Othello the Tragic Hero Essay

“Take note, take note, O world, To be direct and honest is not safe. I thank you for this profit, and from hence I’ll love no friend, sith love breeds such offence.” (Shakespeare iii, III, 381-384), in this scene Othello asks for proof, and at this point Othello is truly questioning if his wife is cheating. In this quote Iago is using emotion to get to Othello, pathos, he is saying how he’s glad Othello is telling him that he shouldn’t help a friend when the truth is too much. This isn’t only ironic, but it also tugs at Othello to make Iago seem more honest and trustworthy than ever. Othello even responds to him saying he should always be honest. In another quote from this scene Iago manages to get Othello to even admit his jealousy by

Iago sees the handkerchief as a way of finally being able to get to Othello. Iago feels that the handkerchief is a symbol of Desdemona’s faith to Othello. By obtaining this symbol of her faith, he is able to deploy his plan of revenge against Othello. Othello discovers that the handkerchief is missing and becomes very angry with Desdemona. When Desdemona looses her handkerchief, Othello believes she is unfaithful. Othello sees Cassio with the handkerchief and accepts it as confirmation of Desdemona's infidelity.

Iago is an interesting individual and a mystery, because he conceals his secret jealousy and hatred towards Othello, while setting in motion his dubious plot of lies and deceit. Through this Othello begins to believe that Desdemona is unfaithful and murders her. When Othello finds out

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

Iago says, “O wretched fool That lov’st to make thine honesty a vice! O monstrous world! Take note, take note, O world, To be direct and honest is not safe. I thank you for this profit, and from hence I’ll love no friend, sith love breeds such offence” (3.3. 385-390). Othello has just told Iago for him to prove Desdemona is cheating and if he can’t his life is worthless. Iago replies with the lines above showing the role he plays when with Othello. He manipulates Othello into feeling bad for him by crying about being so honest and not taken seriously that he will never try to help a friend out. The irony is that Iago is causing a scene about Othello not believing that Desdemona cheating on him, when it is a

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

Othello is the character with whom most of Iago's methods have success. His weakness as a jealous lover is apparent early on, but only after Iago’s has planted the seeds of doubt within his mind. Such is Othello’s trust for Iago that he uses the misnomer of describing Iago as ‘honest Iago’ and irony considering the action held within the play.  The trust is obvious and implicit and thoroughly entrenched within the language. Othello surmises on the aforementioned doubts during the last act of the play when he says;

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

The second event to this process of tragedy is when Iago uses the handkerchief that he had his wife take to create “proof” that Desdemona was cheating on Othello with Cassio. Already ridden with jealousy, Othello demands Iago that he must have “ocular proof” to Desdemona's “deception.” In line with his devilish plan, Iago tells Othello that, “but such a handkerchief—I am sure it was your wife's—did I today see Cassio wipe his beard with” (Shakespeare 1330), knowing full well that the handkerchief was a precious symbol of love between the moor and Desdemona, although he pretended to be oblivious. His plan once again works its “poison” upon Othello as the moor says, “now do I see

Iago’s second soliloquy reveals how he manipulates Cassio and Desdemona. While Desdemona waits for Othello to return from his journey across ravenous seas, Iago joins her. He purposely acts like a jerk to Desdemona and his wife, Emilia in front of Cassio. When Iago departs from the group, Cassio, in his good mannered gentleman way, reassures Desdemona that Othello will make it to shore fine. Having Desdemona confide in his words, Cassio takes interest in her just as Iago had planned.

Iago is a jealous beast and he knows the true power and control jealousy holds on a man, Iago knows the danger it holds and uses it in his favor against Othello. In Act 3 scene 3 Iago says “Dangerous conceits are, in their natures, poisons. /Which at the first are scarce found to distaste, /But with a little act upon the blood. /Burn like the mines of Sulphur. I did say so:/Look,

The three people that Othello trust the most are: his wife, lieutenant Cassio, and Iago. But Iago has bad intensions, and he is going to be the character that steers Othello wrong. Even though Othello has done nothing wrong to him he thinks that his wife, Emilia cheated on him with Othello. So that’s why he wants to get revenge on Othello. But the main reason Iago is steering Othello wrong because he wants a higher position in the army. Iago is just the evil character in the play that lies and cheats.

Crimes of Jealousy Many characters in Shakespeare’s Othello exhibited passion in different ways. The significant differences in their personalities led to death and disgrace. Othello was unable to control passion with his friends, which led to his downfall.

For all the dangers and encounters he has been involved in, Othello is still naive when it comes to the corruptness of other people. Othello has a trusting nature in which he gives it all. He put all his trust in Iago during times of war and during his marriage to Desdemona. Everyone considered Iago to be honest, and it would be simply unspeakable for Othello to believe any differently. For example, Othello had told Duke: "So please your grace, my ancient; a man he is of honesty and trust. To his conveyance I assign my wife, with what else needful your good grace shall think, To be sent after me" (I, iii, lines 306-310). Even if Othello were not as trusting or corrupt, he still would not realize Iago was lying.