Paul Laurence Dunbar We Wear The Mask Summary

It speaks of how African Americans have to hide behind a mask that hides all their sorrow and pain. Dunbar questions why we have to wear the mask, “Why should the world be overwise, In counting all our tears and sighs? Nay, let them only see us, while We wear the mask.”(918). He speaks of how all of this should not be happening but in the end everyone is still hiding who they are and what they are really feeling. This poem could account for more than just African Americans. Everyone has worn a mask at one point in their lives but the real question is why? Temptations like in “Wife of His Youth” or to get away like in “’Member Youse a Nigger” have had major effects on people and their lives. Being an African American was a hard life for a long time because slavery and the civil war cause many deaths and many families to be broken

In the poem, “We Wear the Mask’, the narrator, Paul Lawrence Dunbar, expresses the pain African American experienced during the slave trade and how the slaves learned to suppress their emotions. The poem shows a contrast between African American’s social faces and their “bleeding hearts”. The tone of the poem is not a corrective tone, but rather an explanatory one. In considering the time period, it would make sense that the narrator would be careful about insulting the white community. In the first stanza the tone starts as explanatory in just speaking of the masquerade and state of oppression. Then the last two stanzas are very matter of fact. When the narrator sarcastically states, “Why should the world be otherwise”. Showing

Ultimately, since Dunbar avoids specifically mentioning blacks and their suffering, with the history of this poem in mind, this poem could stand as a lament on behalf of all of the individuals who were forcefully made to wear a “mask” just as a girl who tries to hide her pregnancy from her parents, or as a boy who

Dually Randall and Paul Laurence Dunbar are two African American writers living during the early twentieth century. These men did not know each other, however, they both encountered the same hardship of being an African American living before the civil rights movement. Both men use poems that emphasize sound, structure and imagery to express what they experienced during that harsh time. A careful analysis of “We Wear the Mask” and “Ballad of Birmingham” expose that the shadows cast on their skin has a lasting impression.

The people we see every day are not always who they appear to be. Our family, friends, peers, work associates, and even our own self’s change who we are sometimes to cope or to seem better off than we are. We put on “Mask” to show the person we want to be seen as and often times people wear more than just one. In Flannery O’ Connor’s, “Good Country People” many of her main characters wore mask. They each had their own reasons that they chose to conceal their real identity. Nevertheless, the characters in O’Connor’s short story wanted to hide their true persona’s or deceive other people. Sometimes it was merely done to cope with their tragic pain and in other cases it was done to deliberately take advantage

Throughout the essay “Our secret” by Susan Griffin, Griffin talks about a few characters’ fears, secrets and she gives us insights into these “secrets”. Griffin comes to realize her own secrets and fears by examining others. She relates to a few of the characters such as Himmler, Leo, Helene and everyone else even though she is different than all of them. The only thing that all of these characters have in common is that they all represent human emotion. Susan Griffin reveals that everyone has a hidden side to them and anything being showed on the outside could be fake or a false representation of themselves. “I think of it now as a kind of mask, not an animated mask that expresses the essence of an inner truth, but a mask that falls like dead weight over the human face.” (Griffin 237) This quote explains what she means about secrets being the barrier to others’ feelings and having this mask hides what you really feel on the inside.

This proves Gergen’s thesis, “I doubt that people normally develop a coherent sense of identity, and believe that to the extent that they do, they may experience serve emotional distress” (172). By having several masks or selves, is how we are able to adapt to changing society. With these multiple masks we are able to achieve acceptance and know who we are as individuals. Throughout life we must adopt masks when facing different circumstances; it is through these masks that we see how we change as individuals. If we spend our lives trying to stick to one mask, we can find ourselves to feel lost, depressed, or invisible. Change is good; however we must still stay true to ourselves when using masks. They are a part of us as individuals but they are not us.

Paul Laurence Dunbar is African-American poet who lived from in the late 1880s to the early 1900s. During his life, Dunbar wrote many poems, in both dialect and standard english. However, many of his poems are considered controversial now, due to negative racial stereotypes and dialect. Currently, some believe that Dunbar’s poetry perpetuates harmful stereotypes such as use of dialect; while others believe that it helps break racial stereotypes through the portrayed emotions. Dunbar’s dialect poetry is helpful for African-Americans, because it accurately depicts the experience of African Americans and humanizes them.

In accordance with Du Bois’ definition of double-consciousness, the African American has no true self-consciousness, but does have one that is more true to the self than the other (“the other” here being how one sees one’s self through the eyes of white America). Being that Dunbar was an African American at the turn of the century, one may assume that Dunbar’s dialect poetry is most true to his “self” over his “classical” style, but this is not true. The content and style of Dunbar’s dialect poetry is riddled with incomplete phrasing, poor diction, and is not what he experienced and learned growing up in Dayton, Ohio excelling at an all-white high school. For example, in his dialect poem When Malindy Sings (1897), Dunbar wrote what is assumed to be natural organs as “nachel o’gans.” (1039).

When given the thought, one makes the comparison that masks are used to describe our

In verse two feelings of the necessary trudge/empowering iambic stride further unfolds. On the one hand Dunbar points to all the “tears and sighs” experienced by the collective “We”. But in the throws of this potential unempowered feelings, Dunbar seizes upon an element of control that can be taken.  “Why should the world be over-wise … nay let them only see us whilst we wear the mask”. In these words there is a boldness and resignation to not let the world have the privilege or even satisfaction perhaps, of seeing behind the mask into the suffering that is really going on.

In We Wear the Mask, the author’s purpose is to push the reader to feel something about the way things were in his perspective.

Repeating the phrase “we wear the mask” in each stanza embeds the seriousness of the deeper meaning into the readers mind. Giving the mask, world and clay humanlike features provides a sense of comparison and connection. We, as humans, mask our emotions every day. From the beginning we are brainwashed into thinking that if someone shows weakness or sorrow they are failure. In reality, a person cannot grow without failure; no lessons would be learned from pervious mistakes made.

Dunbar opens his poem with “We wear the mask,” to draw in any type of

People who hides behind a mask does not have confidence in who they are. In “We Wear the Mask”, Dunbar is able to convey how society is able to alienate people by forcing weak individuals hide behind masks in order to be