Personal Ambition And Self Respect By Mary Jane Ward 's The Snake Pit, The Bell Jar

This generation of women, may it be young or old, are fortunate to live in a country where you can be anything, do anything, and say anything that men can. Although in theory the playing fields are still not completely even, we as a nation have made some substantial progress in women’s rights. Just a few hundred years ago, women livered mundane lives and rarely got to speak up for themselves. In the book, The Midwife’s Tale by Laurel Thatcher Ulrich, it follows the life of Martha Ballard through the use of her own diary. Martha Ballard captures the lives of common women in the Early Republic Era by providing an authentic record of the role women played in their communities throughout the developmental years of the United States.

Throughout The Bell Jar, Sylvia Plath explores a number of themes, particularly regarding the gender roles, and subsequently, the mental health care system for women. Her 19-year-old protagonist, Esther Greenwood, is the vessel through which Plath poses many probing questions about these topics to the reader. In the 1950s when the novel was set, women were held to a high standard: to be attractive but pure, intelligent but submissive, and to generally accept the notion of bettering oneself only in order to make life more comfortable for the significant male in her life. Esther not only deals with the typical problems faced by women in her time, but she has to experience those things through the lens of mental illness though it is up for

The pain and trauma that stem from Esther’s illness have warped her view of the world around her. However, this symbol also represents the pressures put on women in the 1950s to be what was considered ideal for women during this era. The bell jar “suggests more than Esther’s inner alienated world”, it also “signifies society which destroys Esther” and “symbolizes ‘scientific punishment’ for non-conformists” (Evans 105). She “must combat the additional alienation of being an aspiring woman in an era of strict limitations for women” which only hinders her further from her goals in life (Axelrod). While many women at the time planned on marrying and settling down, Esther does not view these expectations for women in the same way and instead wishes to be her own independent person. While working as the guest editor of Mademoiselle, a fashion magazine, Esther “suffocates under the bell jar forced on her by a competitive, male-oriented society”(Evans 105). During the fifties women were not expected to have successful careers in general and the male dominant world held a high level of competition; while trying to come out on top in this society Esther ends up cracking under the intense pressure. Representing both the stifling social limits set on women and the protagonist’s dismal mental state, the bell jar is a robust symbol in this novel.

The book describes how complex societal dictation dominated the lives of women and left no room for growth as a unique individual with a passion other than homemaking. It called upon women to take a stand against these so called norms and “seek new opportunities for themselves” (“Betty Friedan”). It instantly became sensation and “continues to be regarded as one of the most influential nonfiction books of the 20th century” (Michals). It struck a nerve with all women alike, leading to a “feminist explosion” (Kaplan) because of the recognition of themselves in Friedan’s work (Parry) and the familiarity shared between the women created a sense of community. It also brought public awareness to the glamorized domestication of

Women have long been fighting for their right to be seen as equal to men. Even to this day, women continue to fight for their rights, things such as the right to non-gender discriminatory wages. While there may be some arguments over the state of gender equality in the modern world, it is undeniable that there have been great strides made toward recognizing the female 's worth in the workforce and as a human being. Despite these strides, however, things are still not yet ideal for women and many of the issues females face today are the very same issues that have been plaguing them for decades. While it is unfortunate the oppression of women has been so long-lived, the length of that exposure has thankfully enabled many talented writers to both lament over the fact and emphasize the need for gender equality.

Towards the end of the 1800s and into the beginning of the 1900s, the roles of women in society and in the family began to change drastically compared to what it had been in the past. Women were now allowed to own land, vote, and do more than cook and clean. Willa Cather and William Faulkner portray the roles of women in the early 1900s in their short stories, “Neighbor Rosicky” and “A Rose for Emily.” These short stories were both published around the year 1930. Because of what was happening in the US at the time, these stories are very good examples of the ways women were treated at this time.

In the 1930s, The Great Depression swept over America and life was greatly affected. Poverty, unemployment, and homelessness grew in the East causing women to get more involved with the daily activities outside of the household. In “The Grapes Of Wrath” most men went to work, either in factories or on the lands, while the women stayed home. Eleanor Roosevelt became a key voice inside the White House, she took on an active role in programs and supporting women working on the home front. The hardships women faced during the Great Depression and women’s involvement in the labor force during World War II, led women to have a more independent and influential role in the family.

