knowledge: that is a virtue which Othello, as soldier of fortune, hasn’t had much need of. He has been well provided by nature to meet all the trials facing him now that he has married this Venetian girl with whom he’s ‘in love’ so imaginatively (we’re told) as to outdo Romeo and who is so many years younger than himself – the trials facing him are of a much different

Iago uses a gamut of devious methods to achieve his means. His use of Roderigo is a masterly move. From being "a Venetian gentleman," Roderigo becomes Iago’s gull. In the very first scene he gets him to confront a sleepy Brabantio and give him the news of his daughters escapades with the Moor.

and contributes to the inevitability of the tragedy but it is also a positive value in the play. It is a touchstone of trust and loyalty which contrast with the deceptions and portrayals perpetrated by Iago. Desdemona is 'innocent' in being removed from evil and the ways of the world although this makes her more vulnerable to