There is no one correct way to raise children. Many different methods have been experimented with, producing varying results. In fiction, these ideas of parenthood can be further explored due to no real children being involved in the process, allowing for more questionable practices to be utilized. Shakespeare enjoys writing about various parent-child relationship in his play, with Hamlet being no different. One of the major parent figures in Hamlet is Polonius, the chief advisor to the king, Claudius. Polonius is a father that is paranoid and overprotective of his children, Laertes and Ophelia, not allowing them to have many liberties. He asserts his authority over his children’s every action, making him a good father in regards to ensuring his children’s safety but a bad father in terms of being too controlling and stripping them of any independence. Safety is a huge concern for many parents. Polonius is mostly justified in his protectiveness as he looks out for the physical and mental well-being of his children, ensuring that their safety is not compromised. His “blessings” (1.3.80) towards Laertes shows that he is looking out for all aspects of his children, making sure they have some sort of advice for every aspect of their lives. The fact that he considers his advice as blessings also show some form of conceitedness as he believes his methods are superior. With Ophelia, he bars her from meeting with Hamlet, telling her if she “give words or talk with Lord Hamlet”
The role parents play in a child’s development is critical. They are the people who have the most influence on them, effecting most aspects of even their adult life. When too controlling, the role of a parent can have lasting negative consequences for the child. In the play, Hamlet, by William Shakespeare, the author shows that loss of an authoritative parent leaves people trying to replace the loss of that control in unhealthy ways that destroy the person. This can be seen in the lives of Ophelia, Hamlet and Laertes, who all loose a controlling father.
Ophelia’s father, Polonius, wishes to keep his family’s honor in tact, and fears that Ophelia’s open regard for Hamlet will diminish his honor. Both Polonius and Laertes, Ophelia’s brother, believe that Ophelia’s preference for Hamlet will only end in disgrace for their family, as Hamlet would never marry her due to her lower social standing, therefore, they counsel her to break off any understanding with Hamlet. As a woman, Ophelia realizes her duty to her father and her brother, and therefore decides to disregard her own feelings about Hamlet and do as her father and brother wish.
Hamlet can be viewed through a feminist lens by focusing on Ophelia and Gertrude and how various other male characters treat them. Ophelia and Gertrude are dismissed as characters through the entire play because they are women. Hamlet refers to women as “frailty,” implying that they are weak and are dependent on men. Reason suggests that with out the males, Ophelia and Gertrude would simply have no story.
Hamlet is seen as one of the most complex literary character of all time. The relationship between Hamlet and Gertrude can be interpreted in many ways. Hamlet’s motivation for killing Claudius is not to avenge his father’s death, but because of his love for his mother Gertrude. This is where the Oedipus complex comes into play in Hamlet by William Shakespeare.
Polonius refuses to allow Ophelia to pursue a relationship with Hamlet nor does he allow her to continue any relationship. “Tis told me, he hath very oft of late / Given private time to you, and you yourself / Have of your audience been most free and bounteous” (1.3.91-93). Laertes and Polonius justify the importance of the social reputation of their family, and how if something goes wrong with Hamlet,
Polonius’ image and plans take precedence over his daughter’s physical and mental wellbeing. This leaves her vulnerable and in danger in regards to Hamlet. When Ophelia describes Hamlet accosting her, Polonius’ reacts by saying:
Polonius teams up with King Claudius and once again places demands on Ophelia which require her to disregard her own self to fulfill their wishes of deceiving Hamlet into revealing the cause of his erratic behavior. And once again, it is Ophelia’s duty to her father and this time to the king to be obedient. Disobedience to the king and his advisor are not an option. Polonius wants the king to look on him in good favor and he is willing to step on his daughter to get this admiration. He neglects Ophelia’s feelings by not even thinking of how his requests will affect her. He feels at liberty to request whatever he would like. He is purely worried about himself. Polonius holds a position of unquestioning authority over his daughter. He treats her as though she is not intelligent enough to make her own decisions and he knows that she will inherently obey him. To him her feelings are irrelevant and immature which he states when saying “Affection, puh, you speak like a green girl.”(1.3.101) Following her fathers instructions, she loses her lover and a piece of her happiness.
