Outward Conformity, Inward Questioning in Arthur Millerñs Death of a Salesman

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

While the play primarily focuses on Willy’s dream, Death of a Salesman also observes Biff and his American Dream, which may be construed as the “right” one. Compared to his father’s, Biff’s dream is a simple one: own a ranch and labor in the countryside close to nature, happy and content. And yet as his father increasingly pressures him to pursue a dream more aligned to his own, Biff experiences an identity crisis of sorts, desperately seeking to please Willy by taking a job in business but always failing in his efforts. Eventually, he realizes that he cannot be his father, and, at Willy’s funeral, contrasts his earlier statement regarding Willy’s state of mind with one regarding his own person: “I know who I am, kid” (Miller 111). Though at the start of the play it was Willy who thought Biff lost, it is now the reverse. Willy, with his aspirations for renown and major success, found himself perpetually adrift in the world, struggling to make ends meet and maintain his family ties. And yet while Willy suffered at the hands of his American Dream, Biff prospered (although not monetarily) in his “proper” American Dream, experiencing true contentment in his craft. While Willy faced constant confusion and an almost bipolar personality disorder owing to his erroneous endeavors, Biff’s main insecurities and difficulties were those brought on by his father’s notion of success. In other words, Willy’s American Dream caused nothing but suffering for him and those he loved, while Biff’s American Dream would have allowed him peace of mind had it not been for his

While Biff is in some ways desperate to impress his father, he is also conscious about the fact that Willy has failed his attempt to be successful in his career. He considers his dad’s dreams materialistic and unreachable. As a matter of fact, in the Requiem, even after his father’s death, Biff says: “He had the wrong dreams. All, all wrong.” Unlike Happy and Willy, Biff is self-aware and values facts; Willy never was a successful salesman and he never wanted to face the truth. On the other hand, Biff is conscious about his failures and the weaknesses of his personality. During an argument with his father, Biff admits that his dad made him “so arrogant as a boy” that now he just can’t handle taking

The relationship between Willy and Biff is complicated. Actually, Biff is everything for Willy. He doesn’t do well as a salesman anymore, so this situation makes him depressed but at least there is Biff. So Willy believes that Biff will reach the success and his dreams will become true. That makes him want Biff to take some responsibility, in other words this is a big pressure on Biff. “How can he find himself on a farm? Is that a life? A farmhand? In the beginning, when he was young, I thought, well, a young man, it’s good for him to tramp around, take a lot of different jobs. But it’s more than ten years now and he has yet to make thirty-five dollars a week!” says Willy and then Linda says “He is finding himself Willy.” Then Willy answers again “Not finding yourself at the age of thirty-four is a disgrace!” This shows how Willy mad at him because he thinks they couldn’t reach their dreams because of Biff. Willy says “Sure. Certain men just don’t get started till later in life. Like Thomas Edison, I think. Or B.F. Goodrich. One of them was deaf. I’ll put my money

Despite his son’s popularity in high school, Biff grows up to be a drifter and a ranch-hand. Willy’s own career falters as his sales ability flat-lines. When he tries to use “personality” to ask his boss for a raise, he gets fired instead. Willy’s “definition” of the American Dream is all wrong, due to the way his own sons turned out to be.

In Arthur Miller's, Death Of a Salesman, the growth and development of Biff are achieved as a result of the change in his relationship with Willy.Growing up Biff had received most of the attention from his father, mother and everyone around him thus building a sense of entitlement from a young age. As time passed Willy had always been there to encourage and mold Biff into what Willy thought of as an ideal American man. When this vision of Biff was unachieved Biff and Willy's relationship began to strain; causing them to fight and disagree on things such as career and the future.

  Charley says something in Arthur Miller’s Death of a Salesman that sums up Willy’s whole life. He asks him, "When the hell are you going to grow up” (Miller 97)?  Willy spends his entire life in an illusion, seeing himself as a great man who is popular and successful.  Willy exhibits many childlike qualities and his two sons Biff and Happy pattern their behavior after their father.  Many of these qualities, such as idealism, stubbornness, and a false sense of self-importance in the world have a negative impact on Willy’s family,

The eyes of the reader are opened wide after reading Thomas Foster’s How to Read Literature like a Professor and applying it to a text. There are many elements in Arthur Miller’s Death of a Salesman that go unrecognized by the normal reader. Using the tactics presented by Foster, one can realize that there is much meaning and symbolism in Death of a Salesman. The overall theme in Death of a Salesman is the American Dream and how many people of the time period were desperate to achieve it.

