Personal Narrative: House On Mango Street

In today’s world there are countless social problems. People are often treated as an inferior or as if they are less important for many different reasons. In The House on Mango Street, the author Sandra Cisneros addresses these problems. Throughout the story Cisneros does a thorough job explaining and showing how these issues affect the public. This novel is written through the eyes of a young girl, Esperanza, growing up in a poor neighborhood where the lifestyles of the lower class are revealed. Cisneros points out that, in today’s society, the expectation of women and their treatment, discrimination based on poverty, and discrimination because of a person’s ethnicity are the major

“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and

Hook: In the coming-of-age novel, House on Mango Street, the main character Esperanza narrates the story through her perspective of the situations she encounters as she grows older in her new neighborhood.

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

With all of the bad things going on around Esperanza, she was very optimistic and made the best of everything she could. For example, in chapter one, Esperanza explain how she and her family had always grown up poor and that they always had dreams of one day owning a big beautiful house like the ones that they saw on television. One with a back yard and a basement. When Esperanza's family was forced to move her parents had purchased the first house that they could afford so they wouldn't have to continue paying rent. The house was nothing like what they had spoke of or dreamt about. But Esperanza states, "I then knew I had to have a house. One I could point to. But this isn't it. The house on Mango Street isn't it. For the time being, Mama said. Temporary, says Papa. But I know how those things go.." Within this paragraph it shows that Esperanza isn't exactly happy about where she is living but she is going to make the best of it and do what she has to do to get out of there and have a house of her own. One that she can point to.

Identity is defined as “the fact of being who or what a person or thing is” (Oxford University Press). Personal identity deals with questions that arise about ourselves by virtue of our being people. Some of these questions are familiar that happen to all of us every once in a while: What am I? When did I begin? What will happen to me when I die? There are many different categories that define us as people (Olson). Our Race, Class, and Culture define who we are so much that it affects how we should live our life.

Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.

The most important Theme in The House on Mango Street is identity. Identity is a very

Esperanza had always desired a new home, but realizes Mango Street will always be a part of her. “I knew then I had to have a house. A real house. One I could point to. But this isn’t it” (5). At first Esperanza wanted an escape from Mango Street, she was embarrassed of where she came from. But as she grows as a person and is exposed to devastations in other people's lives around her, she realizes something much more ugly than just the looks of Mango Street. “You must keep writing. It will keep you free, and I said yes, but at that time I didn’t know what she meant” (61). Writing kept Esperanza free, and helped her cope with her problems. Esperanza later perceives why her aunt wanted her to continue writing, because not everyone had something to set them free from Mango Street. “They will not know I have gone away to come back. For the ones who cannot out”(110). Instead of leaving to never return, Esperanza realizes the women in her community have it

For example as stated on page 4, “ Our house would be white with trees around it, a great big yard and grass growing without a fence. This was the house Papa talked about when he held a lottery ticket and this was the house Mama dreamed up in the stories she told us before we went to bed. But the house on Mango street is not the way they told at all.”.When the reality of her parents expectations didn’t go the way hoped it created the initial reason for Esperanza’s dream about leaving Mango Street . If their house wasn’t that much of a downgrade to what they have wanted ,Esperanza may not have felt the need to dream about a whole new house of her own. As her character continues to grow, her reason of wanting her own house becomes much more meaningful . Essentially, Esperanza's house will not only show her taste in real estate, but her true self . In other words , her house will act as a safe haven , the place she can escape to express herself and show her true nature. Illustrated on page 87 ,” One day I’ll own my own house, but I won’t forget who I am or where I came from. Passing bums will ask,Can I come in? I’ll offer them the attic, ask them to stay, because I

In life, we are often deeply influenced by the people who surround us. Consider the age-old adage “Birds of a Feather Flock Together”; this familiar saying reminds us that, in life, we gravitate toward people who appeal to us, and those people can have a great impact on who we are and the choices we make. In Sandra Cisneros’ The House on Mango Street, Esperanza meets many women who play a role in her life. Some of the women impact her in negative ways, but others help her to see that she can make more of her life than what her Chicago neighborhood offers. Of all the women in Esperanza’s life, Esperanza is most influenced by her mother and Alicia because they teach her to rely on herself in order to escape Mango Street.

Often in literature, authors create plot by writing about characters maturing throughout the story. One work that explores childhood to adulthood is The House on Mango Street by Sandra Cisneros. In this novella, Esperanza Cordero is a young girl who lives in a poverty stricken area in Chicago. During the story, Esperanza grows up from being an adolescent to a young adult. In the novella, the theme is that losing innocence brings about maturity. Cisneros expresses Esperanza growing up by juxtaposing vignettes. Tone is also used to enhance the change in Esperanza’s thoughts while maturing. Both the juxtaposition of vignettes and tone support the theme that the loss of innocence and the gaining of

"My Grandparents, My Parents and Me." My Grandparents My Parents, Mis Abuelos Mis Padres, Frida Kahlo, C0160. N.p., n.d. Web. 29 May

In The House on Mango Street, by Sandra Cisneros, a little girl from a Latino heritage is given birth to. Not literally, but in the sense of characterization. Esperanza is a fictional character made up by Cisneros to bring about sensitive, alert, and rich literature. She is the protagonist in the novel and is used to depict a female’s life growing up in the Latino section of Chicago. Cisneros creates the illusion that Esperanza is a real human being to communicate the struggles of growing up as a Latina immigrant in a modern world, by giving her a name, elaborating her thoughts and feelings, and illustrating her growth as a person through major events.

Everyone has challenges in their life, their feelings behind their actions make them who they are. In the novel The House on Mango Street by Sandra Cisneros there are many conflicts which explore the characters, to get to know them closer. The internal conflict is used to discover the identity of the main character, Esperanza.