Paul Cezanne Essay

The Portrait of Paul Revere is Copley’s only finished portrait of a craftsmen simply enjoying his cup of tea. The way that Copley depicted Paul Revere shows him as a man with little too no emotional appeal. Everything from the dark imaged background, too the blank expression on Pauls face too the lack of design on the tea cup symbolizes a simplistic state of absolute nothing.

Music affects our emotions and has much to do with our everyday lives. Music has always and will be a part of my life. I would have to say that without music there is no life -- something is missing in our lives without music. If there were no music society we would only have people speaking to each other, and there would be no entertainment. The form of musical entertainment that I attended was the opera, La Boheme, composed by Giacommo Puccini and Libretto by Giuseppe and Luigi Illica. The opera took place at The New City Opera on November 10, 2001. La Boheme takes place in 1830, 19th century Paris around Christmas time. This opera tells the tragic love story of a young Bohemian, Rodolfo, who finds a love interest in

This work embodies the period style because it contains avant-garde geometric shapes to define the forms, colors, and interpretations that were important to the Post-Impressionists. First off, the harshness of the lines goes hand in hand with the shapes that exist in the work. The shapes tend to be simplified shapes, which demonstrates that Cezanne wanted things to appear as if they could be broken down. Cezanne utilizes an array of geometric

     Auguste Escoffier was born on October 28, 1846, in the village of Villeneuve-Loubet, France. He was the son of Jean-Baptiste Escoffier and his wife Madeleine Civatte. His father was the villages blacksmith, farrier, locksmith, and maker of agricultural tools. Escoffier's childhood dream was to become a sculptor. Unfortunately he was forced to give up that dream at the age of thirteen, just after he celebrated his first Holy Communion Escoffier was told he was going to be a cook.

By the time he was seventeen, Monet was already making money from his work and had won a local reputation as a caricaturist. Skillful and amusing, his caricatures were displayed in the window of a local frame maker, Monsieur Gravier, where they drew crowds of appreciative viewers. Gravier also displayed paintings by the landscape painter Eugene Boudin, who was an old friend of his. Monet's development of friendship and informal tutelage of Boudin proved to be formative for Monet's future direction as a landscape painter. (Gordon, 38)

René Magritte Belgian Surrealist artist René Magritte was a master not only of the obvious, but of the obscure as well. In his artwork, Magritte toyed with everyday objects, human habits and emotions, placing them in foreign contexts and questioning their familiar meanings. He suggested new interpretations of old things in his deceivingly simple paintings, making the commonplace profound and the rational irrational. He painted his canvasses in the same manner as he lived his life -- in strange modesty and under constant analysis. Magritte was born in 1898 in the small town of Lessines, a cosmopolitan area of Belgium that was greatly influenced by the French.

The painting depicts a singular mountain with trees and abstract landmasses in the foreground. The trees are placed in such a way that they seem to echo the shape of the mountain. This is an example of Cézanne’s attempt to created a structured composition out of the scenes that he observes in nature. Cézanne was not depicting nature as it was, but rather he was, as he called it, making “a construction after nature” (Stokstad,1013). This is one idea that lead Cézanne away from the impressionists, who were more concerned with reproducing on canvas exactly what their eyes perceived. Another thing that was different between Cézanne’s style and the impressionists’ was the way that he applied paint to the canvas. For example, in this painting, the trees and land in the foreground are loosely painted in; their forms are created by an amalgamation of colored blotches. The blotches of color often bleed into each other, and the forms that they represent begin to dissolve. The image is flattened by the ambiguous forms in several spot in this painting, creating a disruption in the illusionistic space and bring the viewer’s focus on the inherently flat surface of the painting. The most effective technique that Cézanne employs in his attempt at depicting space in this painting is atmospheric perspective. Coloring the mountain with the same shades of blue

