Persepolis By Marjane Satrapi

The historical background of Iran is the most important idea that influences Marjane 's novel. Mohammad Reza Shah was the leader of Iran from 1941 to 1979. During his reign, Iran was living a westernized life. He initiated a revolution called the White Revolution, which included permitting women to vote, the abolition of illiteracy, land rehabilitation and distribution of oil. Basically, everyone in Iran, including Marjane’s family, was living a westernized live during Shah’s regime. As Satrapi’s mentioned, she used to go to a non-religious French school, in which boys and girls were mixed. On the other side, there was a

During her childhood, Marjane was influenced by many different sources telling her many different things, including how she should act, how she should dress, and what was right and wrong. Her Uncle Anoosh, for one, was a hero in Ms. Satrapi’s eyes and she listened to the stories of his past with great interest. While Marjane greatly admired her Uncle Anoosh, her mother held a more important role in Marjane’s life, the role of parent and teacher. Marjane’s mother was an icon of independence and idealistic freedom for her daughter, as well as a voice of forgiveness towards the ignorant. This was important for Marjane while she was growing up because she was being heavily influenced by the world around her to believe things that were not true and to give up freedoms that most people today take for granted. While Mrs. Satrapi was very protective of her daughter, as seen on page 145 of Persepolis, she also allowed her daughter to venture out on her own at a rather young age, as seen on page 131. Marjane’s parents raised her to formulate her own ideas and to be obedient to her elders. This became an issue when the government of Iran changed to a fundamentalist government and strict religious ideals were imposed. When this happened, Marjane’s mother told her to wear the veil and to

In The Complete Persepolis by Marjane Satrapi, the genre choice of the graphic novel vividly portrays the life-experience that Satrapi herself gone through as a youth growing up in Iran back in the 1980s. Satrapi utilizes a unique drawing style to emphasize the influence that the Islamic Republic has brought to her. The recurring action of teachers implanting Islamic values in children throughout Marjane’s education in Iran is demonstrated through a set of related images, which implicitly reflect on the destruction of childhood that is caused by a totalitarian regime. For instance, the teachers force the girls to wear veils on page1 and tells the parents that “either [girls] obey the law, or [they are] expelled” (Satrapi, 98) later on. Also, the background of these images takes place where Iran is involved in both revolution and war; it contributes to children’ miserable situation even more.

Marjane’s escape to Vienna is not an escape at all, as the pressure to conform follows her, only this time not involving the increasingly radical Islamic government. Upon meeting both her roommates and the group that she later calls her friends, there was an instant indication of a future struggle for Marji. With these two groups, not only was there a language barrier between them, but also stark cultural differences between the West and traditionalist Iran. Amid her struggle with the Western culture she says, “The harder I tried to assimilate, the more I had the feeling that I was distancing myself from my culture, betraying my parents and my origins, that I was playing a game by somebody else’s rules” (193). Marji began to develop a sense of identity before she left Tehran, becoming more politically active and holding opinions on current issues other than the ones her teachers and classmates have; however,

Another historical event that we see is the rise and effects of the Islamic regime in Marjane’s life. This event is arguably the central issue that affects Marjane during her upbringing in Iran. Marjane shows how the regime begins to control schools, and how this affects her life by separating her from her friends (4, 3-4). We also see how the regime decides to close universities as they “educate future imperialists.” (73, 1-3) This demonstrates the negative effects that the regime has on society, as they prioritize Islamic values over education. The Islamic leaders portrayal shows them as upset and bored, and are given much different facial expressions than those that Marjane sees as intellectual (such as Uncle Anoosh (54/3) or Marjane’s grandfather (23/8)). This imagery communicates the backwards-thinking of these leaders, and as such, also effectively communicate Marjane’s opinion of the leaders without needing to discuss it with text. Additionally, we see both of Marjane’s views: Marjane not understanding the veiling and separation (3/5) as well as Marjane’s depression over the closing of the universities (73/7). The text here illustrates her opinions on the situations that she experiences, and the imagery allows us to see a visual representation of her basic thoughts and emotions, which are well communicated. A final example of the regime’s changes is the difference between the fundamentalist and modern women

