Painting Style And Technique For The Modern World

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Two sculptures, among others, lie in the outskirts of the Franklin D. Murphy Sculpture Garden at UCLA. One of them, The Walking Man, is a bronze sculpture created by French sculptor Auguste Rodin in 1905. The other, made more than 100 years later, is T.E.U.C.L.A., a large scale steel sculpture made by minimalist sculptor Richard Serra. Although it may seem like these works have more differences than similarities, both emphasize the processes of their creation and are major movements away from the classical tradition of sculpture. However, The Walking Man and T.E.U.C.L.A. also differ in several aspects that reflect their respective artists’ personal portrayals of modern sculpture. These aspects include: mode of production, composition and the arrangement of volumes, the play of light and shadow, and visual experience. Together these elements of formal organization work together to convey meaning in both of these works. Rodin’s deliberate rejection of refinement and disregard for the direct translation of the unformed to formed in The Walking Man represent the process and spontaneity of reality, while Serra’s use of curvature and aperture in T.E.U.C.L.A. models the spaces people move through and the perceptive skills they use in life and nature.

One of the most influential painters of the twentieth century was Paul Cezanne. He was willing to break the traditionally accepted artistic practice in order to better portray his artistic creativity. Cezanne was became part of the movement that followed the Impressionists called the Post-Impressionism movement. The artists who were the driving forces behind this movement were Gauguin, Van Gogh, Seurat, and Cezanne. These artists were placed in this grouping because they were the avant-garde artists of the time period, who wanted to be able to express their emotions rather than simply representing what they saw. Cezanne’s Mont Sainte-Victoire seen from The Bibemus Quarry was painted in 1985. Mont Sainte-Victoire is a mountain that is in the South of France and overlooks the Aix-en-Provence, which happens to be the hometown of Paul Cezanne. This work exemplifies the Post-Impressionistic techniques because Cezanne utilized the avant-garde techniques, while at the same time demonstrating the relationship between the artist and the work.

Every artist has his or her own style of painting. Each painting tells some sort of story or has some type of personal meaning to the artist. One of the most important figures in modern art is Pablo Picasso. Not only was Pablo Picasso a genius in the field of abstract art, but he also experimented with sculpting and ceramics. Pablo Picasso has taken the world to many places with his unique style of work which is why I believe he is considered to be a genius of the 20th century.

The art of painting dates back to pre-historic times, the finger used as a paintbrush on the canvas of cave walls. When it comes to painting, artists have many mediums to choose from: acrylics, oils, gouache, fresco, and watercolors. Watercolors is one of the toughest mediums to achieve, its transparent streaks almost impossible to cover up and its various techniques prestigous and precise, but satisfying when accomplished. The incentive a watercolor artist has to get a taste of perfecting their talents is impecable; therefore, striving for perfection can only be accomplished with the understanding of the watercolor history, the use of the tools of the trade, the practice of techniques, and observation of former artists’ approaches.

Pablo Picasso was one of the brightest artist for his time and he has been credited with influencing many of the different directions that art went in the twentieth century. Picasso was said to influence styles of art like surrealism and co-invent cubism and not unlike artists before him, he drew inspiration from the great people of the time such as Freud or artists like Cézanne. Picasso was unique in the fact that his paintings represented what he wanted them to represent and through the freedom of interpretation, Picasso was able to influence those who saw his works. Picasso was such a different painter in his time because instead of focusing on the details and trying to make things perfectly realistic, he painted with a sort of freedom

The Early vs. the High Renaissance - I've decided to go with Piero Della - Francesca Battista Sforza and Frederico Da Montefeltro vs. Raphael Agnelo Doni and Maddalena Strozzi. Paintings. Despite their many differences, there are also some similarities between the portraits made by these two artists. Discussing pg. 620 (20-31) Piero Della Francesca Battista Sforza and his wife and Frederico Da Montefeltro, an Italian artist during the Early Renaissance, Fifteenth Century in Uffizi, Florence. The artist showed the small panels that resembles Flemish painting in their detail luminosity, their record of surface and texture, and their vast landscapes. as mentioned on page (620) the reason why they are turned side ways is due to male in the portrait

An artist can draw inspiration from any source, including other artist. Paul Cezanne is an artist that inspired other artist by his emotions of the world. Susan Stamberg (2009) reports for NPR that Pablo Picasso considered Cezanne “the father of us all”. Stamberg goes on to explain how Cezanne infused his work with layers of shape and color. Before Cezanne’s work The Large Bathers, he created other works with the same impressionist type figures.

In conclusion it is clear that Cezanne was a master at his style and it's also clear that his painting held a lure over both Picasso’s and Matisse. Although I do feel as though Pablo's painting captures more of the original than Matisse. Even with that being said both of these artist elaborated on and arguable improved upon Cezanne's concepts. While it's always tough comparing one work of art to another I think all three artist would enjoy being compared to each

Cezanne’s doubt is an biography based off of this French painters strengths and weaknesses. This also explains the type of artist cezanne was. In the beginning, it expresses his love for painting and How he painted the day his mother die. Which shows how much effort he put in his art. cezanne was also visually visually impaired. He wondered whether that would affect his paintings, in the beginning of his career. Furthermore, it explains how much anxiety cezanne had. He even wrote his will at 42. On the other hand, the rest of the bioganry was about him and his relationship his relationship with art and how he managed and proceeded with his career. Cezanne was an impressionist painter. I found it interesting that he was such a vibrant painter,

One of Paul Cezanne’s exquisite paintings was that of Mount Sainte-Victoire. Dating back to around 1902, Cezanne’s “mount of holy victory” painting has many unique characteristics that make it unlike other paintings of that time. Cezanne’s style encompasses many aspects of modernism within it. Modernism is the idea that the world is represented by experiences, rather than as one may have thought it to previously be. In this work of art, Cezanne uses a few contrasting colors and creates several implied lines that draw the eye to notice the volumes in which the space is filled.

Claude Monet (1840-1926) was a french painter born in Paris, and considered the leader of the impressionism movement. His interest was painting in the open air and using various natural light, depending on the time of day to capture different sequences. Monet, from an early age, was inspired by the ocean and coastline of Northern France. The most interesting

"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.

While the painters after the Impressionism period were called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by ignoring a Naturalistic approach that attempted to merely depict the “real.” However, the two had distinct styles which attempted to achieve the same goal: to access Nature’s mystery and meaning beyond its superficial, observable level. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.