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Persepolis Satire

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French philosopher Jean Baudrillard spoke: “the world is not dialectical - it is sworn to extremes, not to equilibrium, sworn to radical antagonism, not to reconciliation or synthesis. This is also the principle of evil.” In Marjane Satrapi’s Persepolis, the events and effects of the Islamic Revolution are portrayed; what is most notable, however, are the steps taken to portray Satrapi’s personal position. In her graphic text, she illustrates her work with a sharp black and white contrast, utilized to portray a variety of themes. How can one’s perspective filter the way they view the world around them? That question is what Satrapi challenges with Persepolis, which distinguishes her work. Through the black and white scheme, Persepolis illustrates political and social extremism; a lack of gray area between opposing sides of political warfare, especially from a victim’s perspective. A child’s innocence is portrayed by the black and white scheme, as well as the book’s formatting, in an attempt to both politicize the surroundings of Satrapi and humanize her existence as a regular youth who conversely resulted in being victimized by war. Persepolis additionally has an aimed exclusion of color that directly refutes those who ostracize and discriminate against Iranian people.

Firstly, Persepolis utilizes its black and white color scheme to allow the author to be immersed in the reality of the setting shown by the portrayal of the Islamic revolution; the sole existence of political

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