Pathos And Hubris In Oedipus The King

The first thing he says in the play encases his personality of arrogance: “here I am myself- you all know me, the world knows my fame: I am Oedipus” (7-9). This display of confidence shows that Oedipus knows he is one of the most well-known men in Ancient Greece. He should “act now- we beg you, best of men, raise up our city! Act, defend yourself, your former glory! Your country calls you savior now for your zeal, your action years ago”(57-68). The chorus describes pride in breeding the “tyrant, violent pride, gorging, crammed to bursting with all that is overripe and rich with ruin- clawing up to the heights, headlong pride crashes down the abyss-sheer doom!” (963-967). The chorus is foreboding the downfall of Oedipus, stating that too much pride in a person can crash into the abyss-sheer doom. Once he does become too arrogant, the gods strike him

First, Oedipus understands that injustice is put on his kingdom. innocent people who did not harm or have any part in the murder of the King are being punished. “For you, for loyal Thebans, and for all who find my actions right, I pray the favor of justice, and of all the immortal gods"(Sophocles 15). Oedipus knows that this curse is not fair and he is determined to find the murderer. “Apollo, when we sent to him, sent us back word

The author of Oedipus, Sophocles, introduces a worthy rival to the main character Oedipus.Tiresias, who considers himself to be an equal to the Great King. Tiresias admits, “You are a king. But where the argument’s concerned // I am your man, as much as a king as you.// I am not your servant, but Apollo’s.”(Sophocles) While simultaneously trying to defend his honour and bring justice to Thebes, Oedipus argues about the integrity of Creon’s source. Tiresias retorts Oedipus’ impulsive accusations, in a studious, and King like manner.Tiresias’ diligent retaliation is dramatically significant because it develops Oedipus’ character; Oedipus is humanized and revered less as a God because of his flaws. The power dynamic shift causes the audience to become more judgemental of Oedipus since someone is holding him accountable for his behaviour. Additionally, the passage adds to the mystery of the plot and creates suspense, through Sophocles’ use of paradox, and imagery which cause the mood to change and creates a compelling story. Both of these elements cause the audience to pay attention to the drastic changes in character, and mood, to highlight the major theme of pride, power, and fate. Ultimately, the passage is intended to show the ignorance of Oedipus, and the awareness of Tiresias, who are symbols for the pervasiveness of fate.

The Greek drama “Oedipus The King” evidently leads to the unveiling of a tragedy. Oedipus, the protagonist of the play uncovers his tragic birth story and the curse he had been baring his whole life. Oedipus is notorious for his personal insight that helped him defeat Sphinx, which lead him to becoming the king of Thebes. He is admired by the people of Thebes and is considered to be a mature, inelegant and a rational leader. From his birth, his story began with a prophecy that Oedipus would grow up to kill his father and marry his mother. Through out the play numerous people, who tell him of his unknown past, visit Oedipus. Blind to the truth he casts them away until a blind man named Therisis gives a sight of truth to Oedipus. As Oedipus learns the truth he realizes the great evil his life carries. After finding his wife and also mother hung in her bedroom, Oedipus blinds himself with the gold pins that held Jocasta’s robe. Oedipus blind to the truth is finally able to see when the old blind man visits him and tells him the truth about his life. Both metaphorically and physically sight plays a significant role in understanding the irony of a blind man seeing the truth while Oedipus who isn’t blind doesn’t seem to the truth that’s right in front of him.

Creon has more of a reserved personality. He likes to discuss things in private and talk things over before discussing information with the general public. When Creon brings word from Apollo that the murderer of King Laius must be punished, there is a short discussion between Oedipus and Creon about whether or not to publicly announce Apollo’s declaration.

