Pan's Labyrinth Research Paper

Pan’s Labyrinth and how Escapism can Ruin you. In Pan’s Labyrinth, the character of Ophelia represents how escapism’s disconnect from reality might cause damage to relationships and severe injury or death. Towards the beginning of the story, Ophelia’s discovery of the fawn and the revelation of her being, “The daughter of the king of the underworld,” shows how she uses escapism as a means of creating a fictitious world that helps her avoid the new, horrible life that she endures under her stepfather. However, the adventures that this fantasy sends her on creates a strain in her relationships with her mother and stepfather, which becomes evident when her mother reprimands her saying, “You have disappointed me, and your father too.”

The film Pan’s Labyrinth is main about the Pan’s Labyrinth’s film in the things that happened in the Spanish. In general, trauma means physical damage to the body and emotional damage to our heart. Dr. MooLi Lahad is an Israel professor and Lahad had use six coping method that are related to the film Pan’s Labyrinth. These strategies are belief, affect, social, imagination, cognitive, physiological. This film about a girl in Spain visit her new stepfather in a forest with her pregnant mother. During the days she live in that area, there were many strange things that surround them. At last, this girl and her stepfather died. In this film, the role Ofelia has use some coping methods in describing the event in the film. These methods are beliefs, affect and social.

Pan’s Labyrinth is of a young girl named Ofelia and her expectant mother Carmen who arrives at the premises owned by her mother's new husband, who’s an army officer named Captain Vidal. Upon their arrival Ofelia notice an ancient maze called Pan’s Labyrinth that struck her curiosity. Later, Ofelia returns to Labyrinth with the guidance of a fairy that introduce Ofelia to the Faun, who tells her that she is a legendary lost princess. But, for Ofelia to return to her kingdom she must complete three dangerous tasks. The first task was to bury three magic stones deep down inside the belly of an ancient fig tree. Where Ofelia was met by a giant toad who she fed the magic stones to and retrieved a key. After retrieving the key Ofelia discover that her dress had been ruined as it laid in the mud because of the bad weather that suddenly came about. As Ofelia returns from the woods she later discovers that her mother health is steadily declining. So, the faun gave Ofelia a magical root to place under her mother’s bed in a bowl milk with two drops of blood. The magical root was to ensure the survival of Ofelia’s unborn brother. For Ofelia’s next task, she must go in the underground chamber with a horrifying creature called the Pale Man to retrieve and item using the key she found in the fig tree. But, the only way to access the underground chamber is with drawing of a door using chalk. However, there is a catch, Ofelia mustn’t remain in the chamber too long or eat any of the food in the chamber. So, that the creature wouldn’t be disturbed from its slumber.

Setting is one of the vital elements of fiction. A work can only be fully approached if it is first based on its setting, which guides the development of the work. For “Pan’s labyrinth”, an outstanding cinema work rich in symbols, details and meaning, it is even more essential for us to take the underlying context into serious consideration

It was once said that “It does not do to dwell on dreams and forget to live”. Though this quote originally comes from a children’s book, the idea of fantasy being used to escape from a harsh reality is something found in numerous fictional works. The film Pan’s Labyrinth and the novel The Little Friend by Donna Tartt both incorporate the theme of escapism through fantasy as a method of coping with tragedy and show, through this theme, both the positive side of fantasy as well as the darker side.

Obedience is a recurrent theme in El Laberinto del Fauno, discuss at least two examples and what they represent.

Pan’s Labyrinth, originally titled El laberinto del fauno, was published in 2006 by the Spanish director Guillermo del Toro. The story is set in the year 1944, in the country-side of a post-Civil War Spain. A young and imaginative girl named Ofelia, played by Ivana Baquero, travels with her pregnant mother, Carmen Vidal, who is very ill; in order to meet and live with her stepfather, a cruel and sadistic man named Capitan Vidal (Sergi Lopez). During the first night of their stay, Ofelia meets a fairy that leads her to a pit in the center of a labyrinth where they soon meet a faun (Doug Jones). The faun tells Ofelia that she is a princess from a faerie kingdom

Myth is a body of story that matters—the patterns present in mythology run deeply in the human psyche

Guillermo Del Toro’s Pan’s Labyrinth tells the story of Ofelia who experiences magical encounters in this fantasy. One night, a fairy leads her into a hidden labyrinth where she meets a faun who tells her that she is a lost princess. He assigns her three dangerous tasks to prove herself and to claim immortality alongside her father. Meanwhile, her step-father, the captain of a merciless, violent army in fascist Spain attempts to stop a guerrilla uprising. Ofelia struggles to meet the demands of the faun before time runs out. Through this quest, she interacts with creatures and challenges that create a monstrous environment.

The hero is one of the most commonly seen archetypes throughout literature and film. While there are many different types of heroes, there are particular characteristics that identify a character as a hero. These characteristics are largely not in regards to who the hero is: personality traits, beliefs, or values – rather, these attributes concern the hero’s journey and the actions the hero takes while on that journey. In Guillermo Del Toro’s film, Pan’s Labyrinth, Ofelia is an archetypal hero because she is born into royalty, leaves her family and land, goes on an adventure, receives supernatural help, proves herself many times, and is rewarded spiritually when she dies.

Award-winning filmmaker Guillermo Del Toro delivers a unique, richly imagined epic with Pan’s Labyrinth released in 2006, a gothic fairy tale set against the postwar repression of Franco's Spain. Del Toro's sixth and most ambitious film, Pan’s Labyrinth harnesses the formal characteristics of classic folklore to a 20th Century period. Del Toro portrays a child as the key character, to communicate that children minds are not cemented. Children avoid reality through the subconscious imagination which is untainted by a grown-up person, so through a point of an innocent child more is captured. The film showcases what the imagination can do as a means of escape to comfort the physical trials one goes through in

As soon as Ofelia reaches the Captain’s house, she sees a labyrinth and is immediately fascinated by it. Looking at the labyrinth on a sunny day, it was very dark, gloomy, scary, and a place that no one would want to go. Mercedes warns Ofelia about the labyrinth and tells her not to go in it. Soon, we see Ofelia rebel and go into the labyrinth as one of the “fairies” leads her into it during the night when Carmen is asleep. Looking at the fairy, the viewer is confused. Usually fairies wear bright, colorful, and beautiful costumes. However, in this case, the fairy was disguised as a bug first, but then turns into a dark and unappealing fairy. Nonetheless, Ofelia follows the fairy into the labyrinth, and we learn that a young girl should not be going into place like the labyrinth especially

The plot of the book is where one can notice the most obvious connections to the myth.

The director Guillero Del Torro uses many motifs and parallels in his film Pan's Labyrinth. The most obvious parallel in the film is the parallel between the real world and the fantasy world of the character Ofelia. Both worlds are filled with danger. At any second in both of these worlds your life could be lost. Del Torro separates the real world from the fantasy world with many visual motifs.

The Minoans were a civilization who flourished from 3000 BCE until 1100 BCE on the island of Crete, were greatly influenced by the Phoenicians, Egyptians, Syrians and the Anatolians (Britannica Encyclopedia). This civilization made major contributions to Western European development in the areas of language, architecture and art. It was the famous archaeologist Sir Arthur Evans who made the astounding discoveries at Knossos in the early 1900’s that introduced to the world the fascinating and wonderful sophistication of these early Greeks (Britannica Encyclopedia). The history of the island has been molded by its proximity to the Aegean Sea. Its geographical location gave it control over the sea and the lucrative trade routes. The Minoans traded with Egypt, the Levant, the Aegean, and beyond to Italy, and Sicily.