Marjane Satrapi uses text and images as a medium for enacting her graphic novel memoir, Persepolis. Homelands play an important part in identity formation. A home is a place of origin, the origin of one’s self. Having pride or not having pride in it is either going to help further grow love or hatred for not only one’s home but also one’s self. This topic is important because we can see in Persepolis that Satrapi’s sense of identity, which is a main conflict in the novel, always ties her back to Iran. The place where she belongs is her home. Through national symbols, individuals feel a sense of belonging to their nation; constructions formed by our environment are manifested on the physical body through national symbols. However, identity is
The graphic novel Persepolis by Marjane Satrapi is a political and personal account of a young girl’s growth to maturity. The novel serves as an autobiography of the author’s childhood in Tehren, Iran. It describes what it was like to grow up during the 1979 Islamic Revolution, the end of the Shah’s regime, and the war with Iraq. One of the most prominent themes in the novel is the clash between modernity and fundamentalism. The reader can observe this conflict through Iran's internal oppositions, the Satrapi’s modernity, and Marji’s western soci-political beliefs. This aspect of the novel is important because it shows the ideological diversity within Iran and the consequences faced by those in the opposition.
Western culture has often misperceived the east and the way that their society functions. In Marjane Satrapi’s Persepolis, Satrapi uses graphic novels as a way to demonstrate to the western culture how the east has been misrepresented. The use of media helps to depict to the west how their views of the east may have been unfairly formed in the past. The media has only revealed limited knowledge that only shows partial perspectives because it is difficult to get perspectives of the minorities although they are the ones who hold the most truth. In other words the use of graphic novels and a child’s perspective give the west a new idea on how it is that society in the east functions. This style of writing brings the connection between the two
In The Complete Persepolis by Marjane Satrapi, the genre choice of the graphic novel vividly portrays the life-experience that Satrapi herself gone through as a youth growing up in Iran back in the 1980s. Satrapi utilizes a unique drawing style to emphasize the influence that the Islamic Republic has brought to her. The recurring action of teachers implanting Islamic values in children throughout Marjane’s education in Iran is demonstrated through a set of related images, which implicitly reflect on the destruction of childhood that is caused by a totalitarian regime. For instance, the teachers force the girls to wear veils on page1 and tells the parents that “either [girls] obey the law, or [they are] expelled” (Satrapi, 98) later on. Also, the background of these images takes place where Iran is involved in both revolution and war; it contributes to children’ miserable situation even more.
Persepolis by Marjane Satrapi is a graphic memoir that reveals the life of a woman growing up in pre and post Iran, as well as her experiences in Western countries. In this book, Marjane utilizes historical events that affect her life during her upbringing in Iran. These include the oppression of the Shah, as well as the rise and effects of the regime. These events’ integration into the story showcase how they affect Marjane and the other citizens of her country. Additionally, these events are important for the context and understanding that they grant readers unfamiliar with the text.
Marjane Satrapi’s Persepolis is an autobiographical graphic novel that illustrates her life in both Iran and Europe. Marjane is sent away by her parents to Austria in an attempt to shield her from the growing oppression of the Islamic regime in Tehran. In Austria, Marjane soon sees herself as an outsider, and after four years moves back to Tehran. While in Tehran, Marjane still feels lonely, as she has carried western ideals in a society that adamantly rejects western customs. She becomes depressed and even attempts suicide.
People grow up in different way, affected by many different things as they grow and mature, during the process people change perspectives and ideals. In the book "Persepolis" by Marjane Satrapi, a middle eastern girl who is coming of age, finds that her environment changes her as the country that she is in goes through an unstable violent state. With the rise of multiple changes, Marji’s family must learn how to adjust to the changing times. While Marji becomes a bystander to the persecution, violence ,and revolution, the main theme of the book is stay true to one’s self and forming one’s true identity through their own will. Marjane Satrapi shows how the quirky, but simple and straightforward communist child in a changing world to a grown young adult who is confused about herself and the world around her.