Often the past will present answers to questions about the future as well as questions of the now, and in Oedipus Rex, Oedipus’ past plays an integral role in his pursuit of righting the wrongs that are affecting him in the present. In the play, Oedipus must identify who has killed Laius in order to exile them to solve the qualms of his people, and in a dialogue with Jocasta, who happens to be his wife as well as his mother, she reveals to him details of the death of Laius that seem far too familiar for his comfort (Sophocles 27). This revelation of information acts as a catalyst that forces Oedipus to make the connection between his past and what Jocasta is telling him. This realization that he may have been responsible for Laius’ death exposes him to the weight of the pursuit of justice sometimes hold for humans. Through this dialogue, Oedipus comes to fear that he is the culprit of the scandal that is plaguing the situation, thus putting him in the position of a criminal who will face the due punishment for the crime. This internal conflict that Oedipus experiences creates and

Due to his arrogance and narcissism, Oedipus fails to take heed of Tiresias warning of whom Creon sent him and decided that the accusations that were being made against him are attempts to steal his throne. Likewise, Oedipus tells Tiresias when he was reluctant to tell Oedipus is Laius’ killer, “What then, thou knowest, and yet willst not speak!/Wouldst thou betray us and destroy the

It is quickly determined between the two men that the defilement to which the prophecy refers is the murderer of Laius. Oedipus sees it as his duty to rid the city of the villain, who the audience knows to be the king himself.

However, in his attempts to escape the prophecy, Oedipus ran straight to it. At the time, he was unaware that he had been adopted. Instead of escaping his fate, Oedipus met Laius on the road and murdered him and four of his escorts out of anger and self-defense. This was the first event, though not actually shown in the play, that set Oedipus’s destiny into motion.

Hubris is Oedipus's tragic flaw. He is now overly full of himself because: he rescued the city of Thebes from the Sphinx, people admire him, the citizens worship him as if he were an idol, the citizens think of him as their hero, and the Thebans have such a high esteem for him, that they made him King. One instance that proves he is filled with overbearing pride is when he proclaims, "I, Oedipus, a name that all men know." (8) This statement also brings about irony. It is ironic because his name will be remembered and well-known everywhere--as a polluter, the

Hubris is defined by the Webster-Miriam dictionary as “Exaggerated pride or confidence” (Miriam-Webster Dictionary) in Oedipus the King, by Sophocles, In Oedipus The King, by Sophocles, the onslaught of pain assailing the protagonist is a result of his tragic flaw. Sophocles often used a characters’ flaw to alter or influence the outcome or future of the hero. Oedipus' hubris influences him to fulfill the oracle and further intensify his punishment from the Gods.

When Oedipus hears that he is the killer, his pride is wounded for he cannot accept the truth. His judgment is so blurred that he also begins to view Creon as a traitor for using Tiresias. Creon’s words sum up Oedipus’s rage when he said, “Oedipus, your husband, he’s bent on a choice of punishments for me, banishment from the fatherland or death” (715-717). Jocasta is even surprised with Oedipus’s unusual character, as she said, “For the love of God, Oedipus, tell me too, what is it? Why this rage? You’re so unbending” (767-769). The reason why Oedipus pride is so wounded can be because his negative experiences with the Gods. As a baby, he was condemned to death, yet he survived and learned the horrible truth of his prophecy. In attempt to escape that life, he lost belief in the word of the gods because he refused that the prophecies should come true. This struggle between God and Oedipus only tears his moral beliefs as he has to be stone cold to survive his tribulations. This meant giving no consideration against people who presently posed a great threat to him.

Prior to the news shared by the shepherd, Oedipus had received various warnings that indicated that he would, in fact, be Laius’ killer; however, he did not stop; he kept digging deeper and deeper. He did not mind ruining his life in the process of saving his precious city. His hero complex led him to investigate and realize the truth of the past.

Jocasta tells Oedipus about her baby to make him not believe in the Oracle. The detail of Jocasta's story that catches Oedipus’s attention is the death of King Laius at the crossroads. Oedipus begins to suspect that he probably is the killer of King Laius. Oedipus and Jocasta send for the only survivor of the caravan.

In Sophocles’ Oedipus the King, the character of Oedipus displays so much hubris, and arguably is easily angered, and jumps to conclusions causing the reader to conclude that he is a bad leader.