Frederic Bastiat (1801-1850) was a French classical economist, statesman, and author. He did most of his writing during the years before and after the Revolution of February 1848. This was the period when France was rapidly turning to complete socialism. As a Deputy to the Legislative Assembly, Mr. Bastiat was studying and explaining each socialist fallacy as it appeared. And he explained how socialism must inevitably degenerate into communism. But most of his countrymen chose to ignore his logic. The fight against socialism drained Bastiat's already fading energy, and by 1850--a mere six years alter his first published article and only two since his election to the National Assembly--he was on his deathbed. But far from being a flash in

Stylistically, his painting is an example of the “smooth” manner, characterized by fine technique in the portrayal of illusionistic form. In this painting, Calabrese uses strong directional lighting from the top, left corner of the painting to highlight the scene. It is Caravagesque in the way

Achille-Claude Debussy or Claude Debussy was a French 20th century composer known for his prominent role in impressionistic music. Debussy never described his pieces as impressionism as he disliked the term when it was associated with his music. Born in Saint-Germain-en-Laye, he and his family left for Paris in 1867 only to move to Cannes in 1870 to escape the Franco-Prussion war. Claude Debussy learnt to play piano from an Italian violinist by the name Jean Cerutti and later studied under a woman, by the name of Marie Mauté de Fleurville, who claimed to have been a pupil of Frédéric Chopin. In 1872 he was enrolled in the Paris Conservatoire and remained there to develop musically over the next 11 years. Debussy was infamous for his experimental nature breaking

Colors are around us and can describe different meanings. When colors are part of an image, painting or sculpture, however, why do certain colors use and others are not. Monet chose certain colors to portray different feelings, mood and makes one think. In Patricia Stokes’s article “Variability, Constraints, and Creativity” explained during her investigation, she decides to investigate Monet’s creativity and separate them into three phases. In phase one, it involved value and wrote: “The wheel, which broke up the light into the four primary hues and their intermediaries, prompted Monet’s initial and initially ill-defined goal constraint.” In his earlier painting called Mouth of the Seine at Honfleur (1865), he used earth colors, raw umber, burnt sienna, and blacks. After he stopped using browns and earth color and later black as well. For Sunrise (1873), he used the colors yellow, orange, blue, green and brown. What I found interesting is that he muted the colors so the painting looks dull. Even so orange pops with the muted blue because they are complementary colors that perceive soothing or balance in the painting.

Jean Piaget was a major contributor to the world of psychology and sociology that we know today. His works and discoveries still help sociologist determine and figure out ways people in society interact and develop throughout time. Piaget was born on August 9, 1896 and was raised in Neuchâtel, Switzerland (Boeree n.d.). His family was very influential to his success. His father was a historian that authored many writings on the medieval times, and his mother was very intellectual and kind, however, she had a mental health problem that pushed Piaget to become interested in psychology (Presnell 1999). He became an enthused and determined scholar at a young age. Piaget’s early interests were of zoology (Jean Piaget n.d.). At age eleven, he

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

Let’s first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French painter. Courbet was born in Ornans, France on June 10th of 1819. Ornans, France is a filled with forests and pasture’s perfect for realist paintings. At the age of 14 Courbet was already in art training receiving lessons from Pere Baud a former student of a neo-classical painter named Baron Gros. Courbet’s parents hoped he would go off and study law when he moved out in 1837. To there misfortune he had enrolled in at the art academy. At the art academy Courbet received lessons from Flajoulot another famous neo-classicist. At twenty years old Gustave Courbet went to Paris, the European center for art, political,

René Descartes was a French philosopher and also mathematician. His method of doubt led him to the famous "cogito ergo sum" when translated means "I am thinking, therefore I exist". This cogito was the foundation for Descartes' quest for certain knowledge. He explored doubt and how we can prove our own existence, by taking the first steps of scepticism. His book "Meditations On First Philosophy", was written in six parts. Each representing the six days that God took to create the world. Not to upset the Church, Descartes would need to prove the existence of God, and the soul. Within Descartes' argument, we find some important areas. Two, which require focus, are his