Peace Lies Within Faith in Singer’s “Gimpel the Fool”

Defined as a complete trust in people, faith prevails as an essential quality for the development of interpersonal and personal connections. Accordingly, John Brehm, author of “Sea of Faith,” illustrates a scholar experience in a freshman class. A teacher, which the reader implies as Brehm himself, becomes irritated at the lack of knowledge in his students at such a simple topic: figurative language. Disgruntled at the question he begins to examine the significance behind it. Ultimately, after self-examination, he comes to understand the young lady who posed the question that annoyed him (1000). Through the use of literary devices such as personification, tone, and comparison: the author illustrates the changing perspective and ultimate connection the teacher makes with the students as he realizes the positivity that arises from faith.

Flannery O’Connor has long been criticized for her blatant incorporation of religious symbols into sinister, dark stories. In the short story “A Good Man Is Hard To Find,” the dark and apathetic Misfit is said to portray, in an allegorical sense, a Christ-like figure. However, through the interpretation of the inversions of divine characteristics, his repulsion of Christ’s very existence, and the denial of any powers beyond the observable realm, we find that the Misfit is actually representative of the Anti-Christ.

    It is not unusual that the fool should be a prominent figure and make an important contribution in forming the confusion and the humor in an Elizabethan drama. In William Shakespeare's comedy, Twelfth Night, Feste the clown is not the only fool who is subject to foolery. He and many other characters combine their silly acts and wits to invade other characters that either escape reality or live a dream. In Twelfth Night, Feste, Maria and Sir Toby are the fools that make the comedy work in many senses.

“Religion in ‘A Good Man is Hard to Find’.” Encyclopedia of Themes in Literature, 3-Volume Set, Facts On File, 2010.

In “A Good Man is Hard to Find”, Flannery O’Connor uses grotesque and flawed characters to reflect her own faith on the Roman Catholic Church. Set in the rural South during the 1950s, O’Connor takes readers on a journey from a satiric family comedy to a brutal cold blooded murder. An analysis of O’Connor’s use of religious symbolism and foreshadowing through characters and setting will be conducted in order to better understand her views and faith of the Catholic Church. This paper will also argue the belief that religious wisdom is the key for moral guidance.

In the short fiction “The Reverend Rebecca Esther”, Steven Allaback is weaving in a criticism of the treatment of people with mental illness as well as elitism in religion. Allaback uses secondary characters such as the owner of the restaurant Peter took Mrs. Esther to, and the Christian college students Mrs. Esther encountered in that same restaurant, further proving the notion that fiction can be a mask for social critique, and Allaback builds that critique on the way society treats Mrs. Esther.

In the beginning of the book when Grendel was a small child, he was incredibly lonely but due to the nievnuss of his youth fills his world with imaginary friends. In chapter @#$ he states “Crafty-eyed, wicked as an elderly wolf, I would scheme with or stalk my imaginary friends, projecting the self I meant to become into every dark corner of the cave and the woods above”. This illustrates the alienation that Grendel feels by giving insight to the companionship that he so greatly desires. Imaginary friends can serve a very important role in a social world such as the world Grendel lives in and even the world we live in. As an example a quote by “Psychology Today” states “ Alienated young children often in boarding schools have a tendency to develop imaginary friends to cope with extreme stress or separation. Another quote from chapter one of Grendel states “Not, of course, that I fool myself with thoughts that I'm more noble. Pointless, ridiculous monster crouched in the shadows, stinking of dead men, murdered children, martyred cows. (I am neither proud nor ashamed, understand. One more dull victim, leering at seasons that were never meant to be observed.) "Ah, sad one, poor old freak!" In this moment Grendel shows his firm internal view of himself that he is and always will be an outsider, he's a freak of nature, a creature that has no business existing at all, and therefore does not deserve to be part of the

Smith and Bradford use religion as a literary tool to persuade the reader towards their own interests. There are similarities and differences in the motivation to use religion by these two authors, yet the use is still prevalent in their writings. The reasons for these similarities and differences are found in the greater interest of each individual author.

