Passing and Human Relationships

."..it was that, party that has made me want to see other people. It just...changed everything (196)." The tea party event struck Clare and leads her to remind that she was one of the black cultures and so does now. Clare says Irene is "free", "happy" and "safe" (196). Apparently it is Clare envy toward Irene's status but actually it is Clare's belief that Irene's present status guarantees Irene's happiness and safety.

Clare Kendry in Larsen’s Passing, is a very complex character. She is an African American woman, who is “passing” as a white Caucasian. It all started when her Dad died when she was little, and was taken to her white aunts. Her aunts treated her like she was the help, so this made her want to be wealthy when she is older. Irene is her childhood friend, who saw Clare go through her tough times. They grew apart for a while, but met up in Chicago a couple of years ago. Clare has made herself an outsider through her actions. She is an outsider because she tries to pass as a Caucasian, uses her friends for her own benefit, and secretly wants to get back to her cultural roots.

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

When Irene finally realizes that this woman is Clare, someone who chooses to “pass” and hide all traces of her black heritage, Irene’s opinion of her changes. She no longer wants to be involved with Clare in any way, and “had no desire or intention of making the slightest effort about Tuesday. Nor any other day for that matter. She was through with Clare Kendry.” (p. 31) Irene is appalled that someone can so easily throw away her background just for the sake of gaining privilege over another race. When Clare asks her if she had ever thought of passing, Irene replies, “No. Why should I? You see, Clare, I’ve everything I want.” (p. 28) She is happy with what she has, not even having to give up anything to get there. Or at least that’s what she convinces herself to believe. Irene is again hypocritical in her beliefs. Even when she opposes Clare’s view of passing, she is still very interested in the idea. “The truth was, she was curious. There were things she wanted to ask Clare Kendry. She wished to find out about this hazardous business of ‘passing’…” (p. 24) She even admitted that she held for her “a fascination, strange and compelling.” (p. 28) Irene doesn’t seem to be able to decide if she accepts passing as reasonable. She forces herself to disagree with passing, allowing her to hate Clare for doing it. This shows us that sexuality and race are two matters that conflict with each other, at least in Irene’s opinion. She uses race to

Passing begins with Irene’s recollection of encountering Clare in Chicago a few months before the current events of the story take place. Their first meeting on the roof of the Drayton offers insight into the nature of both characters. Clare’s seductiveness and ability to influence Irene is established when Clare convinces Irene to spend more time with her, leaving Irene wondering “just what had possessed her to make her promise to find time” (22). The fact that Irene is in the process of passing during their first encounter exposes her hypocritical nature, especially when it is revealed throughout the story how much she looks down upon Clare for passing.

During her shopping trip with her friend, Felise, Irene accidentaly met Jack Bellew. Irene considered warning Clare that Jack might aware of her racial status and possibly Clare’s too. However, Irene told nothing for she was worried that Clare’s divorce might encourage Irene’s husband, Brian, to leave her for Clare. Irene relationship with her husband was not good at that time, and she noted that Brian might like Clare more than friend. On one night, Clare accompanied Irene and Brian to Felise’s party which was held on a top of a building. Clare husband, Jack, suddenly came and shouted at Clare “You’re a nigger, a damned dirty nigger!, and tragically, the story ended with Clare’s death which she fell from an open window of the top of that

Unplanned, Irene saw Clare in Chicago and was disturbed by her. After dropping Clare out of her mind, she turned her mind to her lovely family, “To home, to the boys, to Brian. Brian, who in the morning would be waiting for her in the great clamorous station. She hoped that he had been comfortable and not too lonely without her and the boys” (Larsen P1 4). It seems that she has found a destination where she can find her own peace and comfort solution for all her troubles she has. This quote reveals the message that the women should be expected to find their love and their solutions to their problems. This also shows the expectations society has for women. Home is where the women should be at. Throughout Passing, Larsen starts to unveil pieces of her complicated mind and thoughts of Irene. For example, when Larsen brought up how women think about their husbands – “That craving for some place strange and different, which at the beginning of her marriage she had had to make such strenuous efforts to repress, and which yet faintly alarmed her, though it now sprang up at gradually lessening intervals” (Larsen P1 4). Even though she made Brian stay in New York for his job, which showed some power over

