Passion By Kathleen Raine

In the book Girl, Interrupted by Susanna Kaysen, Susanna Kaysen was only 18 years old when she agreed to enter a medium security psychiatric facility in Boston, McLean hospital in April 1967, after a failed suicide attempt. She insisted that her over dose on aspirin was not a suicide attempt, but after a 20 minute interview the doctor decided she needed to be admitted to a hospital. During her prolonged two-year stay at the hospital Kaysen describes the issues that most of the patients in her ward have to deal with and how they all differently deal with the amount of time they must stay in the hospital for. While in the hospital Kaysen experienced a case of depersonalization where she tried to pull the skin of her hands to see if there were bones underneath, after a failed escape attempt. Soon, after going to therapy and analysis she was labeled as having recovered from borderline personality disorder. After her release she realizes that McLean Hospital provided patients with more freedom than the outside world, by being free responsibility of parental pressure, free from school and job responsibilities, and being free from the “social norms” that society comes up with. Ultimately, being in captivity gave the patients more freedom then in society and created a safe environment in which patients wanted to stay in.

Although the lovers remain silent, "The wind's incomplete unrest / Builds and disperses clouds about the sky", which symbolizes first an eternal yearning for something deeper than is there, and secondly a "clouded," obscure vision of what this something may be. The previously mentioned yearning is shown also by a definition of clouds as "a type of the fleeting or unsubstantial" (Oxford English Dictionary). Whatever it may be that is being searched for cannot be found by lying inert letting time pass by. While this second stanza contemplates the apparently unattainable, the final two seem to convey a feeling of hopelessness in knowing that the clouds may never subside.

The tone of despair and loneliness is carried on to the proceeding stanzas, and is more evident in the last two. By saying that “Water limpid as the solitudes that flee

The poet orders his listener to behold a “solitary Highland lass” reaping and singing by herself in a field. He says that anyone passing by should either stop here, or “gently pass” so as not to disturb her. As she “cuts and binds the grain” she “sings a melancholy strain,” and the valley overflows with the beautiful, sad sound. The speaker says that the sound is more welcome than any chant of the nightingale to weary travelers in the desert, and that the cuckoo-bird in spring never sang with a voice so thrilling. Impatient, the poet asks, “Will no one tell me what she sings?” He speculates that her song might be about “old, unhappy, far-off things, / And battles long ago,” or that it might be humbler, a simple song about “matter of today.” Whatever she sings about, he says, he listened “motionless and still,” and as he traveled up the

Sanity is subjective. Every individual is insane to another; however it is the people who possess the greatest self-restraint that prosper in acting “normal”. This is achieved by thrusting the title of insanity onto others who may be unlike oneself, although in reality, are simply non-conforming, as opposed to insane. In Susanna Kaysen’s Girl, Interrupted, this fine line between sanity and insanity is explored to great lengths. Through the unveiling of Susanna’s past, the reasoning behind her commitment to McLean Hospital for the mentally ill, and varying definitions of the diagnosis that Susanna received, it is evident that social non-conformity is often confused with insanity.

The short story “The Love Of My Life” by T.C. Boyle's examines two couples who are imagined to be inseparable and how no love comes closer to theirs. The story follows young high school couples who are in the merge of a bright future. They are always together “wearing each other like a pair socks”. They idolized the love they share is something far from real and it is true love. While Jeremy is set to attend Brown and on the other hand China were in Binghamton things took wrong turn. Over the summer before their going to college they mistakenly conceived a baby while they are at a camping trip. The story was pleasant and everything was green and China and Jeremy went to a trip together and had sex. The couples were so keen to avoid this from

In stanza six, we see the end of visiting hour, and the persona’s loss of control as he is overran with emotion. The phrase, “black figure in her white cave” creates an image of an intruder in her sanctuary. The black and white contrast suggests he is a shadow of his former self and also that he is trying to detach himself. The phrase, “clumsily rises” gives connotations of his state as he is physically affected by his feeling of loss. Furthermore, “swimming waves of a bell” is a metaphor which has connotations of water. This is used to illustrate that he is drowning in the realisation that she is dying. Finally, “fruitless fruits” is an oxymoron used to reinforce that there is no hope or going back, for her.

