Paradise Lost Archetype

Characters from one story to another may have different names, but their characteristics are often repeated. Applying Archetypal Theory to a text allows readers to recognize universal symbols, motifs, and patterns that appear in literature, myths, dreams, oral traditions, songs, and religions. Archetypal critics believe certain images, characters, and character types recur in literature, and all plots and characters are based on common myths, images, dreams, fairy tales, and legends (Davidson). Common character types are revealed when applying Archetypal Theory to Julia Alvarez’s novel, In the Time of the Butterflies, helping readers understand each character’s motivations. Particularly, common character types of the rebel, the ruler, and

In many works of literature, many archetypes (or symbols) are used to help the reader understand the story of a hero’s quest. In the Sir Gawain and The Green Knight, the hero has to go on a fatal journey to uphold the reputation of Camelot. While enduring that journey, Gawain has to conquer many trails. Gawain’s succession of trials leaves the hero, like Coleridge’s Ancient Mariner, a “sadder but wiser man.” With all the trials that Gawins intakes, many archetypal characters contribute to the theme of the story.

An archetype is defined as an image, story-pattern, character, setting, symbol, or situation that recurs frequently in literature and in life. It demonstrates universal human experiences and associates strongly with readers through a subconscious understanding. In the Epic of Gilgamesh the main character, Gilgamesh, is an example of a superheroic archetypal hero. He took on an epic quest for everlasting life by following the archetypal steps of a hero’s journey. Through suffering due to tragedy, realizing the nature of his quest, seeking help from a mentor, experiencing failure, and returning home with a companion, Gilgamesh’s story followed the situational archetype of a hero’s journey.

Archetypes are universal symbols used in literature to represent fundamental human motifs. In the medieval romance Sir Gawain and the Green Knight, the hero must undergo archetypal situations to succeed in his quest to redeem the honor of Camelot. Gawain embodies the transcendent hero as he further goes into “The Zone of Magnified Power” (Campbell 71) then faces conflict resulting from the threat placed on the society. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Archetypes act as universal symbols in literature to represent fundamental human motifs. In the medieval romance Sir Gawain and the Green Knight, the hero must undergo archetypal situations to succeed in his quest to redeem the honor of Camelot. Gawain embodies the transcendent hero as he further goes into “The Zone of Magnified Power” (Campbell 71) then faces conflict resulting from the threat placed on the society. Sir Gawain and the Green Knight dramatically demonstrate how a single character can play many archetypal roles.

With every corner we turn in today’s culture, we become more and more aware of the archetypes that surround us. Archetypes are the works of a typical character, situation, setting, or symbol that can be found in fantasy and reality. An example would be the renowned medieval story Sir Gawain and the Green Knight by Pearl Poet. The author permeates the story with situational, symbolic, and character archetypes that illustrate the profound life of Sir Gawain. Sir Gawain was apprehensive of his journey at first, but as time passes, he began to make choices that unveils to the audience the true flawed knight that he was.

Society is moulded into its existence through history. The events, the people, the laws, and the beliefs encapsulate the atmosphere of a society and further its expansion of new ideas aimed towards success. Each society embraces different morals and function in ways applicable to what they aspire and to what history has manufactured. Society often influences the behaviours of those within it and encourage confidence in their leader and his or her commandments. However, there are those who refuse to comply with society’s rules, recognizing its faults and believing that a change must occur in order to live happily. In a world composed of the supreme, of watchful eyes, and of laws so extreme that even an immoral thought could have you arrested, one may find themselves struggling to live and attempting to test the rules by rebelling against their almighty sovereign. A character departing on such a journey can be defined as the archetypal hero. The archetypal hero described by Joseph Campbell is “someone who has given his or her life to something bigger than oneself.” The hero is typically the protagonist of a novel, and when analyzed deeply, possess great self-courage against his or her enemy. He or she will inspire various emotions within the reader and take them on an adventure, conveying significant universal truths.

There are many novels that deal with the main character “disobeying”, however Fahrenheit 451 by Ray Bradbury is a prime of example of disobeying for the correct reasons that will hopefully aid in prompting social change. By looking at this novel one validates Oscar Wilde’s claim that disobedience

Paradise is a world that man left behind. Departing from it meant an end to comfort and an introduction to suffering. In a biblical sense, this anecdote deals with a wayward mankind slinking away from a vengeful God. But in modern sense, the tale can also be reflected in the plight of blacks during the era of slavery. Toni Morrison's Beloved parallels the Genesis story in that the story of the Sweet Home slaves mirrors mankind's life, temptation, and subsequent fall from paradise.

In A Doll’s House and Paradise Lost, how are the themes of rebellion and disobedience explored? The ways in which rebellion and disobedience are presented within Henrik Ibsen’s A Doll’s House and Book IX of John Milton’s Paradise Lost have strong links and differences. In Paradise Lost, for example, the idea of rebellion manifests itself in Eve’s decision to disobey God and eat the forbidden fruit- which in the context of Milton’s Puritan background would have been seen as the ultimate act of misconduct by the 17th century audience at a time of religious uncertainty and conflict. Whilst the texts were written almost two hundred years apart, this sentiment continues in Ibsen’s

John Milton's Paradise Lost attempts to justify "God's will" by giving a better understanding of the "ways of God", according to the author. In his work, Milton addresses several issues from biblical text as he expands on the "role of woman" as it is written in the book of Genesis. "Woman's role" is recognized and presented as one that is subordinate to man. Several associations are recognized between Milton's work and books of the Bible which reveal much about the way both of these books intend to define the role of a woman.

Milton was, by no means, a feminist, and was of quite a conventional outlook when it came to gender roles as is apparent in the fourth book of Paradise Lost, which has inevitably been scrutinized over and over again under the modern gendered eye. “Paradise Lost,” says Shannon Miller, “is Milton’s most sustained attempt to represent in poetry, gander roles, relations and hierarchy.”It is evident, she points out, in the course of his introduction of Adam and Eve in book IV, the stories of creation they relate there and in book VIII, and finally in the way Milton presents the consequences of the Fall. The reader observes the process by which gender is created as a cultural category.

Milton's purpose in Paradise Lost is nothing less than to assert eternal providence and justify the ways of God to men - a most daunting task.  For Milton to succeed in his endeavour, he has to unravel a number of theologiccal thorns that have troubled christian philosophers for centuries.  Since his epic poem is, essentially, a twelve book argument building to a logical conclusion - the 'justification of the ways of God to men' - he will necessarily have to deal with these dogmatic problems, and, in doing so, reveal his own take on the Christian theology.

The archetypes that are prevalent in many different stories all have have common origin in Joseph Campbell's Hero With a Thousand Faces. More specifically, in the medieval story, Sir Gawain and the Green Knight, there are distinct archetypes that are especially necessary to the theme of the story.An understanding of three key archetypes—the temptress the magic weapon, and the task—reveal the essence of Gawain’s role within the archetypal quest motif.

Paradise Lost and "Pandora's Box" both consecrate on the main theme will be "Man's first Disobedience" and the lost of something great in return. John Milton’s epic novel Paradise Lost, starts with the first biblical book, Genesis, where Milton narrates the first story in the bible of Adam and Eve's disobedience thoughtout his first book. He analyzes man’s first disobedience how and what is the reason it happens. In the story of "Pandora's Box", Pandora is the first woman that disobeded aganist her husband and the Gods that made her. As in the story of Adam and Eve the woman is the first to fall into disobedience and not keeping her promise with her husband and God Almighty.These two woman failed into disobedience, because of it they have to pay the cosequences of losing the loss thereupon of Paradise.