Per Carus Landscape Painting Essay

A lucent crescent of the moon is seen on the top right hand corner of the painting where dramatic contours and fluidity of the brushworks are seen due to the Japonisme influences. Moreover, the eleven stars and the rolling hills are depicted moving to the momentum of the swirling sky.

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

Myths explain our circumstances in the world and the universe. A prime example of this is the myth of Icarus and Daedalus. Pieter Brueghel painted a picture decrypting the moment of Icarus fall from the heavens. And the two poets William Carlos Williams and W. H. Auden each wrote a poem based on Brueghel's painting, both of which developed a deep meaningful message to the reader. Diction, connotation, and denotation are all used to help describe the emotions and tragedies that Brueghel's painting portrays. These poems are written based on the myth of Icarus.

Thereby, individuals can forget all the stress from the society and free their soul in nature as Macfarlane references to another author’ quote “life great herron-like wings and fly with little effort to other points of view”(293). The most prominent representative of nature’s fantasy is Ravilious’s artwork. Macfarlane comments his artwork by describing “ looking at two overlaid acetate sheets of the same image, imprecisely matched, or of two intercepting paths that never achieve their vertex”(296). Ravilious’s artwork has many different interpretations, and its purpose is to encourage individual to think forward and expand its imagination. Therefore, Macfarlane chooses to reference this artist and to bring out the theme of “ life is created by the onward rush of life over the curved wing of the

“Painting is silent poetry, and poetry is painting that speaks.” - Plutarch. As Plutarch once said, painting is poetry because it sends a deeper message of what is represented. Every place has its artists some known some not that known, this essay has the purpose of noting Jessica Monroe, a local artist from the Valley who’s work, on my point of view, should be more recognize by other people.

The Natural World theme of art involves the artist concentrating on the natural surrounding on a piece of work. This theme aids in bring taste to a piece of art work due to the fact that the natural surround is what surrounds every human beings and thus captures the reality aspect of the viewer. A piece of work that has an artificial surrounding is much different from the same type of art that has the natural surroundings. This is due to the fact that there is a large connection between the natural world and the human being.

Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a

It is the first modern landscape in Western art. Though the humans seem to be the main focus, the landscape is just as important.

Satrapi’s graphic memoir, Persepolis focuses hugely on the loss of innocence of Marjane, which she illustrates by using several techniques such as the sizes of figures and the contrast of shades, as well as the of details, or lack thereof she includes in her drawings.

When one looks at the painting White light, an array of colors spring off the canvas and permeate one’s senses. The primary and intense color of red is softened by the primary colors of yellow and blue. While the tertiary color of green subtly takes its place among the hues to give some balance. The perceivable tones of black and white add value and seem to give some

As literary critics, Plato and Aristotle disagree profoundly about the value of art in human society. Plato attempts to strip artists of the power and prominence they enjoy in his society, while Aristotle tries to develop a method of inquiry to determine the merits of an individual work of art. It is interesting to note that these two disparate notions of art are based upon the same fundamental assumption: that art is a form of mimesis, imitation. Both philosophers are concerned with the artist's ability to have significant impact on others. It is the imitative function of art which promotes disdain in Plato and curiosity in Aristotle. Examining the reality that art

The use of geometric shapes in this painting allows the subject to be viewed in both a recognizable and unrecognizable state at the same time. Overall, geometric shapes and patterns play an essential role in what the viewer sees, which is further supported by a powerful color palate.

The use of light and color by Friedrich contributed to the calm and peaceful mood which is created. The main source of light in this painting comes from below the man and the rocks he is standing on. There is no visible sun in the sky and it is most likely behind the clouds. The light from below the rock illuminates the air around the man, directing your focus to him and his calm stance. The fact that the main light source from the painting is below him could represent the man's past and how he is reflecting on it while he is standing here looking out at the landscape. There is very little darkness in the painting, and this contributes to the peace of the painting because everything has the same level of light. It shows a sense of evenness and calmness in the landscape. This evenness is also displayed through the colors

One of Vincent Van Gogh’s most world renowned paintings is his landscape oil painting Starry Night. The painting displays a small town underneath an unusual yet still extremely beautiful night sky. In this night sky, Van Gogh utilizes an array of colors that blend well together in order to enhance the sky as a whole. The town is clearly a small one due to the amount of buildings that are present in the painting itself. In this small town most of the buildings have lights on which symbolize life in a community. Another visual in Starry Night is the mountain like figures that appear in the background of the illustrious painting. Several things contribute to the beauty of Van Gogh’s painting which are the painting’s function, context, style, and design. Van Gogh’s utilization of these elements help bring further emphasis to his work in Starry Night.

In A Portrait of the Artist as a Young Man, Stephen Dedalus defines beauty and the artist's comprehension of his/her own art. Stephen uses his esthetic theory with theories borrowed from St. Thomas Aquinas and Plato. The discourse can be broken down into three main sections: 1) A definitions of beauty and art. 2) The apprehension and qualifications of beauty. 3) The artist's view of his/her own work. I will explain how the first two sections of his esthetic theory relate to Stephen. Furthermore, I will argue that in the last section, Joyce is speaking of Stephen Dedalus and A Portrait of the Artist as a Young Man as his art.