Outrigger Canoe Paddling History

The Mojave tribe had a simple bow and their arrows had no sharp points. They use boats and canoes but they did the little building of boats. Usually, they built a big pottery basket out of wet clay for children to cross the river. Woman and children carried baskets woven by arrowheads and rough wooden frames to carry their food to the village. A fish cord is made by

Symbolism allows writers to suggest their ideas within a piece of literature. This is found in most types of writing. Stephen Crane expresses this in his short story, The Open Boat. Through symbolism and allegory, it is demonstrated that humans live in a universe that is unconcerned with them. The characters in the story come face to face with this indifference and are nearly overcome by Nature’s lack of concern. This is established in the opening scenes, the “seven mad gods” and in the realization of the dying soldier. The descriptions that Crane uses in the opening scenes illustrate nature’s lack of concern for their tragedy. He discusses the waves in the ocean that continually roll and crest. The waves are problems or

"The Boat" by Alistair MacLeod is the story told from the perspective of university teacher looking back on his life. The narrator relates the first memories of his life until his father's death. The story focuses on the conflicting relation between the mother and the father, and their different perspectives on how their children should lead their lives. MacLeod uses features of setting to present the tension between tradition and freedom.

Suddenly, a man appears on shore stripping his clothes off and running into the water. The rescuer

The short story “The Boat” by Alistair MacLeod is narrated by a man who comes from a fishing family. His mother’s side of the family has forever lived and worked by the sea and continues this tradition. The narrator’s father always wanted to be an academic, but worked on the boat to support his family. Through this passage it is evident that the parents’ characters clash in many aspects of their lives and are in constant conflict. MacLeod demonstrates this through the use of repetition, the contrast in other unrelated ideas, and through information that is withheld.

The short story The Boat by Alistair MacLeod is narrated by a man who comes from a fishing family. His mother’s side of the family has forever lived and worked by the sea and continues this tradition. The narrator’s father always wanted to be an academic, but worked by the sea to support his family. The parents’ characters seem to clash in many aspect of their lives and this is very evident in the passage.

“The Boat” by Nam Le, is a serious of short stories that while representing a number of different themes throughout each story, the central theme regards the complicated relationship between children and their parents, with each story examining this theme in different ways. The opening and closing stories, “Love and Honour and Pity and Pride and Compassion and Sacrifice”, and “The Boat”, not only develop the relationship between children and parents and how the child attempts to maintain this relationship; but also how they live their lives without their parents.

Would you sacrifice your life and happiness for someone else to give them a life of perfection? Alistair Macleod; raised in Cape Breton, Nova Scotia, known as the protagonist and author of The Boat began to realize that his happiness isn't the only thing that matters. He told his father that he will stay by his side as long as he lived. Then he was suddenly gone. Alistair had no idea whether his father left because the sea wasn’t the right life for Alistair, or for himself. In The Boat Macleod conveys the idea that sacrificing happiness for another can ultimately lead to internal and external destruction through the use of irony, the protagonist's journey, and symbolism.

After the European influence upon indigenous Hawaiian culture, “Hawaiians radically reinterpreted and transformed their culture… part of this transformation was the abandonment of the kapu system in 1819.” The meaning of the organization of architecture no longer reflects upon ideology of the Hawaiians, but the adaptation of more technological advanced living space. As a result, “many temples were dismantled or destroyed, leaving only he foundation stones” (Ladegoged, #).

b. Bandicoot-a small animal in Australia that looks like a cross between a rat and a rabbit

The setting of Alistair Macleod’s short story, The Boat, complements the setting of Alden Nowlan’s poem, Warren Pryor.  Each of these writing pieces contain the element of a smaller town with a tight knit community.  In the short story The Boat, our community is a Nova Scotian community whose primary industry is fishing.  This results in most of the members of the community partaking in the fishing lifestyle.  Another influential location this writing piece takes place in is inside of the house, “which was one of about fifty that marched around the horseshoe of [his] harbour,” (Macleod 263).  Most of the homes in this town are situated close to the water as it is there where most of the men work as fishermen.  Inside the house was his father's room where “magazines and books covered the bureau,” (Macleod 265).  It was in their father’s room where the children discover their love of reading and become more dedicated to their schooling.  Both the short story and the poem contain the setting of a school, which is symbolic as it is their education that allows the characters to be free of their obligations and the way of their town.  Finally, the setting takes place on the Jenny Lynn, “she was what Nova Scotians called a Cape Island boat and was designed for the small inshore fishermen,” (Macleod 262) and it is on this boat where the father and son make their final journey out to sea.  Likewise, the poem Warren Pryor takes place in another resource based community, however, this

George Pocock is a name recognized amongst several people with connections to Seattle, the University of Washington, and the rowing community around the United States. He is looked upon as one of the greatest boat builders of all time and has numerous accolades because of his astounding boat building skills. Despite George’s successes and accomplishments throughout his life, the journey that led him to such a successful career was one full of struggle and relentless desire to chase a lifelong dream.

The story of the Hokulea, a model of the first canoes that brought the first Polynesians to Hawaii, is a story that restores cultural pride and history to Hawaiians. Her legacy was almost extinct, but survived and restored the relationship that society has with its island home. More than 600 years had gone by without seeing one of these canoes, until artist Herb Kane thought to build a sailing canoe just like the ones his ancestors sailed (Hokulea.com).

In today’s century, we look at canoes and think of them as just a thing people do as a hobby or what others do as a fun activity on occasions. This was not the case for many years ago; the Chumash would build and use canoes as a necessity to survive. It was an easier way for them to travel besides walking and helpful for hunting fish in the sea. The Chumash would call these Tomols, meaning boat in Chumash language. The Chumash having years of expertise on these canoes, they would have an exact way and routine on how to make these boats; they would also have a certain group of people that would make these great boats. The Chumash tomol gave the Chumash great transportation and helped them for many years; it was a complex and time- consuming boat to build at that time that needed to be tested and made with specific tools and materials the

Western and Indigenous knowledge systems differ in values, habits of mind and practices; however, there has been productive cross-cultural collaboration that integrates global vision with social and cultural dimensions. Productive collaboration addresses past contradictions in the coevolution of society, science and environment. Ten Canoes is a cross-culturally collaborative film that was meant to portray the Yolngu community in its true representation in an attempt to bridge the black and white Australian cultural divide by sharing its traditions and values with a non-Indigenous audience. Important spiritual and cultural information is shared throughout the passage of the film that frames and contextualizes the cosmology of the Yolngu people (Clothier & Dudek, 2009: p. 85). Dutch-born director Rolf De Heer and Yolngu director Peter Djigirr consolidate to show modern audiences the “community’s cultural continuance and to connect between individuals and the community both past and present” (Clothier & Dudek, 2009: p. 86). Additionally, Ten Canoes is only spoken in the Yolngu’s Indigenous language. For Yolngu audiences, “the use of their own languages in Ten Canoes highlights the vibrancy of a continuing linguistic heritage” (Clothier & Dudek, 2009: p. 87). Simultaneously, audiences that cannot understand the language of the Yolngu people read subtitles that create a critical intimacy to engage in “passion and reason while seeking understanding” (Clothier & Dudek, 2009: p.