The first book of Maniane Satrapi’s “Persepolis” makes numerous connections to the hereditary nature of revolutions. Satrapi’s story (told from the perspective of a child) demonstrates how the interactions between children mirrored those of their parents during the revolution, and how the actions of revolutionaries were reflected in the actions of the younger members of society during this time. Satrapi’s writings on her peer interactions – particularly in the schoolyard or in class – demonstrate how the roles of parents were often reflected in the beliefs of their children and the opinions that their peers had of them. Both the boy with the counter-revolutionary father and the girl with the fighter pilot as a father provide insight into how parental roles were typically mirrored in their children; the boy was teased and hunted down by children who had revolutionaries as parents, and the girl was revered as a hero. Satrapi’s writings and recollections also demonstrate how growing up in such a war-filled environment normalized conflict for children, numbing them to it later in life. In this essay, I argue that Satrapi’s book provides evidence that the Iranian revolution, and continued change and conflict within the Middle East, is largely inherited from generation to generation. This is the result of children and youth learning to find a place within the conflict due to parents pushing revolutionary or counter-revolutionary roles onto them. Even if intentional pushing and teaching of roles does not occur, these children learn the same roles due to their constant immersion in a revolutionary environment. In addition to the hereditary nature of conflict in the Middle East, I argue further that continued changes and struggles within the region are fueled by the relatively easy access to interpersonal relationships with revolutionaries or soldiers – either within generations or between them. First, I discuss the intergenerational relationships between Satrapi and both her family and friends and the impact they had on the development of her political beliefs. Much of “Persepolis” focuses on interactions between Satrapi and her parents through discussions of current events or ideas. In the beginning of the novel
Adolescence is an age where children began to find themselves or, in some cases, lose themselves, an idea clearly developed by Satrapi in her graphic novel “Persepolis”. Satrapi explores the challenges and difficulties experienced by a sheltered and naive girl during the tumultuous and uncertain years of the Iranian revolution and attempts to solve the oppression she witnesses by the Islamicist government. This is important to the whole text as it identifies the religious conservatism and Islamisation of the state causes distress and confusion in Marjane who consequently had to redefine herself, given that her freedom and personal liberties were denied them in schools, public places, and even her own home.
People grow up in different way, affected by many different things as they grow and mature, during the process people change perspectives and ideals. In the book "Persepolis" by Marjane Satrapi, a middle eastern girl who is coming of age, finds that her environment changes her as the country that she is in goes through an unstable violent state. With the rise of multiple changes, Marji’s family must learn how to adjust to the changing times. While Marji becomes a bystander to the persecution, violence ,and revolution, the main theme of the book is stay true to one’s self and forming one’s true identity through their own will. Marjane Satrapi shows how the quirky, but simple and straightforward communist child in a changing world to a grown young adult who is confused about herself and the world around her.
Persepolis focuses on major themes like Feminism, Freedom, Religion, War, and Culture. Although this book is about Marjane Satrapi a young girl who lived her childhood in Iran from the 1980’s which was during the Iran revolution, where at a young age she’s already opened up to a warfare environment. This book can be interpreted differently based on the reader’s location, history background with Iran, and the differences in government. In this essay we would be comparing the readers from Iran vs. America.
Throughout the Iranian Revolution, many events and changes took place that largely affected the views of Iranians by other nations. The graphic novel, The Complete Persepolis, written by Marjane Satrapi (Satrapi, 2003), conveys many of these events and changes through the eyes of a child growing up in the 1980s in Iran. Satrapi’s main purpose for this book is to describe how the Iranian government was corrupt, causing foreign nations to have a tainted view of all Iranian citizens. The Complete Persepolis does so by presenting major events and changes in a manner that is directed towards audiences that are willing to have an open mind about ethnicity and false stereotypes, and an audience that is young and can relate to the “coming of age” aspect of this novel. By exhibiting a credible first hand account of how Satrapi and many others were affected by the events that took place during the Iranian Revolution, The Complete Persepolis can effectively persuade a reader to eliminate the “Islamic extremist” stereotype that the corrupt Islamic Republic gave all Iranian citizens.
The novel “Persepolis” shows many life changes during the Islamic Revolution told through the eyes of a young girl. “Persepolis” was based on Satrapi’s childhood experience in Iran. Throughout the span of the 1970’s to the early 1980’s, Satrapi experiences many changes in her life, not only with the government, or her education, but also with herself. Although she witnessed many violent acts right in front of her eyes, these experiences helped Marji (Satrapi) grow as a young child.
In Persepolis, Marjane Satrapi depicts the childhood of a precocious young girl, Marji, during the Islamic Revolution in Iran. Satrapi vividly portrays the story of Marji’s life from ages six to fourteen by using symbols of Western popular culture, which recur several times. In doing so, Satrapi forces the reader to question the impact of the West on the development of Marji’s character. Motif of Western popular culture illustrates Marji’s transition from childhood to adolescence, declaring that popular culture is a source of liberation amidst political repression.
