Perceptions of the 18th Century Novel in Ian Watt’s Book, The Rise of The Novel

What do we learn about life in the 18th century and how successfully does the writer convey this information whilst telling us a good story?

This article analyzes the way Austen portrays women in her novels. Kruger mentions that Jane Austen’s work is often deprived by the

Thomas C. Foster in ‘How to Read Literature like a Professor’, references the different literary devices that authors use in literature, in order to enhance the reader’s ability to critically analyze literature from any time period. Foster expands the reader’s understanding of literature by exploring the profound impact of symbols and common themes on literature.

A definition of the nineteenth century gothic novel based on our course readings throughout this unit including one outside source as well.

What do we learn about life in the 18th century and how successfully does the writer convey this information whilst telling us a good story?

Austen has set out to save the rising art form of the novel. In this address to the reader she glorifies what a novel should be: the unrestrained expression of words conveying the wide range of raw human emotion. This veneration of the novel is necessary to the development of Catherine's fiction-loving character as it justifies the narrator's right to remain fond of this flawed heroine.

Jane Austen is well known as a novelist for her satirical representation of female characters in late Georgian society. During this period, novel writing and reading was still a controversial topic, and as such was incorporated in her book Northanger Abbey (1817), which has at its core a young female protagonist obsessed with novels. We can clearly interpret Northanger Abbey as Austen’s satirical response to the social conventions decrying novel reading, as she uses an intrusive narrator and more subtle supplementary techniques to comment on and satirize the debate surrounding novels.

The gothic novel emerged during the late eighteenth century and the ‘Age of Enlightenment’, which emphasised rationality

As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As

Realism in literature is basically the successor to romanticism. It first took off and gained footing in 19th century France. The literary style is a more straightforward and realistic style of writing in comparison to romanticism which was all about exaggeration and symbolism. Realism is often interchangeable with naturalism and branches out into regionalism which is interchangeable with local color. This type of writing is responsible for one of the greatest era of literary works.

    The literary technique of characterization is often used to create and delineate a human character in a work of literature. When forming a character, writers can use many different methods of characterization. However, there is one method of characterization that speaks volumes about the character and requires no more than a single word - the character's personal name. In many cases, a personal name describes the character by associating him with a certain type of people or with a well known historical figure. Therefore, since the reader learns the character's name first, a personal name is a primary method of characterization; it

The paper will analyze the literary skills in the novel. The literary styles will be analyzed in the context of their significance in influencing the plot and characters. The literary analysis will include review of the major literature styles the author uses and the characteristics of characters in regards to adapting the requirements of the specific literature styles. Additionally, the review will also include a perspective of the importance of style used by the author.

The sun of the Eighteenth century shines brilliantly on the era of British wealth and power, filling every part of great British life with pride and confidence. British literature, no longer stoic and medieval is revitalized and reclassified. As in the early Renaissance days Restoration authors think highly of Classical literature. Unlike their predecessors however, they are freer with classical style and prose. In one such restoration work, patterned after early Greek and Roman Cynics, author Jonathan Swift Calls the British Isles to action with an unprecedented solution to the problem of poverty; and exemplifies neoclassical literature in satirical style, sordid subject, and solid structure.

In the first part of the eighteenth century, the ascent of the novel profoundly adjusted the craft of English account. On the other hand, the built up true to life convention influenced the improvement of the novel to a degree not yet completely figured it out. Amid this period, neither one of the forms can be completely comprehended without the other. (Historical Background: The 18th Century)

The novel distributed in 1764 is regularly thought as the primary gothic novel, beginning an artistic kind which would turn out to be exceptionally mainstream in the later eighteenth century and mid nineteenth century. In this manner, Walpole, by augmentation, is apparently the antecedent to such creators as Charles Maturin, Ann Radcliffe, Bram Stoker, Edgar Allan Poe and Daphne du Maurier. In the introduction of the second release, Walpole makes a heuristic for perusing the novel which without a doubt changes the way perusers are to see the novel until its end. He claims to blend the new and old types of sentiment. The "old" sentiment is what is presently considered pre-novel exposition – a principle component of such writing is their incredible style. There is enchantment, the otherworldly is bottomless and they are absolutely mind boggling. The type of the "new" sentiment is the thing that the books of the eighteenth century, when Walpole was composing, would ordinarily have resembled. These books were reasonable; they were made to portray occasions and individuals as they truly were.