The Harlem Renaissance was a turning point for many African Americans. A vast amount of literature was created specifically for this group during this era. It was a period when the African American "was in vogue" and "white thinkers and writers were devoting a considerable amount of attention" to them (Taylor 91, 90). For the first time, African Americans were being told that it was okay to be proud of who they were. This new consciousness and self-awareness was prominent in many works of literate, but several writers began exploring the darker side of this movement with literature that concentrated on the negative aspects of race relations in America. Nella Larsen's novel Passing concentrates on this

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

Later when Clare decides to visit Irene, we see them get emotional over Clare’s situation.

Larsen’s style is a tricky one; in Passing, Larsen’s narration is highly unreliable. Told from the viewpoint of Irene, many aspects are skewed, especially in regards to Clare. In the beginning of the novel, Irene recalls events from Clare’s childhood: “Irene Redfield seemed to see a pale small girl sitting on a ragged blue sofa, sewing pieces of bright red cloth together, while her drunken father…raged threateningly up and down the shabby room, bellowing curses and making spasmodic lunges at her…” (9), yet later she remembers Clare being “selfish, and cold, and hard” (10). If the reader looks past the bias, we see that Clare’s life has been especially difficult and that Irene’s strange dislike for her is completely unwarranted. Larsen’s style

Racial identity is an important concept that everyone must deal with in their life. It is an individual’s sense of having their identity be defined by belonging to a race and or ethnic group. How strong the identity is depending on how much the individual has processed and internalized the sociological, political, and other factors within the group. In some instances, people do not identify with their race and they will “pass” as another. Nella Larsen, an African American writer and prominent member of the Harlem Renaissance movement, she explores the consequences of “passing”. Larsen’s Passing is a novel that challenges the concept of ethnicity, race and gender while revolutionizing the idea of what we describe as identity. The novel explores the issue of race through vivid plotting that depicts a mentally touching story of affecting boundaries in the early American society. The novel also explores the effects of racial construction on a person through multiple levels. Through Larsen’s characterization and setting she is able to bring out the social construction of race in an enjoyable and educated format in which race, class distinction and identity themes are intertwined. Larsen herself often struggles with identity, as she grew up being raised by an all-white household after her father, a black West Indian, disappeared from her life. Larsen depicts the theme of racial identity by using two women characters, both of which are attractive, and are “light” enough to be able

Brian comes home and Irene feels his burden, relating back to the 'burden of being black', "It was as if he had stepped out beyond her reach into some section, strange, and walled, where she could not get at him" (Larsen 86). Finally, Irene slowly drifting away from Brian represents how racism, again, segregates her from her husband and her upbringing. Irene, unnoticeably passing, slowly drifts away from what she believes in and becomes more like Clare. Clare, on the other hand, is used to being called a racial slur, and when Irene heard John say,

Irene wants to control her relationship with Clare and seems frustrated as she loses control when Clare is around. One occasion, Irene tries hard not to accept Clare’s invitation to meet her but ends up going. Later, Irene’s anger goes away just by the power of Clare’s smile, "And under her potent smile a part of Irene's annoyance with herself fled”. This constant loose of power makes Irene vulnerable and the possible affair between Clare and Brian gives Irene a motive for hating her instead of admitting her lesbianism and losing the life she has worked so hard to build.

As Irene continues to neglect Clare’s handwritten letters, in hopes to drift away from her, she then gets unavoidable phone calls throughout the day, from Clare, begging to meet up with her once more. While the characters are now beginning to communicate directly with one another, the most clever element of this discourse is that readers only get to hear Clare's side of the phone call rather than both ends. Interesting enough, the discussion goes along the lines of "Can you be here around four?...What?...But 'Rene, you promised!" (Larsen 43) from Clare's perspective. Readers are given a better insight of Clare's personality as she's more open and direct to her audience. The main reason why Clare desires to be with Irene so much is that she's