Pathetic Fallacy In The Red Pony

In The Outsiders, S.E. Hinton emphasizes on the weather description to lead the readers to foreshadow approaching events. "Ain't you about to freeze to death, Pony?" (Hinton, 47) It was a frigid fall night, the boys were desolate in the local park. Once an author establishes coldness and loneliness, the mood drops to death. According to literary symbolism, in winter, death roams the land, the literary use for the season is generally based on death and deterioration.

A theme is the prime element of literature, which contains the central idea of the story. It helps reflect on the characteristics that a story might have and reflects on observations interpreted from our view of the author. The theme, a main idea or underlying meaning of literary work may be stated directly or indirectly, but it is ultimately our job to figure it out. Throughout any story, short story or poem you can see the constant change of imagery that will play a big part in the development of the characters ability’s to demonstrate the theme. In “The Storm” by Kate Chopin, the theme illustrates many sexual desires, adultery, and happiness as well as shows a theme of conflict. Chopin uses a storm to represent sexual passionate tension that builds throughout the story between the two main characters Alcee and Calixta.

This can be seen in the poem “Brothers and Sisters” in which the literal and figurative levels of reality are joined. Wright does this through the use of pathetic fallacy, ensuring that she moves beyond simple description, to show that every aspect of the siblings’ lives is reflective of the environment that they live in. This is represented in the metaphor ‘the road turned out to be a cul-de sac, stopped like a lost intention”. Wright implies that the dead end of the street is reflective of the lack of fertility both in and outside the house, there is no movement forwards as the lives of those within it have ceased, the siblings are unmarried with no children, thus there is no new life being created. Wright has done this to ensure that that audience is aware of this process, rather than providing simple descriptions which can often be misleading. Neither the surrounding environment or the siblings are taking part in the evolutionary process of creating life, this sense of fruitless passing of time is furthered through the employment of the simile “years grew like grass and leaves” suggesting, although hindered there is an emotional connection present. By representing their lives as slow- growing and little- moving it continues to showcase the similarities between the landscape and its inhabitants, demonstrating that the environment grows old just as they do. Yet another representation of the landscape within the characters is seen in the inevitability of death, for the landscape and its inhabitants. This can be seen through the use of direct speech “There is nothing to be afraid of. Nothing at all”. This repetitive reassurance demonstrates their fear of death and the destructive nature of it, as witnessed in the landscape. The irony here is that with each

Foster’s insights about seasons and weather in literature change the story’s interpretation by clarifying their purposes. Foster’s main idea in the chapter It’s More Than Just Rain or Snow is weather always has a purpose; for example, rain, which has an “association with Spring,” can allow a “character to be cleansed symbolically” and “can bring the world back to life.” This insight is clear in the short story as outside Mrs.Mallard’s room the “trees were all aquiver with the new spring life” and “the delicious breath of rain was in the air.” The rain and spring weather may be dismissed as merely setting, but Foster’s insights allow the deeper meaning behind the inclusion of rain and spring to be clarified. The rain and spring show how Mrs.Mallard was cleansed

The second device that is ubiquitous in this passage is symbolism. The symbols found in this passage include rain, sunlight, lightning, and the aroma of rain. A common theme in The Bean Trees is plants. This theme is introduced in the passage through the symbol of rain. Rain is a meaningful symbol due to the fact that rain is a key factor in the growth and development of plants. Since plants have symbolised both Taylor and Turtle, the rain that occurs in the passage creates a sense of growth for both characters as they are both in the process of growing and developing.

One of the first items the author states is that all symbolism is intentional, there are no accidents when it comes to analyzing famous literature. He describes certain authors like James Joyce and T.S. Elliot as “intentionalists” or writers who purposely try to control every part of the story through symbolism. The author Thomas Foster teaches us never to overlook anything in a novel even if it be little things like the color shirt they are wearing or what the weather is like outside. Building more off the last statement, precipitation, whilst being a little detail added into a story, holds a lot of important roles in moving the story along and even providing hardships for characters to overcome. Even more than that though, he says “It’s never just rain”, rain provides as a symbol in the story so that if someone is in the rain it’s almost as if they are being cleansed.

Due to this, the family steals food in order to cure their hunger. This shows the theme beacuse it shows that in times of need, sometimes people have to do what is best for themselves instead of thinking about others. The Street also shows the same theme by using the wind as an annoyance to the people in the street, an event in the excerpt. “It wrapped newspaper around their feet entangling them until the people cursed deep in their throats, stamped their feet, and kicked off the paper.” (Petry 2). Due to the wind, the people are inferior and are becoming annoyed with everything that is being thrown at them. This annoyance causes the people the make violent remarks. Because of the wind, the people were forced to do these things even if some of them didn’t want to. Overall, both McCourt and Petry used events to help tell the theme.

In a piece of literary work weather is never just weather. Rain, snow, storms, and even rainbows all have their distinct meanings and in most cases usually symbolize something much deeper. Weather can change the entire mood of a novel and this is important because at times authors use weather to symbolize what is going on emotionally with a character. Two works of literature that use weather accordingly and symbolically are Wuthering Heights by Emily Bronte and The Odyssey by Homer.

