Palestinian Resistance

The Palestinian Arabs decided to hold large-scale protests against Zionist policy. The Jewish

Joe Sacco's graphic novel, Palestine, deals with the repercussions of the first intifada in Israel/Palestine/the Holy Land. The story follows the author through the many refugee camps and towns around Palestine as he tries to gather information, stories, and pictures to construct his graphic novel. While the book is enjoyable at a face level, there are many underlying themes conveyed throughout its illustrated pages and written text.

Resistance in the mist of WWII and the Holocaust occurred all across Europe and the occupied territories of Nazi Germany. The three groups I’m going to discuss are Zegota, White Rose, and Le Chambon-sur-Lignon. Each one of these came from three very different areas, but they each resisted Nazi ideology. Each group has their own reason for why they decided to take a stand, whether morally, politically, or religious reasons and while there are differences between the groups many of them have overlapping reasons for their desire to resist.

In addition, I will examine the current state of political and human rights in Israeli occupied West Bank and analyze how they are approaching a level of apartheid. Finally, I will summarize the effects of these social tensions between Israel and Palestinians in the terms of how potential open conflict could reignite.

‘Wild Thorns’ by Sahar Khalifeh is an insightful commentary that brings to life the Palestinian struggle under the Israeli Occupation and embodies this conflict through the different perspectives brought forth by the contrasting characters. We are primarily shown this strife through the eyes of the principal character, the expatriate Usama, as well as the foil character of his cousin, Adil. Khalifeh skillfully uses literary devices such as emotive language, allusions and positive and negative connotations to highlight life under the Occupation. As the audience, these techniques help encourage us to consider the struggle more in depth, and due to the wide variety of characters, invite us to relate to them.

Joe Sacco’s graphic novel, Palestine, deals with the repercussions of the first intifada in Israel/Palestine/the Holy Land. The story follows the author through the many refugee camps and towns around Palestine as he tries to gather information, stories, and pictures to construct his graphic novel. While the book is enjoyable at a face level, there are many underlying themes conveyed throughout its illustrated pages and written text.

Ever since, Palestinians have had to adapt to new places and cultures in order to survive, which makes it more difficult for them to preserve their own. Said presents several examples of transculturation throughout the essay. For instance, the use of the Mercedes, even though Said describes it in negative terms, the use of the Mercedes has come in handy for Palestinians. Enduring one disaster after another, Palestinian identity is arduous to preserve in exile. It is a struggle of having no country. Our country is a big part of who we are. As we are born, we are destined to become a part of it. It becomes part of our identity. Things that we grew up with meant something to us. We usually treasure things that became part of our lives. Even unconsciously, we take hold of it. Home brings us memories, memories that we want to hold on up to our last breath.

Both of these approaches would pave the way for Hamas’ seemingly bipolar tenure in Palestine. By the 1970’s, the Palestinian population was disillusioned by secularism, Westernization and materialism, and many looked toward the Muslim Brotherhood and the Islamic revival as an alternative . A drastic turn of events led to niche in Palestine that a more violent facet of the Muslim Brotherhood was willing to fill.

The essay States, by Edward Said, describes the trouble for Palestinians to find their identity due to the loss of their homeland. He also describes the situation of the Palestinians and the isolation that they feel through photographs that he had taken. Said has many different pictures throughout this essay and each of them play a part in supporting the main point of this essay. Said believes that, without a homeland, the Palestinians cannot have an identity and the Palestinians should not be content with being exiles forever. So the purpose of the pictures is to support and further strengthen this idea. The photographer wants the viewer to understand the struggle that the Palestinians are going through.

In the 1990s there began a significant shift in social movements in Israel and Palestine. The history of this region has been marked by violence, inequality, and oppression for a long time. The complicated relationships between the two main powers in this area have developed over time and a variety of groups on both sides of the conflict have reacted with by calling for peace. The first intifada had a huge impact on who had the ablity to voice their concerns to fight the injustices occurring in this region. It was during this popular uprising that women’s movements first began to gain traction in both Israel and Palestine. These movements were often defined by traditional and constricting ideals of femininity, however over time they began to branch out with a more grassroots approach. Women’s movements in Israel have many similarities to those in Palestine and the Occupied Territories, however there are some significant differences that separate the women involved in each of these groups and the causes they choose to support. Gender equality is a complex issue with many implications for the modern peace movement in Israel and Palestine, and it is crucial to note both the ways in which these groups face similar challenges while also acknowledging the very different issues faced by Israeli and Palestinian women.

Death. A strong topic, frequently but solemnly discussed. However, when I read Edgar Allan Poe’s “The Raven”, I was immediately captivated by the new angle brought to my attention regarding death. While the topic of death is usually associated with either sympathy or horror, Poe succeeded in portraying a feeling caught between the two; and at the same time bringing forth new feelings I would never thought to consider regarding death. These feelings reflect a sorrow so deep into a psychological madness, a feeling that the pain death brings has ruined one forever. After analyzing this poem I came to the conclusion that Edgar Allan Poe’s “The Raven” demonstrates that the sorrow the death of a loved one brings will stay with you forever. Poe communicated this theme through abstract language , tone, and allusion.

Palestinian identity has lasted the test of time through exile, diaspora, and attempts at cultural white-washing. It is through these situations that Palestine has created a unique sense of identity, unlike many nation-states. The Palestinian identity has come to transcend borders, nationality, and mediums. It is not only represented in politics and protest, but in personal expression and the arts. This paper argues that both national identity and cultural productions of Palestine represent the diaspora through noticeable adaptation based on location and support the idea that Palestinian identity isn't singularly definable.

The graphic novel Palestine, published by Maltan journalist Joe Sacco in the early ‘90s, is a journalistic piece that represents his recollections of two months spent talking to and living with Palestinians in the Occupied Territories. The casual narrative style, which some might say is too shallow for such heavy subject matter, in fact allows Sacco to avoid many of the pit falls that have made Western reporting on non-Western conflicts unhelpful at the very least and more often incredibly damaging.

Any reference to conflict turns history into a reservoir of blame. In the presence of conflict, narratives differ and multiply to delegitimize the opponent and to justify one’s own action. Narratives shape social knowledge. The Israeli Palestinian conflict, both Jews and Muslims, view the importance of holding the territories through religious, ideological, and security lenses, based on belief that Palestine was given by divine providence and that the land belongs to either the Israelis or Palestinian’s ancestral home. Understanding these perspectives is required for understanding Palestinians’ and especially Israel’s strategy and role in entering the Oslo peace process. Despite

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