He does not care about her emotions, as he shows no comfort after heartbreaking confrontation with Hamlet. He also uses Ophelia to test Hamlets sanity for the benefit of himself and King Claudius. Moreover, Polonius has Laertes spied on. He convinces himself that it is righteous. Yet, he is controlling the situation for the good of himself.
When a parent dies, you need someone to fall back on. This person helps you get through it and make you feel loved. If you do not have someone there to help you through this time, you often turn to other things like acting crazy and wanting to take your own life because you feel as if you are not loved and you want to get rid of the pain. Hamlet loved his father and his death took a big part of his life away from him. His mother, Gertrude, needed to spend time with him, to show him he was loved and someone cared about him. Gertrude was not there for Hamlet the way she should have been, and because of this he began to act like he was crazy. Instead of spending time with her son, Gertrude was busy getting married to the late Kings
When individuals lack the ability to defend their ideas and personal preferences to others, with confidence they will lose their identity and sense of self as they allow others to control their opinions and thoughts. Ophelia’s lack of confidence in herself solidifies both Laertes and Polonius into occupying a dominant role expected of men in the 16th century. Polonius assures Ophelia that her obedience is the best thing for her, and creates this illusion of himself as a crutch she needs to respond to competing demands. Subsequently, when Ophelia finds herself torn between two loyalties – her love for Hamlet, and her father’s expectations, Polonius sways her to compliance with his ideas. “I shall obey, my lord.” (I, iv, 145 )This complete obedience of her father ultimately eliminates Ophelia’s self-preservation that would ensure her best outcome. It is clear her father’s requests of her are not out of love and concern for Ophelia but for his own issues of vanity and securing his status. This can be seen in misalignments in Polonius’ claims, and the condescension in his words to Ophelia. As Laertes prepares to leave, Polonius grants him with advice, “This above all: to thine own self be true.” (I, iii, 84). He contradicts
Issues of power are foremost in Polonius' mind. He immediately seeks the King in order to legitimate his accusations concerning Hamlet. By doing this, not only does Polonius gain power over Hamlet, but also with the King himself. Polonius tries to control the way Hamlet is seen around the court so as to rise in stature himself. Through his manipulation of Ophelia, Polonius becomes a character not as much concerned with familial ties as one whose concern rests within the world of court intrigue and position.
Polonius’s relationship with his children is far worse that Hamlets relationship with his biological parents. In the first act, Laertes warns Ophelia not to fall for Hamlet because he simply cannot marry outside of royalty. Polonius overheard their conversation and chipped in, “Tender yourself more dearly, / or you’ll tender me a fool”. (I.iii.107-109) As an unmarried daughter, Ophelia has no choice but to be obedient to her father. This means that Polonius is free to force Ophelia to break up with Hamlet. He’s also free to use his daughter as bait to spy on
Hamlet's father, Old King Hamlet who he looked up to was recently killed, and his mother married his uncle within a month. He receives a visit from the ghost of his father which urges him to "revenge [Claudius'] foul and most unnatural murder" (I, v, 32) of Old Hamlet. It is only logical that under these circumstances, Hamlet would be under great duress, and it would not be abnormal for him to express grief. Fortnibra and Laertes also have to deal with the avenging their fathers' death.
James L. Calderwood describes Polonius' counsel to his son: "imposing patterns of prudential wisdom on the departing Laertes--establishes the dominance of father over son…control through precept is reinforced by control through spying…in Act two scene one, where Polonius coaches Reynaldo in the subtleties of surveillance" (Calderwood 16). Ultimately, Polonius' advice to his children serves his own interests. He is consciously controlling his image as the wise old courtier and father, but he does not practice his own teachings. The wise old man routine is short-lived once his pre-occupations (his image and duties as lord chamberlain) are made clear.
In William Shakespeare’s Hamlet, it appears that something is amiss in the State of Denmark as the protagonist, Hamlet, is approached by the ghost of the deceased King Hamlet. During this encounter, Hamlet discovers vital information about the king’s brother, Claudius, who married the king’s widow, Queen Gertrude. With this information kept in mind, the Ghost advises Hamlet to kill King Claudius, while protecting his mother, in order for the old King Hamlet to escape purgatory. Nonetheless, throughout the play Hamlet’s vendetta is continuously prolonged due to the Oedipus Complex created by Sigmund Freud which states, “in the young male, the Oedipus conflict stems from his natural love for his mother, which progressively may become sexual.