Throughout centuries, humans have expressed different perspectives toward a single idea. The subject of religion invites challenging discussions from skeptical minds because religion is diversely interpreted based on personal faith. The authoress sets her novel in a fictional town, Cold Sassy, where religion plays a predominant role in people’s lives. Through Will Tweedy’s narration she explores the religious opinions of the town’s most prominent citizen Rucker Blakeslee, Will’s grandpa. Although Blakeslee spent his whole life in a religiously conservative town, he has a radical approach toward religious concepts such as predestination, suicide, funerals, faith, and God’s will, thus forcing him to challenge the traditional views of

But our Everyman starts as a truly “fake” Christian and whether or not she deserves any redemption is questionable. Though she perishes like a martyr, as the Misfit confesses when he tuned to perpetrating evil deeds, the Grandmother responds that he should have started praying and that “Jesus would help”. Again, O’Connor’s attempt here is to present, by means of religious motifs, how superficial the faith of Southerners is. Grandmother’s advice comes out of convenience, not of genuine worship of God and is a commentary on how people turn to religion in the event of sickness, deathbed or

Some talked of God, of his mysterious ways, ...and of their future deliverance. But I had ceased to pray. How I sympathized with Job! I did

Religio-historical objects are things of crafted pieces of writing that reveal the realities of religious subjects through the perspective visions of their author (C.J Bleeker). Compared to an artist who has a muse, writers also have a “muse” something that influences their writing. Whether it is a personal experience, religious belief, or common morals writers derive the context within their writing from many different aspects of life. One thing most authors derive their ideas from is their religion or just any religion that interest them. Authors like Nathaniel Hawthorne and Flannery O’Connor, writings often include many allegories and symbols to religious faiths.

In a postmodern world it is worth contemplating in what we can put our faith. Does culture, religion, or God merit our trust? Or is this a world of mechanical and biological evolutionary processes void of any meaning and purpose? The Sunset Limited, “a novel in dramatic form,” by Cormac McCarthy, is a dialogue between two persons who approach each other from opposite worlds to answer these questions. Black, a born-again believer and ex-con, and White, a nihilistic college professor, attempt to determine whether belief in God is viable in this world and if life is worth living. Despite Black’s efforts to convince him otherwise, White remains a Depressed Self who denies God’s existence, affirms his view of the world as deranged, and leaves to complete his suicide.

Knowing Flannery O’Connor’s religious conviction, one cannot overlook this underlying tone in both of her regarded stories “A Good Man is hard to Find” and “Good Country People”. It is often said of those who stand outside of religious conviction that faith seems to come in handy to people only when it is valuable to get them out of a predicament, of which they have likely placed themselves through insensitive behavior and decisions. In such a desperate attempt to appeal to faith, one only finds emptiness and a fate that leaves them hopeless or even dead. O’Connor’s “A Good Man is Hard to Find” and “Good Country People” illustrate that the inability to see the flaws in one’s self lead to substantial consequences, where an appeal to faith

Arthur Machen and H.G. Wells were one of the most influential writers in the history of the English language. Through their works, both Machen and Wells illustrated the themes of sexuality and horror by exploring the idea of the supernatural. However, Machen’s gothic novella The Great God Pan (1894) and H.G. Wells’ sci-fi novel The Island of Dr. Moreau (1896) further exemplified the theme of humankind’s relationship to God. In the late Victorian period, the influence of religious mythology fell upon writers in England, and stories of the “unseen” became popular and abundant. This era was a time when the public started to seriously question their religious lives. Nevertheless, The Great God Pan was denounced by the public upon its publication for its focus on God as a powerful symbol for horror and sexuality. On the other hand, Wells’ The Island of Dr. Moreau was written as a satire, mocking Christianity and other forms of religion. In this short essay, I will expand on religious symbolism and point out the influence of Christianity using Arthur Machen’s The Great God Pan and H.G. Wells’ The Island of Dr. Moreau.