Pecola's Rape In The Bluest Eye Analysis

In the course of The Bluest Eye, Pecola Breedlove has shown signs of low self esteem. She would always be the one to compare herself to something she admires to be beautiful. Perhaps, sometimes problems surround her get a little too much, she has not yet realized the fog will clear up. For example in the autumn chapter, a quote has said “Thrown, in this way, into the binding conviction that only a miracle could relieve her, she would never know her beauty. She would only see what there was to see: the eyes of other people.” There is no such thing as a “Pecola’s point of view”. She lives off of people's judgements and believe physical appearance is all there is to a person. Her desire to be beautiful is not having attractive long black hair and golden skin color, but blonde hair with a white pigmentation. Which causes her to dream and want even more.

Besides the inherent self-confident issue, the outside voice from community is also affecting Pecola’s view. For example, in the “accident” when Pecola went into Junior’s house, Junior killed the cat and impute to Pecola. His mother, Geraldine, saw Pecola was holding the dead cat. Without any thought and didn’t even ask for the truth, Geraldine simply called Pecola a “nastylittle black bitch.” This event, again, reinforces Pecola’s view of what beauty means.

Society continues to rape Pecola through its refusal to acknowledge her as a human being. Since society thinks she is “ugly”, no one needs to care for or love her. For example, one of the biggest insults that her peers use for teasing boys is using Pecola as the insult.

“Again, the hatred mixed with tenderness. The hatred would not let him pick her up, the tenderness forced him to cover her.” [This quote represents the emotions that flood through Pecola’s father’s head after he rapes her. Prior to and during raping Pecola, Pecola’s father is enraged with many emotions. These emotions include anger, tenderness and l0ve towards Pecola. This is a significant quote in the novel because this is one of the few parts of where Pecola’s father, Cholly’s, character is shown. This quote reveals Cholly’s character because it shows that the events that happened in his

Pecola then starts to disintegrate into her fantasy world in an attempt to make herself feel better. In asking "please God... please make me disappear," she wants to leave this ugly place that is her home and her family (45). Morrison then leads the reader through the process of Pecola's different body parts disappearing, from her "fingers... one by one; then her arms disappeared all the way to the elbow... the legs all at once... her stomach... then her chest, her neck" (45). This succession of "slowly, now with a rush... [and] slowly again" fading body parts illustrates how much effort Pecola is putting into disappearing and how much this effort puts a toll on her body (45). In making herself feel better she is also tiring herself out, for the exertion she puts out does not make her happy and does not fulfill what she wants in the end: to fully disappear.

She also starts the novel by describing the perfect family, with the Dick and Jane story. She does this in a way to tease the reader then having the Dick and Jane story run in to one long sentence like it was flowing down the drain and so too Pecola’s perfect family. "Mother, Father, Dick and Jane live in the green -and- white house. They are very happy." (Morrison 4). This shows

In this quotation, Morrison uses the Mary Jane candy to represent white beauty. When Pecola explains the sweetness, simplicity, and love that is identified with the Mary Jane candy, she is actually explaining the attributes of the white culture. The quotation also emphasizes Pecola’s desire to be white rather than black when she ends with, “Be Mary Jane”, which highlights the theme of beauty and how it affects the young black girls.

When Claudia is informed by her mother about the arrival of Pecola and her staying with their family for a couple of weeks, she is simply told that a "case" was going to join them. Pecola was homeless because Cholly destroyed their home and as a result, everyone was outdoors. This is the real terror in one's life, being "outdoors". "If you are outdoors, there is no place to go. Outdoors was the end of something, an irrevocable, physical fact" (17-18). This fear pervades the fiction of Morrison, being radically unsettled, being homeless. Pecola too is constantly outdoors. She is not able to integrate into the community, she is left on the peripheries always, literally moving from one place to another looking for a place of security and comfort.