Sophie Treadwell’s Machinal is a strangely riveting play so filled with unlikable characters that it makes one want to scream and throttle which ever one is closest to hand without prejudice as to which persona it might be as they are all equally detestable in their own way. Unfortunately, the infuriating characters are exactly what make the play so fascinating. Each of the characters in the play, originally intended to display that life is an inescapable machine, exhibits many disturbing psychological qualities, and the main character suffers a slew of near textbook psychological misfortune. Whether Sophie Treadwell created her play with this facet intentionally or not is unknown, but the examples are so perfect it is difficult to think

Activism, culture and value have always had a tremendous influence in society. When it comes to the Appalachian region of the United States, people tend to see our culture and values differently. The individuals of the Appalachian region have been stereotyped for far too long, people forget that West Virginia has played a huge role in building this country. Our coal miners have put their lives in danger time and time again, some losing them, for worker’s rights. The Battle of Blair Mountain was the largest labor rebellion in the history of the United States. This was the foundation of the movement for eight hour work days and minimum wages. The novel Storming Heaven by Denise Giardina is a fictionalized tale of the conflict that took place in these coal fields of West Virginia. The novel brings to light the stereotypes, race and religion of the Appalachian people.

Holding Onto the Air an autobiography by Suzanne Farrell takes the reader backstage in the dramatic life of the world-renowned Balanchine ballerina. From her childhood in Cincinnati to her retirement from ballet in 1989, Farrell's story is truly a remarkable one. The book describes at length her time with the New York City Ballet as well as her complex relationship with the legendary Balanchine. Although Mrs. Farrell goes a bit too far into the ballet descriptions, her beautiful imagery allows reader to experience the joy of performing on stage.

In the next stanza, the line "Their frail deeds might have danced in a green bay", the poet is now using imagery with the waters, however it can also be a metaphorical representation of life due to

Sex At Dawn by Chrstopher Ryan and Cacilda Jetha, describes our current society as a sexual hypocrisy where monogamy is the norm and everything else falls under taboo. Based on prehistoric facts, they argue that we derive from a sexually free and promiscuous culture, and were never meant to be in lifelong monogamous unions. In Paleofantasy by Martha Zuk, looks at evolutionary theorists, like Ryan and Jetha, who use the Paleolithic Age for guidance on how our current society should live. Zuk’s argument is that people want to make our nature into one-form, but humans are not designed for one-way/form of life. As for our sexual system it too can not be put into one-form. Zuk shows various points on popular assertions, creating uncertainty to the reader. This therefore shows how difficult it is to determine a precise natural sexual practice from our past, and debunking Ryan and Jetha. For this reason, Zuk provides a better argument regarding how we should use prehistoric history in present day.

In the third stanza, a lot of imagery is used. The significant ones are present in the seventh and eleventh lines. In the first line, the poet writes, "A

In the first stanza it is the semantic field of water: ‘waters’ (twice), ‘sea’, ‘drowning’ and ‘being drawn’. As I mentioned earlier, water is often the symbol of life but it also evokes tears, sadness and despair.

The speaker feels that faith has disappeared and has separated her or him from the "ebb and flow" of life. This lost faith is compared to a sea that is very similar to the sea described in the first stanza. Words of lightness and beauty are used once more. The shore "lays like the folds of a bright girdle furl'd." There is a sense of encompassing joy in this phrase. This bright and joyful image is then contrasted by the last five lines of the stanza. "The Sea of Faith" has now retreated, like a tide withdraws from the shore. It is interesting to note the similarities and differences between the words of these five lines and the words from the first stanza. The sweet "night-air"becomes "the night-wind," and the cliffs that were once "glimmering and vast" are still vast, but only dreary edges. The sea that was "round" and "full" has now left the world empty and exposed. Similarly, the speaker has lost his faith and feels alone and vulnerable.