Parable Of The Cave Summary

The Allegory of the Cave, also know as The Analogy of the Cave, Plato's Cave or Parable of the Cave is presented by the Greek philosopher Plato in his work “The Republic “ as a theory concerning the perceptions of human kind and compares the effects of education to the lack of education on our observations. The passage is written as dialogue between Plato’s brother Glaucon and his teacher Socrates.

His body isn’t ready for the direct sunlight and his mind cannot comprehend the world in comparison to what he felt he knew. In time, the man is able to see that all of the previously “known” information he had was completely false but also that he must start a different journey in order to find himself as the way of life he was previously use to, in which guessing was the way of judging knowledge, is ineffective and useless to him now. Finally, the prisoner returns to the cave with a new base of knowledge. He tried to share this information with his fellow prisoners but after hearing about his travels and that they were in fact wrong the prisoned men said to him that “up he went and down he came without eyes, and that it was better to not even think of ascending” ("The Simile of the Cave." Republic, 1974) . He is then met with resistance in offering them help and freedom from their binds. They threaten “if anyone tried to loose another and lead him up to the light, let them only catch the offender and put him to death”, it is as if they feel that his “loss of sight” is death to them and they are perfectly happy with the information that they know to be true ("The Simile of the Cave." Republic, 1974) .

An allegory is a kind of story in which writer intends a second meaning to be read beneath the surface story. One of the most important allegories ever to be gifted to humankind is Allegory of the Cave. Plato’s Allegory of the Cave is one of the most potent and pregnant of allegories that describe human condition in both its fallen and risen states. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. It is also known as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It is written as a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon at the beginning of Book VII of The Republic.

Plato’s “Allegory of the Cave” is just one small part of his work The Republic. In this piece, in particular his use of allegory and dialogue become the two main rhetorical devices he uses to

The Republic is considered to be one of Plato’s most storied legacies. Plato recorded many different philosophical ideals in his writings. Addressing a wide variety of topics from justice in book one, to knowledge, enlightenment, and the senses as he does in book seven. In his seventh book, when discussing the concept of knowledge, he is virtually addressing the cliché “seeing is believing”, while attempting to validate the roots of our knowledge. By his use of philosophical themes, Plato is able to further his points on enlightenment, knowledge, and education. In this allegory, the depictions of humans as they are chained, their only knowledge of the world is what is seen inside the cave. Plato considers what would happen to people

“The Prodigal Son”, “The Boy who Cried Wolf”, or “The Mouse and the Lion” are all stories that are commonly well-known, however few people recognize them as parables. The parable is a figure of speech characterized by a short narrative, in prose or verse, full of symbols, allegory, and analogy to convey a moral or religious message. The word ‘parable’ comes from the Greek language and means ‘comparison, illustration, analogy’. The two thousand years old Buddhist story “The Elephant in the Village of the Blind’ portraying simple story, demonstrating universal moral, and using symbols and analogy is the evident representative of the parable.

The people must teach the others of the reality outside of the cave, outside of the slaves' reality. These are the philosophers.

Plato, an Ancient Greek and highly esteemed philosopher, is best known for his text, The Republic. More specifically, though, it is his “Allegory of the Cave” in Book VII of this text that draws most scholars to him. This specific allegory has been used by writers for hundreds of years, including Frederick Douglass. In his work, “Narrative of Frederick Douglass, An American Slave, Written by Himself”, Douglass takes his own personal journey from slavery to freedom and applies it to the pre-existing form that Plato created in his allegory. The parallels between these two texts are uncanny and it does not take much for the reader to see that Douglass’ narrative is much more than the physical journey he describes - that he is in fact escaping from the cave that Plato once illustrated.

In the story The Allegory of the Cave, Plato describes the perception of reality. He explains how to interpret ideas or objects in different perspectives. The story he tells about the cave could have influenced different modern day ideas. Some ideal examples might include religion, abuse, and imprisonment. Plato’s cave theory applies to all of these ideas and can show many different perspectives.

This illusion had sounds and echoes of real words and voices. Socrates was described in the dialog as very brave and different he even informed other prisoners that the cave was a prison house to capture their souls. And that there is more to gain outside of the cave. According to Socrates none of the prisoners wanted overcome the cave and to be free they were fed and had no idea of the outside

In "The Allegory of the Cave,” by Plato, there are prisoners in a cave with a fire that is located behind them. They have always faced the wall of the cave and have only seen what was outside of the cave from the shadows. They believe that the shadows of the objects carried are real but in reality, it 's just a shadow of the truth. The prisoners play a game where they guess what the shadows are and end up believing that it is the truth. However, when one prisoner escapes and faces reality, where the sun is a source of life, he realizes that the game was pointless. He seeks for meaning and truth from his journey outside of the cave. Socrates then insists that he must return to the cave and share what he has found with the prisoners because it will benefit everyone as a whole. However, when he returns and informs the prisoners, they react by not believing him and threatening to kill him if he set them free, because they are scared of the change that would occur after knowing the truth. Socrates believes that knowledge gained

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

Once one of the prisoner’s is released, he is forced to look at the fire and the objects that once made up his perceived reality, and realizes that the new images he is made to acknowledge are now the accepted forms of reality.

In the "Allegory of the Cave," the chained down prisoners are limited with their perception on reality. At

Socrates’s anecdote of the cave presents a ghastly image: people who “are in it from childhood with their legs and necks in bonds so that they are fixed, seeing only in front of them, unable because of the bond to turn their heads all the way around” (193). Also inside the cave is a “fire burning” which allows certain objects (out of sight and controlled by others) to project shadows (193). Consequently, the prisoners believe that the shadows are the most real things. When a prisoner is released, he experiences pain due to the light of the fire. In time, he recognizes the truth and becomes accustomed to it. He is then “dragged out into the light of the sun” (194). After a few moments, he tolerates its rays. Most importantly though, he grasps “the sun itself” (195). Finally, the escapee is not content with keeping this