Persepolis Reflection

Adolescence is an age where children began to find themselves or, in some cases, lose themselves, an idea clearly developed by Satrapi in her graphic novel “Persepolis”. Satrapi explores the challenges and difficulties experienced by a sheltered and naive girl during the tumultuous and uncertain years of the Iranian revolution and attempts to solve the oppression she witnesses by the Islamicist government. This is important to the whole text as it identifies the religious conservatism and Islamisation of the state causes distress and confusion in Marjane who consequently had to redefine herself, given that her freedom and personal liberties were denied them in schools, public places, and even her own home.

Persepolis focuses on major themes like Feminism, Freedom, Religion, War, and Culture. Although this book is about Marjane Satrapi a young girl who lived her childhood in Iran from the 1980’s which was during the Iran revolution, where at a young age she’s already opened up to a warfare environment. This book can be interpreted differently based on the reader’s location, history background with Iran, and the differences in government. In this essay we would be comparing the readers from Iran vs. America.

Marjane Satrapi’s memoir Persepolis is considered a “coming of age” story based on her experiences growing up in Iran during the Islamic Revolution. This graphic novel explores the life she lead in Tehran which encompassed the overthrow of the Shah’s regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. Undergoing life with such a chaotic environment, it took Satrapi courage to act and live as her “authentic self” and explore what it meant to her to be authentic. Similar to Aristotle, May and Medinas Persepolis examines the concept of courage, through the view of innocence; through Satrapi’s childhood.

The graphic novel Persepolis by Marjane Satrapi is a political and personal account of a young girl’s growth to maturity. The novel serves as an autobiography of the author’s childhood in Tehren, Iran. It describes what it was like to grow up during the 1979 Islamic Revolution, the end of the Shah’s regime, and the war with Iraq. One of the most prominent themes in the novel is the clash between modernity and fundamentalism. The reader can observe this conflict through Iran's internal oppositions, the Satrapi’s modernity, and Marji’s western soci-political beliefs. This aspect of the novel is important because it shows the ideological diversity within Iran and the consequences faced by those in the opposition.

(Satrapi, 2003: 126) This brings another dimension to the relationship between Marji and her readers. Writing the novel in graphic form brings the Middle Eastern graphic novel closer to its Western neighbours because it is in a medium that is recognizable in the West. In addition, Satrapi’s depiction of Muslim leaders as "uneducated, primitive, and narrow-minded brutes" strengthens her connection with her Western readers whose perception of Muslim extremists might indeed be quite similar to the one crafted in the autobiography. (Constantino, 2008: 4) The novel Persepolis is effective because it was written to please a specific type of community. It uses language and cultural barriers in the illustrations and text to further separate the reader from the antagonists.

The novel “Persepolis” shows many life changes during the Islamic Revolution told through the eyes of a young girl. “Persepolis” was based on Satrapi’s childhood experience in Iran. Throughout the span of the 1970’s to the early 1980’s, Satrapi experiences many changes in her life, not only with the government, or her education, but also with herself. Although she witnessed many violent acts right in front of her eyes, these experiences helped Marji (Satrapi) grow as a young child.

Another historical event that we see is the rise and effects of the Islamic regime in Marjane’s life. This event is arguably the central issue that affects Marjane during her upbringing in Iran. Marjane shows how the regime begins to control schools, and how this affects her life by separating her from her friends (4, 3-4). We also see how the regime decides to close universities as they “educate future imperialists.” (73, 1-3) This demonstrates the negative effects that the regime has on society, as they prioritize Islamic values over education. The Islamic leaders portrayal shows them as upset and bored, and are given much different facial expressions than those that Marjane sees as intellectual (such as Uncle Anoosh (54/3) or Marjane’s grandfather (23/8)). This imagery communicates the backwards-thinking of these leaders, and as such, also effectively communicate Marjane’s opinion of the leaders without needing to discuss it with text. Additionally, we see both of Marjane’s views: Marjane not understanding the veiling and separation (3/5) as well as Marjane’s depression over the closing of the universities (73/7). The text here illustrates her opinions on the situations that she experiences, and the imagery allows us to see a visual representation of her basic thoughts and emotions, which are well communicated. A final example of the regime’s changes is the difference between the fundamentalist and modern women

The graphic novel, Persepolis, by Marjane Satrapi illustrates her challenges and struggles that she faced during her childhood through her eyes as a child. Marjane’s life is changed by forces that she cannot control in revolutionary Iran. She struggles with the alternative self that she wants to be in. The panels presented help bring the pictures to life with the eventual recognition of the Iranian culture that words cannot do by themselves. Marjane turns to humor and rebellion in an effort to cope with the pain and harsh realities of the world around her.

