Pedro Almodovar's Talk to Her (Hable con Ella) and Live Flesh (Carne Trémula)

Selena, “Le Reina de Tejano”, was born on April 16, 1971, in Lake Jackson. She was the youngest of three children of Abraham Quintanilla Jr. and Marcela, his wife. At a young age, Abraham had a strong passion for music that he still has. During the 1950s and 1960s, him and his friends made a group called “Los Dinos” and played at nightclubs and restaurants. Even though his passion for music, he gave it up when he got married and earned a job at Dow Chemical as a shipping clerk.

This essay will be discussing how gender is portrayed in the films Todo Sobre Mi Madre (All About My Mother) and Tacones Lejanos (High Heels), both directed by Pedro Almodóvar. The use of the theatre and performance, along with the audiences that come with it, enables these films to explore the manner in which gender is unstable. Gwynne Edwards writes that Almodóvar often pays tribute to the stage . Almodóvar dedicates All About My Mother “to all the actresses who have played actresses, to all women who act, to men who act and become women” , which is also relevant to High Heels. He uses the stage setting as a platform to show the instability of gender, not only on a physical stage but also in the characters’ lives: “The dialogue of his films has the cut and thrust, and very often wit, of stage plays. There are also soliloquies, and one of them – in All About My Mother – is even delivered to the audience from the stage of a theatre” . Russell Jackson suggests that this is done as a method for the characters to “find the sometimes onerous ability to deal with and describe their past, and to create a future in the face of death and desertion.” The character ‘La Agrado’ in All About My Mother as well High Heels’ Femme Letal (Letal), will be considered - both the manner in which they carry themselves throughout the film, as well as the their performances on stage. In the following paragraphs, I will illustrate how performance and the stage are vital in Almodóvar’s exploration

1.Describe the main characters of the film: Who are they? What are their motivations? What are their strengths and weaknesses? What are the obstacles they face?

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

I chose to watch Selena. Overall, the movie was really good. I chose it because it looked like a movie I would watch just for fun. I figured if the movie is good then the paper will be easier for me to write. I have also heard a lot about Selena, so the movie tied the pieces of information I already knew together. I feel like I learned a lot about her relationship with her family. She started out singing with her brother and sister in a band their dad made and named Selena y los Dinos (Selena and the Boys). Her brother, A.B., was the bass player, Selena did the lead vocals, and her sister, Suzette, played the drums. They started out playing at a Mexican restaurant their parents owned. However, they gained attention and developed a fan base from that. Eventually, they begin touring around Texas at State Fairs. Selena grows up and her music and style does too. She meets the love of her life, who also happened to be her guitarist. They get married even though Selena’s father did not allow her to see him. She is later killed by the president of her fan club over a paperwork dispute. Her music career is cut short and she died before she got the chance to make her way into mainstream pop music.

This essay will be going through the different types of love, and the power that they wield. Throughout the novel, different characters hold different powers of love. First, Clara’s love towards Ferula and Pedro Segundo will be discussed. And second, Esteban’s obsessiveness with Clara will be looked at closer. The bonds of love are stronger in relationships that aren’t acceptable compared to relationships that are acceptable in society.

How do you deal with stereotypes towards yourself or others that have experienced them? People are stereotyped by their physical features and by the information we know about a certain group. They are judged by their physical features instead of seeing what they are really capable of doing. Usually not being involved in such a diverse community can cause that because they are accustomed to what's near them. Exploring and learning about others will help shatter stereotypes. We'll explore in Sucheng Chan and Judith Ortiz Cofer essays on how they've been stereotyped and what they've done to shatter the quo.

People might have thought of giving a revenge on someone that you really hate, but if the revenge is to kill that person, what would it be like? There is a book named "The Cask of Amontillado" which handles this kind of subject. This book seemed to be a fiction, and is this book a literary or commercial fiction? While I was reading the text, I thought the plot, characters, and the theme was more towards the literary fiction. As I read this book, the unique plot and the first person of the protagonist is the narrator was very interesting.

The eldest daughter of Celia and Hector Sanchez, Emilia Sanchez, is twenty-eight years old. As an addict Emilia has to face fighting ways to remain sober, fight for custody of her son and handle the lack of support she has from her family. Emily is facing many encounters as she battles with addiction issues and struggles to remain sober. In order to address the client’s addiction issue, a social worker has to assess the client’s needs, be able to come up with intervention and treatment techniques, as well as evaluate the effectiveness of the treatment.

ersity of North Carolina Charlotte Americanization of the Garcia Family Patrick Daniel Smith Student Number: 801038231 AMST 2050 Dr. Benny Andres 19 March 2018 Julia Alverez, the author of How the Garcia Girls Lost Their Accents, tells a story of four sisters who adapt through their Americanization. The Garcia family moved from the Dominican Republic to the United States, fleeing the Dictator Trujillo. The Garcia girls develop more individuality in America than they would in the Dominican Republic due to having more freedom of expression, and the lack of status quo that was previously held over them in the Dominican Republic. This ability to adapt to American society seems to be easier the younger you are. The newly American family

Mood: The mood throughout the story was sometimes constant. There were moments when the mood was sad and there were other moments that the patients had a good time.

Bartolme De Las Casas is an interesting character. His passion for people who at the time were seen as a sub species of humans (if even human at all) is remarkable. De Las Casas came from a modest family and was well educated. He was brought into the world of the America's through his father Pedro De Las Casas who was an encomiendo himself. His travels through the New World prior to 1510 when he became an ordained priest shaped his crusade to defend the Natives.

be shown in a variety of ways, such as taking the time to talk to patients or addressing their

The innocence of Brazilian lower class children are lost in both films ,City of God directed by Fernando Meirelles, and in Pixote directed by Hector Bebenco. In both of these films the loss of innocence stems from a lack of authoritative power and most importantly the lack of a familial structure. This lack of innocence derives from the lower class socio-economic status the youth are born into. The children and teenagers are able to gain an astonishing amount of power when introduced to violent lifestyle of the streets . While both films comment upon the different causes and effects of Brazilian street culture, both films clearly exhibit how lack of authority and lack of a structure leads to the demise and death of many young street

Maria Jesus Martinez Alfaro in her essay Intertextuality: Origins and development of the concept, argues that “there are always other words in a word, other texts in a text”(268), a position that acknowledges the differential nature of texts “as traces and tracings of otherness, since they are shaped by the repetition and transformation of other textual structures”(268). According to Baudrillard´s notion of Simulacra, there is another level of literary exchange, in which there are copies without an original to begin with, something that underlines the problematic relationship between physical and semiotic reality. Within the movie Loving Vincent, a biographical animated film about Vincent Van Gogh, when taken by Alfaro´s perspective, a dialogue