Paper About Turkeys

Both essays cover two very different subjects Dave Barry’s essay covers sexism as he chose Thanksgiving dinner prep as the focus point so that he can point out how a simple family gathering is one the most sexist events that happens throughout a year. While David Sedaris takes place in his youth, right away you can tell that young David is plagued with severe OCD and not the cleaning kind. His essay starts out with his teacher scolding him for licking the light switches in the classroom, and he doesn’t understand why he gets in trouble for it. Both essays are done very well and both are connected by humor. Dave Barry on sexism and David Sedaris on mental illness but David Sedairs’s in my opinion is the better essay.

While much of the neighborhood appears on-screen in the beginning of the shot, one important thing is notably off-screen the whole time: The view from which the camera pivots. Behind the camera was the apartment of L.B. Jeffries, and the camera pans to the left, inside his window, to finish with a brief tour around his living room that teaches us his most important character traits. We see first, in an extreme close-up of a cast, that Jeffries has a broken leg. And then the camera pans left and we see why: A broken camera appears on screen, and a rack focus shift to the background shows a photograph of an automobile accident with a tire flying straight at the camera. Then several other framed photographs of exciting events appear on the screen, telling us Jeffries is a photographer who craves adventure and excitement.

The camera follows the elders of the block, Da’ Mayor and Mother Sister, as they talk in her bedroom. For a rare moment in the film Da’ Mayor’s and Mother Sister’s eyes are at exactly the same level, showing that as different as the two may have seemed, they are very much the same. Then the camera slowly pulls out as the two stand and sluggishly walk down a hallway toward a window. Now, where a director would typically have to cut and setup a new shot, Lee pulls the camera straight out of the window as Mother Sister and Da’ Mayor survey the block. The audience would expect to see next exactly what Da’ Mayor and Mother Sister are looking at, but instead Lee quickly pans over in the opposite direction to reveal Mookie standing in the street bellow. By doing this Lee makes a connection that both the elders and Mookie are, in the words of Mother Sister, “still standing.” The shot is not particularly tight but still has a cramped feel due to the clutter of things in the background, the heavy shadowing, and the red tint on the lighting. The red lighting gives sense of volatility to the shot, which is contrasted by the slow camera and character movements. These slow movements are analogous to the block as, regardless of how slowly, it too will go on and life will continue. This shot is in the tradition of mise en scene advocates like Bazin in that,

The camera movement from one side of the street to the unknown neighbor's house illustrated how unwilling they were to listen to Will’s reasoning yet determined to inflict violence upon a presumed “terrorist family”. The previous examples revealed that with the correct camera movement you can enhance feelings, and foretell them too. In specificity to these scenes, the reoccurring slanted motion appealed to the feeling of disarray and foreshadowed the mayhem to come. While the camera movement from one house to another depicted the wrath of the mob; proves that the cam movement allowed the viewer to receive a better sense of what unreasonable fear the characters are feeling.

To conserve, to hunt, and to share; three key components in the conservation and preservation of the hunt and the habitat. These are the three ambitions of the National Wild Turkey Federation and it is essential to keep these pretensions alive and well in our everyday lives. Today, I write to you in regards of the federation’s scholarship opportunity. I believe I possess the qualities that help enhance these goals of the Turkey Federation.

The excerpt ‘Turkey’s in the Kitchen’ by Dave Barry was written to portray his thoughts on gender roles in a common setting. Barry’s purpose in writing this piece is to address the steryotypes that are placed on men and women’s roles in household duties by using a humorous approach. The author uses personal anecdotes, humor, and diction to establish pathos and ethos to appeal to the audience.

