What Is The Parallel In Ovid's Metamorphoses

When individuals are rejected by family and society, they tend to feel abandoned and unloved. In Franz Kafka’s, The Metamorphosis, Gregor’s transformation into a “monstrous vermin” (Kafka 1) results in him being psychologically and even physically abused by his family. Rejection from his mother, sister, and father leave Gregor feeling unwanted and feeling as if he is a terrible burden on the family and their well being.

In Greco-Roman Culture, humans imagine the deities of mythology to be and act certain ways, due to the needs they must fill. People invented certain deities for reasons that align with what they needed from them. To examine how a deity has a certain purpose, one must first examine what they are like. Athena and Ares are examples of deities invented for very specific purposes. One must first look at Athena and Ares’ similarities and differences in relation to their characteristics, their sexuality and physical appearances, as well as their different powers and how they are worshipped, to discover why they were created.

The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.

In Ovid’s Metamorphoses, the reader is faced with a wide array of transformation of humans to objects, plants and animals and also the seasonal transformation due to the emotions of the Gods’. Too most of us today, the changing of the seasons is due to the rotation of the earth around the sun. In Ovid’s Metamorphoses, the changing of the season are shown to be due to the emotions of Ceres, and this changing of the season is one such transformation due to the emotion of a God. Ceres is angry over the loss of her daughter, Proserpina, to Dis, (also know as Pluto or Hades, King of the Dead), her anger causes devastation to the land by droughts, floods and other natural disasters. Ceres

He states, “pace data terris animum ad civilia vertet iura suum legesque feret iustissimus auctor exemploque suo mores reget” (with peace having been given to the lands, [Augustus] will turn his mind to civil justice, and the most just creator will bring laws, and he will rule morals by his own example). Once again, Ovid uses polysyndeton to emphasize how impressive and copious Augustus’s feats are. Nevertheless, it is clear Ovid is distorting the truth when he says that Augustus “will rule morals by his own example.” It was well-known at the time that Augustus’s family was not the prime model of good ethics; his daughter Julia had many affairs, and his wife Livia was believed to be the mastermind behind many suspicious deaths in the royal family. Although Augustus did exile Julia for her misbehavior, Livia was never punished for her wrongdoings. Therefore, it is a stretch to say Augustus exemplified ideal morals when he did not even hold his family to such high standards. Ovid’s inclusion of this ironic statement shows that he is altering his true opinion of Augustus in order to delight Augustus.

“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of

The sculpture Apollo and Daphne, created by Gian Lorenzo Bernini, is based off a story from Book 1 of Ovid's Metamorphoses. It is a portrayal of when Daphne is turned into a tree when trying to escape Apollo after they were both shot with an arrow by Eros. The sculpture is a powerful visual of Daphne and Apollo’s emotions as Daphne was captured by him. To evaluate the photo further I will discuss the feeling of empathy the sculpture made me feel and two connections the sculpture has to Ovid’s story.

“Let battle-stirring Athena appear and contest her skill with mine'; (Rosenberg and Baker 128). The gods were jealous of each other too and competed on things like their children. “Hera felt even more embarrassed when Hephaestus, the child she hoped would compete with Athena’s excellence, turned out to be lame'; (Rosenberg and Baker 52). The gods were often jealous when mortals exclude them in their offerings and would not hide their anger. Jealousy was a weakness the Greek gods possess and would usually lead to foolish mistakes.

The role of the gods/fate in human affairs is a central theme in most works of literature. In Greek literature, particularly, the will of the gods is commonly attributed to human experiences. In Oedipus the King, for instance, the oracle’s message that Oedipus will kill his father and marry his own mother suggests that he was a puppet in the hands of the gods, who manipulated the events that led to his fall. However, the character’s fate is not entirely attributable to the work of the gods. In the play, Oedipus meets his fate due to his determination to unravel the mysteries surrounding the king’s death, despite warnings by the prophet Tiresias and his wife/mother, and his quest to prove the oracles wrong in their declaration that he is

The personalities of the gods are as broad as there are stars in the heavens, and as such the ways that these gods interact with mortals vary. The purpose of gods intervening with the days of man comes down to two things, good or bad; there are gods who are caring and loving towards mortals while others view man as pawns which they can use for their own personal agenda. A few gods that capture and exemplify the various personalities of the gods can be found in Ovid: The Metamorphoses of Ovid and Homer: The essential Homer: Selections from the Iliad and the Odyssey. Although the ways man and the gods communicate and get each other’s attention are different, there are reoccurring and overarching themes such as desire, and loyalty that make each intervention between gods and mortals similar.

The Metamorphosis by Franz Kafka is a novella that begins with an absurd concept. A man wakes up one morning to find himself transformed into a giant insect. While this concept for a story is certainly absurd, Kafka contrasts this plot with a rather dull, plain narrative. It may initially seem novel to explain a ridiculous situation in a simple manner, but this causes the novella to be quite boring.

In one word, the author Ovid describes the overall content and theme of his poem with the word “Metamorphoses” in the title. Some relative synonyms of this word among others are; altar, change, mutate, develop, and reshape (metamorphose). But Ovid goes further to describe the theme within the first two lines of the poem.

Ovid's "Metamorphoses" is sometimes argued as a non-epic as well as a true epic. It is mainly viewed as a non-epic because Ovid's subject matter is far from the heroic themes of the "Illiad", "Odyssey", and the "Aeneid" (Keith 237). Ovid was different and was motivated to push the epic beyond its previous boundaries (Ovid). Perhaps in hopes to confirm the structure of his work, Ovid declares that he will undertake "one continuous song in many thousands of verses" (Keith 238-239). Ovid's wording here is a self-conscious declaration that he is going to write in the epic mode.

Additionally, it is even more fascinating that not only do Greek Gods act like human; they also behave like humans: they could love, marry, produce children, and so on. However, there were problems, because although they were gods, they also were given weaknesses of humans, such as jealously, enviousness, spite, et cetera, which created immense problems by the fact that they were Gods with extreme power. Therefore, whenever they act upon hatred, much of their acts were very cruel and inhumane. Moreover, because there was such a large society of Gods, much of the Gods lives were shrouded in chaos and revenge. For instance, as described in the book Myth and Meaning, Hera was attributed towards the peacock for her ego-centric nature towards herself. She, like a peacock, tried to prove to Zeus, her husband, that she was the fairest woman in the land. Zeus, however, preferred to steal away and fantasize with other women. Then Hera, out of jealousy, who could not punish the most powerful God, instead inflicted it against Zeus’ lovers. All in all, Greek Gods and Goddesses look and act like humans would.

Both Homeric hymns to Apollo and Aphrodite feature classic mythology that explains various situations between the god and goddess and the mortals. In particular how each god and goddess elude mortals into behavior that both favors each party and has negative consequences. Apollo and Aphrodite have similarities and differences in which they manipulate the humans in the stories that lead to very different outcomes. A similarity between the manipulation on Apollo’s and Aphrodite’s part is that they each have a clear motive before their actions begin and some differences are that they have very different intentions and methods of the manipulation.