Marjane Satrapi’s early experiences have helped to form a unique perspective acknowledged throughout Persepolis. Throughout the novel, Satrapi uses graphic images to allow her readers to visualize various dramatic events that she (once) witnessed. Informal diction and simple graphics force her audience to perceive Persepolis from the same child-like perspective the author (once) had. More so, special attention is drawn to contrasting colors as a symbol of (internal) conflict. The clash between black and white graphics represents a much deeper meaning regarding Satrapi’s faith and understanding. Such a symbol of conflict enables the readers to empathize
A graphic novel consists of both a narrative and its accompanying illustrations, which are capable of providing insight through a collection of images. Marjane Satrapi’s autobiographical novel, Persepolis (2003), is a collection of her comic-strip memoirs, written and illustrated by Satrapi herself. Persepolis tells the story of Marjane’s growing up and coming of age in Iran’s capital, Tehran, during the Islamic Revolution. It is a story filled with noticeable moments, all of which are supported by the artwork Satrapi has decided to include. Further analysis of Satrapi’s artistic decisions reveals her choice to include symbols that often represent Marjane’s emotions. Objects such as mirrors and the use of body language in certain characters,
The world stereotypes different types of culture, but real identity can be only defined by a person who has experienced the specific way of life. In Persepolis The Story of a Childhood, by Marjane Satrapi, the author creates a graphic memoir representing her childhood growing up in Iran during the Islamic Revolution. Satrapi evokes perfectly regarding her childhood, her reaction towards the Islamic Revolution. She is rebellious to the Islamic revolution’s new regulations and enforcement and decides to take a secular approach to defend her rights. In Persepolis, the narrator illustrates the opposition against the Islamic Revolution and Shah’s reign and as well as her pursuit in a secular culture. Her opposition and desire allow the readers to reconsider on past stereotypes about the Middle Eastern culture.
Adolescence is an age where children began to find themselves or, in some cases, lose themselves, an idea clearly developed by Satrapi in her graphic novel “Persepolis”. Satrapi explores the challenges and difficulties experienced by a sheltered and naive girl during the tumultuous and uncertain years of the Iranian revolution and attempts to solve the oppression she witnesses by the Islamicist government. This is important to the whole text as it identifies the religious conservatism and Islamisation of the state causes distress and confusion in Marjane who consequently had to redefine herself, given that her freedom and personal liberties were denied them in schools, public places, and even her own home.
Marjane Satrapi’s memoir Persepolis is considered a “coming of age” story based on her experiences growing up in Iran during the Islamic Revolution. This graphic novel explores the life she lead in Tehran which encompassed the overthrow of the Shah’s regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. Undergoing life with such a chaotic environment, it took Satrapi courage to act and live as her “authentic self” and explore what it meant to her to be authentic. Similar to Aristotle, May and Medinas Persepolis examines the concept of courage, through the view of innocence; through Satrapi’s childhood.
How do you identify yourself? What do you use to really identity to others who you are? So people use terms like mother, father, friend or find it in religion or materlisitic things. In the witty and heartbreaking graphic autobiography, Persepolis, Marjane Satrapi uses a childlike tone to address an internal struggle within a mind in identity crisis. Marjane’s childlike point of view cannot comprehend God’s role in the domestic turmoil of her country. Marjane was “born with religion”(6) and treats her relationship with God as if it was a friendship. God comes to Marjane in times of solitude to discuss how she finds her identity in being the last prophet, the troubles within her family, and how she feels about her world as a child in the
In yesterday’s Interactive Oral Discussion, I participated in a discussion about the role of nationality in Persepolis and how it affects Marjane's troubled quest for identity. Not only does the largely contrasting cultures, Iran and Austria, repress and transform Satrapi, but they also cause her to deny her identity. The Interactive Oral Discussion developed my understanding of nationalism in regards to identity and the fears of judgement in late 20th Century Iran.
Are clothing, fashion, and lifestyle choices an effective way to make a political statement? Can individuals express themselves without being constrained? This is an effective way and it is shown in many ways. In the novel, Persepolis by Marjane Satrapi, Marji does not wear her veil because she is less of a person and it is a constant reminder of women oppression. In “Politics of the Hoodie,” the hoodie extinguishes individuality in this politicized life. In my eyes, this tactic is very potent because in this society today, it is not easy to reside in. This is one of the ways that citizens can express themselves instead of retorting to violence, especially teenagers today. Despite the negative aspects that are created by the individuals on this earth, clothing, fashion, and lifestyle decisions can make a compelling ideological statement.
Taking place in the late 1970’s, Marjane Satrapi’s “Persepolis” exemplifies a profound illustration of the county of Iran, including aspects of its people and political structure. Unlike a conventional composed novel, the story of Persepolis is expressed through both textual and visual representation; otherwise known as a graphic novel. Through the experiences of the ten-year old character Marjane, the reader is exposed to historical events, movements, crises, and motives that occurred within Iran. Furthermore, the novel has gained much praise in its portrayal of emotions that occurred through the people of Iran. Although there has been tremendous support of the account of Marjane, there have been a few critics of the novel, attacking its overall literary value. For instance, New York’s Ithaca College student paper called The Ithacan, slammed the role Persepolis had on the literary society. In fact, they went as far to say that the novel “...is worth broaching but its literary value, in terms of building vocabulary and furthering comprehension, falls short.” An absurd statement, to say the least. Not only is Persepolis of literary value, it is a glimpse into the past. It allows the reader to understand the various conflicts that the people of Iran were facing. Through the account of Marjane, the audience is exposed to elements of Iranian history, gender roles, religion, and political fluctuation.