Panic Film Analysis

When you think of fear, what do you think of? Have you ever been absolutely terrified by something that you become petrified. Your brain is programed to protect you from all threats to your body this protection is known as fear. When we touched a hot pan along with burning ourselves now we will not do that repeatedly for fear of being burned. Mr. King states, three claims that we go to horror movies to have fun  also we go to feel normal then at last, we go to face our fears but is that genuinely true?

In human nature there exists a morbid desire to explore the darker realms of life. As sensitive beings we make every effort to deny our curiosity in the things that frighten us, and will calmly reassure our children that there aren't any creatures under their beds each night, but deep down we secretly thrive on that cool rush of fear. Despite our efforts to maintain a balance of respectable emotions, we are a society of people who slow down to look at traffic accidents and find excitement in the macabre. We turn off the lights when watching scary movies, and when it's time to go to bed, we secretly make sure the closet doors are shut. Fear keeps our hearts pumping and endorphins rushing, for it is an emotion that reminds us of our

The lighting being used is side lighting. There’s a brighter side to the room that reflects on one side of the characters’ faces. The lighting helps explain that they are in dark times in their lives. It helps the audience see how Amelia’s sleep deprived that is shown earlier throughout the movie that she couldn’t wake up after her alarm rung. She struggled to get out of her bed and she put the alarm on snooze. The frame composition is tight framing that reflects a mother and her son hugging her, but how uncomfortable the moment is.

Fear is not only a feeling but a parasite that lingers in your mind. The neighbors in “Monsters are due on Maple Street” were put to the test by hidden military agents. These agents observed everyone’s response to what felt like a bomb exploding nearby, which led to electrical complications. Everyone began brainstorming reasons to what happened; while others resorted to making aggressive accusations. Through its effective rendering of mise-en-scene, camera movement, and lighting; "The Monsters are Due on Maple Street" conveys you shouldn't let fear consume you to the point that you're unable to make rational conclusions.

One of the visual motifs is the extreme differences in the color of the worlds. In the real world the director uses blues and green and other dark hues. The dark colors help to represent the dark realities that are taking place out side in the real world. The fantasy world is full of warmer colors such as red and gold.

Lighting is used as a major technique in this film as it is often used to set the mood. Due to Vidal’s world always being shown enveloped in blue-grey hue, it immediately shows the viewers that is isn’t a welcoming place to be. This shade of lighting helps create a detached feeling which is in great contrast to the golden, homely, and warm lighting of Ofelia’s fantasy world portraying a safe and enchanting atmosphere.

In this artwork the background has a very distinct colors that correspond to looking like the rainbow. This rainbow background draws your eyes to behind the girl and focuses in on the different elements of the rainbow clippings. The texture of the entire work is rough and looks choppy or almost flaky. The hair texture looks silky and soft to one’s touch. The value with this artwork is mostly within the subject. The different tones of her skin make her look more realistic and lifelike. The subject is also emphasized because she is the only aspect of the artwork that is used with neutral colors, so she stands out against the colorful background. The subject is also proportional to the background showing that the girl

As of this moment, Rainie’s disposition articulates sadness and disparity as her large, dark eyes have hints of white speckles to appear in a broken state. She displays the unfortunate consequences of not feeling wanted or loved by anyone. In support of this idea of sadness, the colors accurately represent the indication of feeling conflicted psychologically. Throughout Rainie’s body, she’s comprised of a mixture of bland and bright colors. Her skin color isn’t typical but instead, has an off-white color mixed with hints of grey and black. Since Rainie’s emotions are more towards a negative manner, it affects her skin tone in an unhealthy manner. It’s also worth mentioning that five secondary colors mixed with her ensemble along with black spots to cover her assets. Different kinds of bright colors such as orange, purple, brown, blue, and green, are all shaded boldly throughout her body. Each of these bright colors represents the different kinds of conflicts Rainie feels psychologically. Colors that are normally bright, means that they represent

The colors he chose are depressing and sad. Dark and drab yellow and greens with heavy dark shadows being cast on the floor and face of the woman; a direct contrast to the bright white wall directly behind her. The woman sits at the edge of her bed, hardly clothed and looking exasperated. Her bags remain unpacked, behind her scarf, the only thing that even gives us a hint of color,

The textual features used in the film make it evident that the construction of the film has been influenced by French culture. A variety of different techniques have been used by Jeunet to give the film a feeling of fairytale and fantasy, emphasising innocence. Jeunet has used extremely saturated colours to give the film a fantasy and dreamlike feeling, the colours used to emphasise this are red and

Overall, the labor in the city does not shift dramatically and eventually almost returns to the beginning equilibrium, which is otherwise only impacted by a suggestion for an increase in Urgent Cares and a decrease in the police force. Graph (a) shows the total work force and shifts, which goes from a beginning equilibrium before shifting to D2 and eventually back to D3 after events that take place in the movie, as well the the government intervention, both of which cause the same effect on the graph. Jobs that make up the lines for the graph include but are not limited to the fashion-related, school, and hospital jos, as well as police officers, technicians, transportation, and government officials. The events in the movie are seen in Graph

Next is the use of color, or lack thereof. The colors in the background are very quiet and muted, mostly subdued blues and grays with hints of a deep red and brownish yellow peeking though. The colors used for the figure are browns and tans, almost as if the was painted with mud, like she is all-natural and from the earth. The range of colors would seem to have a cool tone if you were looking at them on a painter’s palette but the arrangement of color on the canvas gives the piece a warm feeling.

A lot of people, like scary movies because of the adrenaline the movies make in them. A personal experience of an allure to fear that happened to me, is that I was watching a Netflix show which it is called, “Stranger Things”, this show is about how in a city some people are disappearing because of something they don´t even know, when I saw the monster that took the children I was a little bit scared, because the monster only shows up in forests.

The first movie to put some fear into me might have help from the surroundings while watching it, the 1999 remake of the 1963 film The Haunting. At the time of when I watched the film my family and I were house sitting for a friend of my father. There I was, sitting in front of stranger’s television, in a stranger’s house watching a scary movie well into the night, the perfect setup for a good scare. The idea of objects being having the ability to be manipulated upon by an ethereal

The darkness in her surroundings contrast to her costuming as she is wearing