Freedom and Repression in Persepolis During and after the Iranian Revolution freedoms were taken away from all citizens in the country. Marji experiences this through many events in her childhood in Iran before she went to boarding school in Austria. Human nature is to defy the commands of a higher power that many disagree with. This recklessness is displayed in Persepolis by Marji Satrapi once rules become stricter in Iran once the Fundamentalist’s rule begins.
It did not take me very long to get through the graphic memoir, Persepolis not only because it is a sort of comic book, but because I could not put it down. I chose to read the interview between Robert Root and Marjane Satrapi instead of the TED talk because I love the raw dialogue between the two. Through this interview, Satrapi’s strong independence and blunt words ring through loud and clear just as her character in Persepolis. I find her honesty very refreshing, “I have always said, even verbally, orally, that I was nasty. I am very much a fan of imperfection, actually. This idea of perfection-I think really, it’s the beginning of the fascism, this idea of perfection”. The woman being interview is very much the young girl that hit her principal then said, oopsy, “I didn’t mean it!”
Satrapi’s graphic memoir, Persepolis focuses hugely on the loss of innocence of Marjane, which she illustrates by using several techniques such as the sizes of figures and the contrast of shades, as well as the of details, or lack thereof she includes in her drawings.
Persepolis is a coming of age story for Marji living in the middle of the Iranian war and adapting to the changes to both her culture and her personal life. Inequality between genders is heavily discussed within the story, as well as the struggles between the fundamentalist ideas and customs compared to the less extreme morals of some families: it is shown through the simplistic, but effective images by Satrapi.
Marjane Satrapi shares her story from the age of 7 roughly up until 25. Growing up her life was anything but easy, from a young age she was forced to participate in activities disregarding her own beliefs. I believe she chose to write Persepolis to enlighten people about not only the horrors that she went through, but also give arise regarding the revolutions and social protests she encountered. For example, the cultural revolution resulted in the closing of all bilingual schools because they were considered to be signs of capitalism. “Things started to degenerate. The army shot at them. And they threw stones at the army.” (P.18) While most children Marjane’s age would be
The title of the graphic novel I choose to read during the summer is called Persepolis. Persepolis follows the life of Marjane Satrapi as she lives in revolutionary Iran. The plot of the story is Marjane’s growth and development as a free minded woman in a close minded country that is trying to restrict her freedom to be proud as a woman. Marjane’s life is best portrayed through the use of splash panels and pages, captions, and open panels.
Taking place in the late 1970’s, Marjane Satrapi’s “Persepolis” exemplifies a profound illustration of the county of Iran, including aspects of its people and political structure. Unlike a conventional composed novel, the story of Persepolis is expressed through both textual and visual representation; otherwise known as a graphic novel. Through the experiences of the ten-year old character Marjane, the reader is exposed to historical events, movements, crises, and motives that occurred within Iran. Furthermore, the novel has gained much praise in its portrayal of emotions that occurred through the people of Iran. Although there has been tremendous support of the account of Marjane, there have been a few critics of the novel, attacking its overall literary value. For instance, New York’s Ithaca College student paper called The Ithacan, slammed the role Persepolis had on the literary society. In fact, they went as far to say that the novel “...is worth broaching but its literary value, in terms of building vocabulary and furthering comprehension, falls short.” An absurd statement, to say the least. Not only is Persepolis of literary value, it is a glimpse into the past. It allows the reader to understand the various conflicts that the people of Iran were facing. Through the account of Marjane, the audience is exposed to elements of Iranian history, gender roles, religion, and political fluctuation.
As her fate “seals” itself, she matures from this child who has strong religious convictions, accepting all that she perceives as gospel, to a young adult, advocating for the her own freedom based on the experiences of herself and others. Due to her ever-increasing exposure to truth, Satrapi realizes the harsh reality that has been enforced upon her people, and decides to act upon those truths upholding a legacy of her own design. Her identity and self-worth are established throughout her years of education, encompassing her growth both morally and mentally as her experience molds the young woman she becomes at the novel’s conclusion. Persepolis serves the role of a Bildungsroman as Satrapi has shown a shift in perspective, along with the society she was living in at the time.
In the graphic novel Persepolis, written by Marjane Satrapi, the author tells her personal life story of growing up in Iran during the breakout of the Iraq and Iran War. Her use of black and white comic strips makes her story come to life in an entertaining and attention-grabbing way. Marjane growing up can be examined by using Erik Erikson’s theory of the eight stages of life. Persepolis shows how a young girl can overcome and turn into a woman that has self-love and finds who she is meant to be in life.