Marjane Satrapi’s Persepolis recounts the conflicts and disillusionment as a result of living through the tyrannies of the Shah’s and the Islamic regimes. Her main motive was to keep alive the spirit of those Iranians who lost their lives in wars fought for freedom, suffered under repressive regimes or who were forced to leave their families. It highlights the daily conflict between tradition and modernity, West and East, dictatorship and individual freedom. Marjane has used several motifs, such as the veil, the mirror, background panels to emphasize on the situation in Iran and this essay focuses on how the veil becomes the dominant motif for portraying the suppression of individual freedom, knowledge

A veil is an article of clothing that is intended to cover some part of the head, face, or physical feature that may hold some significance. It is especially associated with women and sacred objects. Not only does it conceal a person’s physical appearance, but it contributes to stifling one’s individuality. In Marjane Satrapi’s graphic novel Persepolis, Marjane, the main character, lives in Iran and is required, by fear of punishment, to wear a veil that only leaves her face uncovered. The veil becomes an important symbol and throughout the novel, the reader can see the lasting impact the veil has on Satrapi. It begins as something foreign and detestable to young Marjane; a simple piece of clothing that deprived her of her free will,

The Islamic dress code is imposed upon women in Iran, sparking outrage and rebellion among the women. Simple breakings of the code or mild protests, such as a piece of hair sticking out, leads to the revelation of the extent to which women are detested for their aversion of the patriarchy. Women are subdued with derogatory comments; for example, at one point in the movie, Marji’s mother is told by a member of the religious police that he “fucks whores like [Marji’s mother] and then throws them in the trash.” Some women, however, submit to the religious rule, falling in line with patriarchal religious police, and degrading women who do not submit to the imposed laws; in one example, Marji is threatened to be taken into custody by two women due to her improper veil and even called a “slut.” These two opposing sides reveal the plight of women during this period in Iran; in all reality, they have two choices: obey their government, conforming to the Islamic fundamentalist ideology, sometimes even relinquishing their own beliefs all in order to avoid persecution, or rebel, fighting for their rights and refusing to conform to such oppressing beliefs, most often at the risk of being arrested. Due to the push factors of the harsh realities of the war and the imminent danger Marji faces, due to her fighting spirit and consistent rebellion, Marji’s is forced to move to France, where she can live a life free from her repressive

Despite her parents’ strong opposition against the government, Marjane is able to use the strength they instilled in her to point out their own double standards. Her family’s maid, Mehri, falls in love with the boy next door. However, her father expresses his disapproval because in Iran, social classes are not allowed to mix. Marjane is unsure about her father’s position as she says, “But is it her fault that she was born where she was born??? Dad, are you for or against social classes?” (Satrapi 37). Her father’s conflicting standpoints frustrate and confuse Marjane because she does not understand how he can believe in two completely contradictory opinions. She goes back to her room to comfort a crying Mehri while assuring herself, “We were not in the same social class but at least we were in the same bed” (Satrapi 37). Although Marjane sees the divide in classes, she begins to realize she does not agree with them. She continues to heed her father’s opinions and advice, but she is not completely relying on them. Disregarding her dad’s stance on the specific topic of social classes, Marjane acts as if Mehri is her sister. She grew up alongside Mehri, and she does not see any difference between

The Merriam-Webster Dictionary defines culture as “the beliefs, customs, and arts of a particular society, group or place.” These different cultures are viewed several different ways around the world, and these views sometimes lead to misconceptions and stereotypes. Two novels, Persepolis, By Marjane Satrapi, and Things Fall Apart, By Chinua Achebe, take their works and shatter the stereotypical views of their cultures (Native Africans and Iranians) made by the western world. They show you that what you always hear about one culture or individual may not always be accurate, and the only way to learn about one’s culture is to learn the facts.