The one that I choose in historical events and the changes that they may have triggered in the culture’s music which is Music of Turkey. Turkey Music diverse elements ranging from Central Asian Folk Music to influences that takes from Arabic music, Byzantine music, Greek Music, Ottoman Music, Persian Music, Armenian music, and Balkan Music, The pure of Traditional Music in Turkey have spans to across centuries to a time when Seljuk Turks colorized Anatolia an Persia in the 11th century and contains many of elements in both Turkic and pre-Turkic influences. Many modern popular music are trace Turkey Music roots in the early 1930s drive for Westernization. Turkey also have their own documented folk music and they produced in the ethnic styles

One of the most unique feature in the film was the setting of the neighborhood. As Detective Eden drove to the neighborhood we were able to extensively see the setting of the neighborhood. Other scenes of the movie also show us the nature and setting of the place. The writing in the

The scene that has interesting scenery would be one hour and twenty-two minutes into the recorded production. The scene is of Mrs. Lovett’s restaurant; her restaurant is packed with people as Toby serves the guest meat pies. Mrs. Lovett’s restaurant has an antique look to it. She has a wooden wall that has a faded green color painted on it; against the while is a chest, poster, and a door. Mrs. Lovett, herself standing next to a white bar like table, it is very high. She also has a barrel being supported by some type of stand in her restaurant. Next to the platform that her restaurant is set up on is a table were her customers sit and eat he meat pies.

The video starts off with a group of friends riding their bikes and playing in the suburbs. The sun is out and it looks to be about midday. The weather looks to be about eighty degrees with only a few clouds out. This represents the cliché suburban life for these teens. However, the teens start noticing the decay of their suburban life at 1:20. They see smoke from what I assume to be an explosion far away with what looks like an attack helicopter heading towards it. This scene is only for a couple of seconds though, as the teens continue to play afterwards. At 1:53 you see a boy and a girl from the group of friends about to kiss, representing again the suburban life of teens falling in love and having fun without much worry. The video then switches between the teens playing and men with rifles in army uniforms, wearing black masks patrolling

In addition to camera movements, he uses camera distances and framing to create images that make the audience feel cheerful. When he frames a shot, if it takes place outside, there is ample amount of bountiful nature within the frame. The most prominent example of this is toward the end of the film when the narrator is describing the after effects of the massive storm. It is a medium close up but the narrator is only in a small portion of the frame, the rest if a

Turkey are very family oriented. Female turkys care for their young when they are little and it will be pain full to kill them if they have kids. Young tukey's know as poults and learn they learn how to keep safe and how to survive from their mother so if like u were to hurt one the young might die also and not survive. It is also very hard to tell for baby turkerkys

The next shot is an establishing shot, showing the street where the main character, Leister, lives. Its fall/autumn time and the trees are bare or dying, possibly indicating and foreshadowing a death later on in the movie. Also the streets are very linear, all vertical and in uniform, as it were.

The camera tracks backwards as Szpilman walks towards us. It gives the audience the feeling that he is limping into our hands as if we are helping a poor elderly man. Then the camera tracks from right to left as we get the impression that he is searching for something. The director chooses to track his movements slowly to make the audience feel as if Szpilman is moving along in a fragile house just like himself. The camera tracks along showing the audience a full view of him showing us the little steps he is taking just to get to the other room. There is very low lighting in this scene which shows as if he is looking for something quietly without making noise. Szpilman then finds something on the floor, so he bends down and this is shown by tilting the camera down to a low angle. The director has chosen to do it this way because it makes it flow with Szpilman’s movements. Then the camera tracks and zooms into Szpilman walking into the next room. When Szpilman finds a tin opener and uses it the camera focuses on it even though it is a small object and not important. As Szpilman carries on trying to open it the camera is still focused on it. The director makes the audience focus on that repetitive movement of trying to open it but at the same time distracting them from the characters emotions if anything surprising happens.

The raising of poultry mainly fulfills the purposes of meat,eggs and feather production, and sometimes for religious ceremonies (Scanes et al., 2004). Poultry are efficient converters of feed to food. Food of poultry origin serves the highest nutritional values, with egg being not only delicious but extremely nutritious and balance of all nutrients (Scanes et al., 2004).