Personal Awarness of Architecture in the City Essay

Interior design and architecture are essential, and often overlooked, aspects of everyday life. In modern society people rely on function, durability, and visual appeal when selecting designs for their homes, businesses, and places of leisure. The way that a space is designed influences such things as mood, which, in the case of a business, can impact the productivity of employees and either draw or repel customers. In residential design, the design becomes very personal and, to be considered a successful design, must properly reflect the home owner while at the same time offering some practicality that makes the space livable. An effective design, for any space, must solve some problem, be it function, flexibility, or some other criteria. Simply solving a problem would not please the customer, however, unless it offered some visual appeal. Creating function with style is the real job of any interior designer, and is essential in a content society.

A sophisticated house or dumpy gas station catches the eye for a moment then becomes lost amongst other thoughts. However, like the art in our homes, a building's purpose is not to be stared at like a museum painting. They influence the mood of those who occupy the space. Even for people who live far away, it creates a happy thoughtfulness that these places still exist in our throwaway

He also recollected how his mother played in the bowling league for years at the Milton Bowl bowling alley. He also saw the Milton State School where his grandfather and his mother used to study. Regardless of the changes that took place, it brought out old memories and the same old feeling each person has towards an old place. Pile (2005) states that the derive is a technique through which these emotions are to be registered and experienced. This is evidently shown as Condon’s emotions and feelings are registered as he recollected of his old memories when he was young. There has been a saying that ‘change is the only thing that is constant in this world’. In relation to the concept of urbanization, psychogeography is commonly used in the process of enabling human beings to change the urban life (Coverley 2010, p. 10). Within this context, psychogeographers usually aim to examine the impact of different ambience of urban places on the feelings, emotions, mental stability, and socializing behaviour of people (Casino 2011, p. 285). This further explains why most of the modern architects today are carefully analyzing how light can significantly affect positive ambience in space when creating a new architectural design (Knabb, 2007, p.

In his essay, Heidegger discusses the type of dwelling which is poetic in a sense. He then questions further that are the dwellings poetic in a true sense if yes then are other dwellings incompatible with the poetic ones? He further questions about the coexistence of the man’s social and historical life. For Heidegger, poetry is the things that let the man dwell and dwelling is through building. He believes that art of building is very much similar to the art of poetry. The way the verses in a poem depict a simple fact in a really creative way is same as that of the technique of constructing a building and then making the building alive by dwelling in that particular building. This philosophy of Heidegger is reflected in his architectural design sense that he connects the building styles with human life. This poem tends to remove the misconceptions that poems snatch away the realities of this world or poetry is mere fantasy but it’s not like that. Actually, poetry brings fantasy to life. Same as the opposing above and below and belonging to each other; the writer sees different contrasting things as

In this essay, I will compare and contrast two sacred spaces; Ise Jingu of Japan and the Great Stupa in India. First I will describe the sacred spaces and their artistic features, values and importance. Afterwards, will come the analysis comparing the two in architectural design and decisions, rather than the difference of religious belief or purpose.

The term “Glass House” does not just describe the house itself; but also the surrounding environment. While designing and building the house, Johnson has also found architect to re-design the surrounding landscape. In fact, part of the designed landscape refers to the The Burial of Phocion by France artist Nicolas Poussin. (Tutter, 2011, p.2) The sense of enclosure seems to be disappeared, or expanded widely to not just where the four glass-walls are; but the entire land that the Glass House is positioning on. The image of the landscape is reflecting, as well as showing through the house which sense of interior and exterior become unsettle, persistently questioning the entire problem of the relationship of the numerous spatial elements in particular

In Wright and An alto's houses, a powerful sense of insides is generate by opacity. Which, in Falling water is express in roughly dressed stone masonry walls and, in Villa Mairea. By white-painted, solid walls. The transparency of glass windows in both houses thereby connect the two. In both houses, the architects created a strong sense of insideness yet, at the same time, devised ways to connect inside and outside and thereby create a robust continuity between the two. This inside-outside relationship can be translate into environmental and architectural experience in four different ways: (1) in-betweeness; (2) interpenetration generated by inside; (3) interpenetration generated by outside; and (4)

“Human houses should not be like boxes, blazing in the sun, nor should we outrage the Machine by trying to make dwelling places too complementary to Machinery. Any building for humane purposes should be an elemental, sympathetic feature of the ground, complementary to its nature-environment, belonging by kinship to the terrain.”