In The Bell Jar by Sylvia Plath, protagonist Esther Greenwood is greatly affected by societal morays which placed enormous pressure on conforming to social standards. This pressure to conform resulted in the suppression of her individuality. People who did not conform were often portrayed as unfeeling, and the distinction between the mentally ill and “normal” people was often artificial. Esther's feelings of being confined under a bell jar not only describes her depression, but also serves as a general metaphor for a society muffled by its own

Women haven’t always had the freedom that they have today. Women were supposed to live a certain life even though sometimes they didn’t want to. They had to tend to their husbands at all time, stay home and do housework while still taking care of their children or being pregnant. Women were abused physically, emotionally, and psychologically. Although women were perceived to act and present themselves in a certain way, some young women went against the cult of the true woman hood not only to be different, but to escape he physical, emotional, and psychological abuse that they will or have encountered. In novels, The Bell Jar, by Sylvia Path and Lucy, by Jamaica Kincaid both young women have the similarity to rebel against the cult of true

The depression caused multiple hardships for them to endure. World War II saw many women join the workforce due to necessity, taking up jobs that had previously been considered only for men. Social attitudes towards what women were capable of doing had been changed due to the experience; this point in time was of high importance. During the time in the text, woman’s rights were very underdeveloped, women were powerless and men were alpha. The female characters were often portrayed as nothing but housewives that weren’t able to express their own opinions without facing a critical

Shirley Jackson’s novel, The Haunting of Hill House, explores the cultural anxieties in the mid 20th century. Specifically, men use womanhood (societal norms) as purposely infantilizing women in order to confine the female mind. Jackson utilizes symbolism, metaphor, and anaphora in her novel in order to convey the message for men to stop infantilizing women. Moreover, Jackson spreads awareness that women are being confined by a system that men developed: womanhood. Hence, in effect, the novel serves as an informal protest against male repression through a medium that can be read by a wider audience —more importantly an indirect challenge to male readers. According to Krolokke, Second Wave Feminism became prominent due to cultural discontent with patriarchy during the mid 20th century. Moreover, Krolokke informs the readers that Second Wave Feminism influenced women to challenge traditional family roles and male ideologies about women not belonging in the workplace (11-12). Mid 20th century is also when Jackson published The Haunting of Hill House. So, with these historical and cultural contexts in mind, Jackson’s The Haunting of Hill House ends the novel with Eleanor killing herself because she wants women to challenge the ideas of patriarchy into effect. Hence, Second Wave Feminism has a connection to Eleanor having a childlike personality (can not think for herself) because she wants women (especially young and single women) to explore their rights (their choices) and

The themes in The Bell Jar, by Sylvia Plath, are portrayed through Esther’s unique characteristics. Sylvia’s life experiences and personality contribute to these themes: growth through pain, the emptiness of conventional expectations, and the restricted role of women during the 1950’s. Esther must battle through several obstacles in order to move on with her life. She also feels like she does not fit in with society. Women’s role in society during this time also contributes to Esther’s qualities. In order to understand the themes of the novel, one must learn who Sylvia Plath is.

In the 20th century, the average home life in rural Oklahoma was full of hard workers in the pursuit of the picture-perfect home surrounded by plentiful land. The sun rose over the land, signaling the commencement of the day ahead. The farmer had already been awake since before the sun broke the horizon, preparing his little equipment and his animals for his land’s work. The farmer’s wife was in the kitchen, cooking her husband a warm breakfast as a sign of her gratitude. Their children woke and soon were running into the kitchen, bellies growling. After gobbling up the breakfast, they ran outside to play and do chores of their own. The rest of the farmer’s wife’s day was spent cleaning, cooking, and looking after the kids until the sun went down and it was time for bed. Set in this time, The Grapes of Wrath, by John Steinbeck, holds contrasting female characters. Some characters show the defiance of the gender roles at the time, while others adhere to them. In some instances, a female character can surpass the expectations set upon her by the patriarchal society in which they live she lives, setting her free to use a voice she never was allowed.

The Bell Jar teaches us that every opportunity a woman had received in the 1950’s was a gift and should be taken immediately. Women had certain expectations they must meet and ways they must look in order to be accepted by society. Women were compared to the look of models, they were expected to look just as good as they still are nowadays. For example, “ A model named Bettina was known for her tall, slim figure, youthful movements, short bobbed hair, shapely eyebrows and bright red lipstick” ( Sherrow, Modeling and Models). This shows how women were expected to be slim, with youthful energy and have short hair. Esther was one of those women who were expected to look like this. She used to have youthful energy, but events over her life started to take away that energy. Women in the 1950’s had to compete with the model’s image, women were especially compared during beauty competitions. “Women in Beauty Pageants were judged basis of physical appearance and named best looking or most beautiful” (Sherrow, Beauty Pageants). The idea that people would be considered

The works of Sylvia Plath have always been at least slightly controversial; most of them have themes of feminism, suicide, or depression. Plath was born in 1932 in Boston, Massachusetts, and by the age of twelve she was reported to have had an IQ of about 160 (Kelly). Growing up in an age in which women were expected to be nothing more than conservative housemaids, Plath stood defiant against the views of society, choosing to expose any misogynistic prejudices or hateful prospects against mental illness through her writings (Allen).