One way the Iranian people rebelled against the Iran government was by allowing western influences into their lives or acting more modern than the traditional Islamic government. In the chapter Kim Wilde, she shows her love for music, specifically western music. This is meaningful because the government has outlawed most western or modern ideas or influences. Marjane’s love for western music has even nearly gotten her arrested by the guardians of the revolution when she was walking around town after getting a few tapes of music by western musicians. As she was walking home she was stopped and asked about her clothing and Michael Jackson pin, one of her favorite musicians. This leads to the next act of rebellion Marjane does, her clothes and shoes. During the same time when she was stopped by the Guardians of the Revolution, Marjane was asked about her shoes. Marjane claimed,”I wear these because I play basketball,” (Satrapi 134) but the Guardians refused to believe her and questioned everything she says. Marjane tries to make an excuse so she is not taken away by the Guardians of the revolution. This shows that even through a small act of rebellion such as wearing western clothing, you can be punished for it. This makes everything that does not conform with the government a massive problem. In a final attempt at getting home safely she says, “Ma’am, my mother’s dead. My stepmother is really cruel and if I don’t go home right away, she’ll kill me… she’ll burn me with the clothes iron! SHE’LL MAKE MY FATHER PUT ME IN AN ORPHANAGE” (Satrapi 134). She finally convinces the guardians to let her go and is able to get home safely.This shows the risks Marjane takes to rebel against the Iranian government and

Given that western clothes and icons were outlawed in conservative Iran, Marjane’s dressing up in jeans, denim jacket, and Nike shoes is an attempt to express her modern outlooks, Satrapi conveys the importance throughout the text reinforcing the conflict between Eastern values and Western values. In this scene, Satrapi embraces both cultures. She wears modern with a Michael Jackson button and Nike, and says ‘of course, my headscarf’. This displays Satrapi’s multiple personal identities: following middle eastern customs while sharing western values. A portrait image of Marjane is illustrated to show that she is proud of who she is and her posture and body language of her standing tall like she wants to show off her personality. But this doesn’t last long when she meets two guardians of the revolution that arrest women who are improperly arrested. When Marjane is caught, expressionism is used when Marjane is bawling her eyes out. The eyes look ghost-like representing the whole idea swapping personalities so that she could fit the government's likings. Marjane is not being able to fully express herself by wearing the clothes she wanted, doing her hair how she wanted, or listening to the music she wanted. From a young age is prevented Marjane from finding her identity and making her feel trapped. The revolution brought back Islamic ideals and customs, which were welcomed initially but soon became overbearing and restrictive and eventually totalitarian.

All women in their lifetime go through an experience that makes them feel proud and dignified to be a woman. Marjane Satrapi strives to find this feeling of self-worth and the satisfaction of being a woman in Iran as she grows up during her war torn childhood in her bildungsroman, Persepolis. Marjane experiences both positive and negative moments throughout the memoir such as growing up alone in Austria, speaking against women's dress codes, and her constant struggle to make her grandma proud, all which help her learn independence and help form her into a strong feminist woman.

When she sends Marjane away from Iran, she assures her: “I know how I brought you up. Above all, I trust your education” (147). Marjane’s mother doesn’t want her daughter to live in such an oppressive time. When the veils become mandatory, Marjane’s mother wishes to take her to an opposition demonstration: “She should start learning to defend her rights as a woman right now!” (76) In growing up with such strong female role models, Marjane learns to express her opinion and always stand by her beliefs. They taught her to stand up for herself as a woman, and in doing so, introduced her to a feminist perspective on life.

The story of Marjane opens during a fundamental time period of Iranian history, a period that consisted of the Islamic Revolution. As stated earlier on in the novel, this revolution was the force that caused the Shah to flee from Iran in the year of 1979. Like many others in Iran during this time, Marjane and her family found no interest in the Shah. During his reign, the Shah showed signs of diluting Iran's value of a constitutional monarch, and instead moved the country towards an absolute monarchy. Additionally, with the U.S peddling the Iranian oil supply, many Iranians felt betrayed by the Shah, as he became a so-called puppet for the U.S. Because of this, his popularity slowly plummeted, and an uprise began within the country. This uprise, is then shown through Marjane's perspective. Therefore, through