Morrison contrasts Pecola’s home life is "crippled and crippling" (Morrison 210): her mother is cold and distant, her father is an alcoholic who rapes her and impregnates her when she is barely twelve years old. Although Claudia’s family is neither rich nor terribly close, her provide for and protect her and her elder sister Frieda. Claudia finds

By contrasting the homes of Claudia and Pecola throughout the entire novel, Morrison stresses the importance of home in defending against a predatory, racist society. In Claudia’s home, her parents truly care for her and her sister. In one instance, her father took out a gun to fend off a tenant that touched Freida’s breast. This completely contrasts with Pecola’s home, where her parents are both hateful and self-hating, and her father actually raped her. Even though both households are

In this book, the society treats the white race better than the black race. For example, in part 2 of “The Bluest Eye”, Pecola is tricked by a boy named Louis Junior when he invites her back to his house and gets his cat to attack her. After unintentionally killing his own cat, Junior's mother returns home and treats Pecola with extreme disgust and hatred, immediately blaming her for the death of his cat. Junior’s mother act this way because of the society. In their society, the people call the Black race “niggers”(Morrison 87), ugly, and dirty. They blame everything on the Blacks and that’s why Pecola was blamed for the death of the cat. Junior’s mom doesn’t even know if Pecola kills or did not kill the cat, but since she’s black, she will be blamed. The society teaches the Blacks to hate their own race since this society teaches people to treat the Blacks badly with disgust while treating the Whites or light-color Blacks better with praise. People are races because the society is racist. Pecola envies the white race and that’s how she develops her self-image. She also thinks of herself as inferior, unwanted, and ugly when the society thinks of her and her race that way. The society also teaches the people that the Whites are more superior than the Blacks. For example, a little girl “calling Mrs. Breedlove Polly when even Pecola called her mother Mrs. Breedlove” (Morrison 108), showing that the white little girl is superior so she gets to call the black race by their name. Similar to this situation, when Pecola accidentally makes the pie fell to the floor, Mrs. Breedlove “yanked (Pecola) up by the arm, slapped her again, and… abused Pecola directly” (Morrison 109) and cares for the little girl when she cried for the fallen pie. This is also because of the society’s racist. The society teaches the people to treat the white race better than black race. Mrs.Breedlove follow the society’s racist and

This can be seen toward the end of the novel, on page 199, where, in a conversation between Pecola and a figure of her thoughts, Morrison reveals that Pecola may have been raped twice. “You said he tried to do it to you when you were sleeping on the couch. ‘See there! You don’t even know what you’re talking about. It was when I was washing dishes,’” reads the exchange. These lines also tell the reader that even with this information, Pecola is still internally unsure of what happened herself. Through internal dialogue, her personal insecurities are projected. Dialogue is key in presenting major ideas in the novel.

The novel The Bluest Eye written by Toni Morrison is subjected on a young girl, Pecola Breedlove and her experiences growing up in a poor black family. The life depicted is one of poverty, ridicule, and dissatisfaction of self. Pecola feels ugly because of her social status as a poor young black girl and longs to have blue eyes, the pinnacle of beauty and worth. Throughout the book, Morrison touches on controversial subjects, such as the depicting of Pecola's father raping her, Mrs. Breedlove's sexual feelings toward her husband, and Pecola's menstruation. The book's content is controversial on many levels and it has bred conflict among its readers.

There are many themes that seem to run throughout this story. Each theme and conflict seems to always involve the character of Pecola Breedlove. There is the theme of finding an identity. There is also the theme of Pecola as a victim. Of all the characters in the story we can definitely sympathize with Pecola because of the many harsh circumstances she has had to go through in her lifetime. Perhaps her rape was the most tragic and dramatic experience Pecola had experiences, but nonetheless she continued her life. She eliminates her sense of ugliness, which lingers in the beginning of the story, and when she sees that she has blue eyes now she changes her perspective on life. She believes that these eyes have been given

It is evident in the novel that Pecola is treated by others as an ‘inconvenience’. She possesses no voice or physical integrity. Other than accepting her ethnic identity as a black girl, she assumes a false identity. She is not happy with her appearance and yearns for blue eyes only – a symbolic of American White beauty. Morrison, here, uses a contrast between Sharley Temple and Pecola. Pecola goes literally crazy by the disparity between her existence and the epitome of beauty set by the dominant White culture. Pecola’s psyche has been deformed by the oppressing White culture. Hence, she rejects her original identity and craves for a false notion of beauty.