Another powerful symbolisms was when Jim meets the girls for a picnic. The symbol of the plow against the powerful sun. The third symbol is the rattlesnake and it 's symbol of Jim becoming a man. The girls reminisce as does Jim at the picnic. The girls remember the beautiful wonderful memories of their homelands and contemplate they 're great struggles to make it in America. At the end of their picnic the silhouette of the pile against the setting sun symbolizes the plow like the pioneer spirit of strength, beauty in all inspiring greatness of nature like the sun. “Presently we saw a curious thing: there were no clouds, the sun was going down in a limpid, gold-wash sky. Just as the lower edge of the red disc rested on the high fields against the horizon, and black figure suddenly appeared on the face of the sun. We swing trophy, straining our eyes toward it. In a moment we realized what it was. And some upland farm, a pile have been left standing in the field. The sun was thinking just behind that to find across the distance was the horse on a light, it 's third against the sun, it was exactly contained within the circle of the disk; The handles, the tongue, the share-Black against the mountain ride. They are at wise, heroic in size, A picture the sun. Even while we were whispering about, our vision disappeared; The ball dropped and dropped until the red tip meet with the earth. The field below us was dark, the sky was growing pale, and that forgotten

At first he is overjoyed with the way things are turning out, but soon he feels the harsh reality life away from society. While with Rainy and the other hippies, he finds joy in the bonds he builds and the pain of everyday trifles is more easily bearable when shared. But once he is off again on his own, he truly suffers with every happening, all the more intense with no one to assist him or even to speak to. When he kills a moose, flies and maggots battle to destroy all the meat before he can get a chance to cook it for himself, and he’s furious, but with no one to rant to. As he tries to cross the river to get away from the wilderness, it nearly drowns him, and he’s stuck by himself, scribbling down, “lonely, scared” in his journal. When he mistakenly eats inedible sweet peas and is faced with inevitable death, nature is suddenly perceived as the enemy, unable to assist him, and he writes, “have literally become trapped in the wild”. The brutality of nature and pains of solitude truly show the downside to his transcendental ways, and seem to make him realize that nature isn’t all beauty and

In conjunction with the symbolic representation of Elisa’s life, the dramatic description of the environment can also be seen as a unique representation of the relationship conflict between husband and wife. Steinbeck’s foggy description demonstrates conflict through the following statement, "a time of quiet and waiting." This description is interesting because the fields are personified as waiting for rain, however, “rain and fog do not go together” therein lies the conflict just as Elisa waits for a positive change in how her husband treats her (Palmerino, Gregory J). Gregory P. further points out that, “The natural elements of the foothills ranch seem as unwilling to confront each other as the characters that inhabit its environs. Hence, fog and rain can be seen as the female and male equivalents to Elisa and Henry.” This only further solidifies the deep rooted troubles within Elisa and her relationship with her husband. The setting of the story is personified to act as a symbolic representation of the couple’s relationship (Steinbeck, John 337-338).

The Red Pony by author John Steinbeck is a very notable book for young adults. The central and recurring theme of the four stories told within this short novel is life and death. The stories also deal with conflict between old and new. Unlike most novels for young adults this book is different because John Steinbeck does not try to soften or hide old age and death, but instead presents these themes as they are in reality. The stories tell how the main character, Jody Tiflin, becomes more responsible as he deals with the disappointments and sadness, as well as the successes of real life.

Throughout the first part of the novel, Pi’s exposition character is introduced; he is open-minded, kind, and cares for all beings on Earth, something that we can see from his vegetarian ways. As the story continues, it further describes Pi’s relations with nature and the Earth, like his religions have taught, that the Earth would look out for him. When the Tsimtsum sinks due a violent storm, the ship goes down along dragging all Pi has ever known and believed down with it. The weather equates with Pi’s feelings “Everything was screaming: the sea, the wind, my [Pi] heart,” directly associating the weather with Pi’s inner self. The weather represents the rocky beginning of his long journey of self exploration, detaching his personality in his old life from his will to survive. Seven months into Pi’s self-proclaimed ‘trial’, the weather becomes warmer, still, and tranquil, as if it’s more like a vacation than a crisis. Pi begins to enjoy himself, dreaming about his future, stating “There's no peace like the peace of an inner courtyard on a sunny day”, forgetting the level of crisis he is in. Nature is a support system for Pi, giving him water and food, such as the sudden appearance of flying fish when Pi didn’t know how to obtain nutrition. If this support from nature was not there, Pi would’ve easily accepted death as already arrived rather than coming, and given up

This is significant because it emphasizes the melancholy and mournfulness that he depicts with imagery in the first stanza. Later on in the second stanza, he author describes the tree the narrator would have planted as a “green sapling rising among the twisted apple boughs”. The author uses visual color imagery of the color green to describe the sapling in order to emphasize just how young the newborn was when he died. Later on in the poem, the narrator speaks of himself and his brothers kneeling in front of the newly plated tree. The fact that they are kneeling represents respect for the deceased. When the narrator mentions that the weather is cold it is a reference back to the first stanza when he says “of an old year coming to an end”. Later on in the third stanza the author writes “all that remains above earth of a first born son” which means that the deceased child has been buried. They also compare the child to the size of “a few stray atoms” to emphasize that he was an infant. All of these symbols and comparisons to are significant because they are tied to the central assertion of remembrance and honoring of the dead with the family and rebirth.

The first landscape feature that is described are, “the tops of trees” (Chopin 203). Trees are commonly attributed to nature and the symbol of life. Although the author has attributed the trees in this story with the literary term personification, as the trees, “were all aquiver with the new spring life” (Chopin 203). The author has attributed the trees to movement as the protagonist begins to desire to be in the cycle of nature. The protagonist relates to the trees because the trees are no longer weighed down by the heavy snow, thus allowing the trees to grow again, which is similar to the protagonist, as she is no longer confined by her husband, but she desires to be rebirthed (Lucas). Consequently, the protagonist was learning her desires to participate in life as an independent individual and to have restrictions a memory in the past. Therefore, the protagonist is beginning to participate down the path of becoming