His first comprehensive city plan was La Ville Contemporaine (the Contemporary City) a project to house three million inhabitants designed in 1922. This was Le Corbusier’s first attempt to reconcile man, nature and machine (Fishman, 189). The city starts at the center with a transportation hub for busses, trains, cars and planes. Surrounding this hub there will be an organized cluster of 24 60-story skyscrapers. These glass and steel skyscrapers are cross-shaped. Each individual skyscraper is to be set within a large rectangular green space. The skyscrapers house the “brain” of the city. The city is beautifully geometric and symmetrical. Placing the skyscrapers in the city center reinforces the emphasis on capital as a means of creating a successful city. Because of the shape and mass of each skyscraper, they have more usable space than an entire neighborhood but also relieves density and congestion because of the organization (Frampton, 46).

The Mexican tile roofs jump out at your eyes, until the gorgeous iron gates of other estates snatch your attention. I can at times be overwhelmed with the feast before my eyes. My favorite structure by far is the towering ruins of the old sugar plantation. The words ruins, sugar, and plantation alone are enough to conjure up the most fascinating stories within ones imagination. I can see the bones of an age past; still standing before me to mourn, and dream about. I live in a grouping of villas where a restaurant and pool facilities are being constructed. I smell fresh sawn mahogany as the carpenters make bars, counters, and doors. I hear stone masons chipping at tiles, and the scraping sounds as they pull out the mortar to lay them.

The entryways of the building come from four different sides and meet in the middle. The overall shape of the building creates different views and facades. The building was not created just on the looks of it; it is made up of a three dimensional, stimulating, tactile human thing.

Perceiving the properties of the environment and then actively giving an action is the instinct of creatures. American psychologist Gibson developed the term Affordances about the perception of the animals to environment. It refers to the environment provides the opportunity for action; means what environment affords is what animal perceives (Gibson, 1979). The interrelationship between people and environment is inseparable, including objects, space, society, and city/urban. "At the beginning of the twentieth century some 10 per cent of the world’s population dwelt in towns or cities. […] By the year 2030 over 60 per cent of the world’s population will be urbanized" (Parker, 2015, p1). According to the information of the urban population, people constructed the cities and cities will be extended to fit the population. How to recognize a city? What kind of medium affects the relationship of people, society and cities, and changes the shape of them Simultaneously? Calvino takes the observation of the real city to represent in the description of his novel (1978).

Meaning in sacred architecture or architecture representing the history of religious beliefs can be interpreted on three levels. First, at a deeper level within the composition of the form and the expression of the interpretation at the unconscious level of the mind through [various emotionally evoking themes.GIVE CLEAR EXAMPLE] Second, at a symbolic level. Representation of religious aspects can be expressed either pictorially or symbolically. Certain architectural settings, as it will be discussed through a case study, symbolize a spiritual journey weaving local images, textures and spaces into a narrative. Lastly, architecture can be considered a “built myth” that acts as a stage that accommodates the enactment of the rituals through spatial and architectural elements of the path and place. The various means of forming and entering the architectural spaces, or orientation and the sequence of spaces will be discussed.

Centered in the house is a ramp that takes you on a journey from the underbelly of the house on the ground floor to the main body on the first floor and then on to a roof garden. Throughout the house views of the surrounding nature are framed, your mind is free marvel, as the forms evoke a sense of exploration and delight. Villa Savoye is better experienced than viewed through an image, only then can you understand the greater meaning and purpose that informs its beauty. One might argue that this is not beautiful architecture and a poor example, however upon visiting this house you cannot deny that the house is beautiful in its own right, evoking a response from the occupant. Le Corbusier’s masterpiece is moving; therefore achieving what he believed architecture to be about. This experience and the emotion that is felt can only be described in words. Shapes play a big role in the architecture but clearly the meanings behind are more important.

First of all, to start building a city an urban pattern has to be established, this will make the city look much more organized and well thought. A pattern can be chosen from a whole list of working patterns for a city. Establishing a grid is a common way of equally distributing the city. However, we want to keep in mind, that important buildings, such as businesses, and government buildings must be accessible to the public, but separated from the rest of the city. We have great examples of grids such as New York City, in New York, United States, or Mississauga City, in Toronto ,Canada. Although, when building from scratch it is not possible to leave aside what has already been built, a city indeed has to adapt to what is already existing, as well as to the new global economy, social and political trends, and new issues that arise in the new era, this also changes the structure and tradition of building and forming urban patterns. Using the existing patterns, combined with new ones, both patterns can collide and make new forms in city blocks. Results vary from city to city, but the essence is the same in all of them; old and new patterns coming together to create unplanned shapes, a new form of Urbanism, based on new and old patterns, aiming to satisfy the needs of the modern world. A great example is New York