In The Complete Persepolis by Marjane Satrapi, the genre choice of the graphic novel vividly portrays the life-experience that Satrapi herself gone through as a youth growing up in Iran back in the 1980s. Satrapi utilizes a unique drawing style to emphasize the influence that the Islamic Republic has brought to her. The recurring action of teachers implanting Islamic values in children throughout Marjane’s education in Iran is demonstrated through a set of related images, which implicitly reflect on the destruction of childhood that is caused by a totalitarian regime. For instance, the teachers force the girls to wear veils on page1 and tells the parents that “either [girls] obey the law, or [they are] expelled” (Satrapi, 98) later on. Also, the background of these images takes place where Iran is involved in both revolution and war; it contributes to children’ miserable situation even more.

The country of Iran was corrupted by the shah, Mohammad Reza Pahlavi and iranians including Marjane and her parents wanted to overthrow the monarchy along with people that wants to get rid of him for the future of Iran. Satrapi tells about her childhood and how she developed as a solid character in the graphic novel along with the overthrow of the shah. Her parent’s political perspective of their religion, her vision of the legacy in Iran, and the importance of what she believe what can impact her country productively, shaped her to become a rebel or a revolutionist during the Islamic Revolution. In the early stage of Marjane’s life, she is ten years old and her school have been restricted to wear the veil which they had to wear during the time of the revolution. We see that Marjane doesn’t care much or understand about wearing the veil and she states, “We didn’t really like to wear the veil, especially since we didn’t understand why we had to” (Satrapi 1).

A graphic novel consists of both a narrative and its accompanying illustrations, which are capable of providing insight through a collection of images. Marjane Satrapi’s autobiographical novel, Persepolis (2003), is a collection of her comic-strip memoirs, written and illustrated by Satrapi herself. Persepolis tells the story of Marjane’s growing up and coming of age in Iran’s capital, Tehran, during the Islamic Revolution. It is a story filled with noticeable moments, all of which are supported by the artwork Satrapi has decided to include. Further analysis of Satrapi’s artistic decisions reveals her choice to include symbols that often represent Marjane’s emotions. Objects such as mirrors and the use of body language in certain characters,

I believe that Alison Bechdel used this book as a platform to highlight the various challenges and issues that some homosexual individuals among others in the LGBTQ community face. She wanted to allow to the audience to empathise with this community in a different light. In some cases, when people don’t understand the unfamiliar, the tend to fear it. So, with this book, people from a variety of backgrounds might have discussed the underlying issues in the LGBTQ community using her book. With this being the starting point, some individuals, such as myself, were able to do some indepth research about the LGBTQ community and understand it better.

The Complete Persepolis paints a descriptive and complex picture of Iranian society and its transition from a progressive and Westernized state to a new fundamentalist regime following the 1979 Islamic Revolution. The graphic novel cleverly uses a blend of images and text to tell her story from different perspectives throughout her life, exemplifying and questioning the ideologies accompanying the revolution. Specifically, Satrapi focuses on the role of the veil to challenge the new regime and its ideals of feminine oppression. Throughout the novel, Marjane Satrapi attempts to navigate through the abrupt shift of culture in her world, strategically utilizing different perspectives of the veil as both a young girl and an adult woman to do so. Readers follow Satrapi’s journey with her veil, from her initial conformation to her eventual rebellion and freedom.

The graphic novel Persepolis, by Marjane Satrapi, explores her childhood years in the middle of the Islamic Revolution. Situated in the commotion of the overthrowing of the Shah's regime, and the war with Iraq, the reader learns how secularists, nationalists and even Muslims marginalized, excluded and silenced the modernists in Iran during the Islamic

“One can forgive, but one should never forget.” Persepolis, p 2. This is a simple sounding statement, but the message within these words conveys a very powerful and sometimes life-changing challenge. This holds true to the core for the vocal and strong-willed author, Marjane Satrapi. Although Satrapi witnesses, from a very young age, the cruelties of sexism and social inequality, she learns not to let the hurt and pain consume her. She knows that one should not hold everyone accountable for the actions of others. She tries in her heart to forgive some of the injustices while, at the same time, knowing that the events she heard about, along with the ones she witnessed, will remain with her always. Furthermore, she will not let the memories of those people who were forced to leave their homes, tortured or even killed, be forgotten.