Arthur Miller’s play Death of a Salesman follows protagonist Willy Loman in his search to better his and his family’s lives. Throughout Willy Loman’s career, his mind starts to wear down, causing predicaments between his wife, two sons and close friends. Willy’s descent into insanity is slowly but surely is taking its toll on him, his job and his family. They cannot understand why the man they have trusted for support all these years is suddenly losing his mind. Along with his slope into insanity, Willy’s actions become more aggressive and odd as the play goes on. Despite Willy and Biff’s “family feud”, his two sons Happy and Biff truly worry about their father’s transformation, Happy saying: “He just wants you to make good, that’s all. I

The entire family creates an environment where they all deceive each other together to deny the fact that none of them have achieved Willy’s version of the American Dream. This results in the Lomans and Biff convincing themselves Biff was a prosperous salesman, when in truth he “was a shipping clerk” (104). However Biff is a dynamic character, so this epiphany prompts him to break free from the lies, “I’m gonna tell Pop”, to tell the truth his past and present failures (104). He recognizes the role deception plays in his life and decides he would rather face reality head on than lie to himself. This epiphany contributes to Biff’s character growth since he breaks from the cycle of lies which made up his life, rather than perpetuate them further.

In Arthur Miller’s play, Death of a Salesman, Biff is depicted as the deceitful, self-sacrificing, lost son of protagonist Willy Loman. From a young age Biff exhibited deceitful characteristics, especially when he stole a football from the locker room. In addition, Biff continued his behavior when he stole lumber and later a carton of basketballs from his boss, Bill Oliver. Despite this behavior, Biff vindicates his deceitful behavior with his self-sacrificing traits. For example, upon learning about the condition of his father in reference to his mental state, Biff decides to remain in the city although he despises it and states, ¨I hate this city and I’ll stay here.¨ Additionally, he offers to give his parents half of his pay. However,

He gives up on his dreams of being rich and prepares to return to a simple life he enjoys. Also being back home and building a stronger relationship with his father,makes him realize how he wants to help Willy. While Biff is speaking, he mentions why he gives up the idea of being successful.“BIFF: He walked away. I saw him for one minute. I got so mad I could’ve torn the walls down! How the hell did I ever get the idea I was a salesman there? I even believed myself that I’d been a salesman for him! And then he gave me one look and — I realized what a ridiculous lie my whole life has been! We’ve been talking in a dream for fifteen years. I was a shipping clerk.” (page 76). He believed this was his only chance of being rich so when his old boss didn’t recognize him , he knew he wasn’t gonna get anywhere . This is when he dumped the idea of being successful. Throughout most of the play, he procrastinates for a simpler life. So the acceptance of the thought of the American Dream not happening, works out well for Biff. A very important aspect through this play is the relationship between Biff and Willy. Biff saving Willy from suicide shows just how much he want to help his father. In act 1 page 51 :Willy [staring through the window into the moonlight]: “Gee, look at the moon moving between the buildings!” [biff wraps the tubing around his hand and quickly goes up the stairs.]This shows biff wanting to protect Willy because he removed the tubing willy was using to try and kill himself, something Linda was telling him about in the beginning of the book. While helping his father Biff also realizes that he is ready to return to a simple life he enjoys. In act 1 pages 13 and 14, Biff even invites his brother Happy to live with him out West to start up a ranch and speaks about it with enthusiasm.Biff says to Happy, “ Why don't you come out West with me?... mabe we could buy a ranch.Raise cattle, use our

In Death of a Salesman, ever since he found his father in the arms of another woman, Biff has harbored resentment for Willy. His edginess with his father escapes in a number of conversations they have. For example, after learning about a potential job opportunity for Biff, the two men begin an impassioned discussion where an exasperated Biff explodes at his father and exclaims, “Well, all I said was I’m gonna see him, that’s all!”.5 Biff’s anger is always on the surface and his temperament unpredictable. It is his father that evokes this anger in him due his disgruntlement with Willy’s infidelity and his unachievable, inflated dreams he set for his son.

As though to recreate the connection in life, literature often shows the relationship between past events and a character’s present actions and values. In Arthur Miller’s Death of a Salesman, Willy is haunted by memories of his older brother, father, and salesman Dave Singleman. Willy’s character and values are constantly influenced by the memory of the three men, compounding upon his deliria throughout the play. Willy considers these men the epitome of success, thus explaining his dependency on all three. Miller’s view on society, men, and the success of the American Dream are portrayed through Willy’s interactions with the men. The American Dream is synonymous with the phrase “the world is your oyster,” but Miller uses Death of a Salesman to criticize the American Dream through Willy Loman and his interplay between the past and present.

The Importance of Biff's Role in "Death of a Salesman" The play "Death of a Salesman", by Arthur Miller, follows the life of Willy Loman, a self-deluded salesman who lives in utter denial, always seeking the "American Dream," and constantly falling grossly short of his mark. The member's of his immediate family, Linda, his wife, and his two sons, Biff and Happy, support his role. Of these supportive figures, Biff's character holds the most importance, as Biff lies at the center of Willy's internal conflicts and dreams , and Biff is the only one in the play who seems to achieve any growth. Biff's role is essential to the play because he generates the focus of Willy's conflict for the larger part, his own