College Admissions Essay: Start Up Tulane

In life art is not just a form of a hobby, but a passion. Art shows the emotion and inner expression of somebody with their goal as an artist. In the text Letters to a Young Artist by Anna Smith, Smith advises young artists to take everything from the world around them, and develop the eye, the ear, and the heart to create their art. Also, in the story “Zebra,” by Chaim Potok, the main character Adam Martin Zebrin, aka Zebra, encounters an injury and uses

At this time I am most interested in Tulane Law for its holistic approach to education and its particularly strong program in intellectual property. While my general interest is in healthcare law, I hope to spend some time working on issues related to pharmaceutical patents and I believe a Tulane education will give me a strong foundation to pursue that kind of work. In particular, the “Patent Prosecution” course seems to discuss topics that I am most curious about.

“The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web” -Picasso. As a kid he always liked to draw, and one day in school he was drawing when he was not supposed to. He got sent to this room with only a bench and he brought his drawing supplies with. He did not like the rules of most schools, so he would ditch class and go draw the things he saw as he walked down the street. His father was an art teacher. His father would always teach him how to draw and different techniques. By the time he was thirteen he was a better artist than his father.

The translation from the mind’s eye to paper or any other medium, has been my tension relieving entertainment. I grew up experimenting with three-dimensional sketches, until my norm for classroom boredom doodlings with pencils on paper became “masterpieces”.

The feeling of full release was in the tip of my brush and with every stroke, any worry just seemed all but distant. I had never had a passion like this before. One in which I felt complete freedom and peace. To me, it is a way of expressing myself and letting anything and everything go for even the shortest amount of time. I was a freshman in high school when I walked into my very first art class. I had always been artistic. Whether it was drawing, painting, or being any type of crafty, my hands seemed to constantly be creating. This however, was a whole new experience for me. Vibrant watercolors, freshly sharpened color pencils, and the most beautiful sight of all, every color of acrylic paint you could dream of filled the cabinets. I was

When most individuals visualize a pencil, they envision a utensil that is used in the horrendous act of doing homework or any other school-related project. However, being a person that appreciates the beauty behind the creative mind, a pencil can have a stronger meaning than people may believe. In reality, a mustard-colored, lead-filled pencil is a vehicle of power that carries out the ideas or artistic designs of the holder from their mind onto the paper. For example, many artists throughout history have used a pencil as a basis for drawing out their inspiration and ideas before preparing their main pieces. Before an artist may start a painting, he may sketch out different ideas he envisions in his head, this technique has lead to the creation

Creativity has been an inherent part of human experience since remote times when visual forms helped our ancestors to communicate leaving us with many recorded moments of their history. In a creative process multiple aspects bind together, things come out the intellect but also there are other states of consciousness and unconsciousness phenomena involved. A similar thing occurs in the contemplation of a piece, where we can have different interpretations, various sensations and opinions, but in one way or another through art humans develop common connections in between individual experiences. Art cultivates sensitivity and it can be used to explore the world in new forms that perhaps otherwise might not have been considered, allowing

My artistic goal is to give one hundred percent to whatever visual I feel is communicating something words wouldn’t have said any better. Aiming to increase the dynamic between audience and creator, by objectifying emotions and investigating the duality that develops through different interpretations. My skillset allows me to work in a variety of mediums, yet my favorite is pastel because it’s so swift and feels like an extension of my fingers, not to mention the vibrant colors translated through a tiny bit of chalk. My work has been influenced by loss of security, the black experience, my southern identity, and personal epiphanies. With Plato’s allegory of the cave in mind, my works can be seen as self-portraits; sometimes they appear idiosyncratic

Then within one month, my whole life shifted and changed and with it, it took me back to a dark past that I had long ago buried or at least thought I had. I needed help, but there was no one I felt that I could trust to understand, and I was too afraid to become vulnerable and open. Then in October, I discovered art; the act of drawing lines to create a picture of real life. “Here was my outlet”, I thought. “Here was something I was decent at,” however it didn’t end there. I went from creating simplistic style sketches, to more complicated realistic paintings, but even though this was my emotional outlet-I just couldn’t seem to access the doorway that would allow me to feel, really feel. Then by chance, in March I stumbled across a painting that stood out to me, that challenged me and I began to feel an overwhelming powerful tidal wave of emotions push to the surface. I had found my doorway, and within a period of two and a half months I have not only grown spiritually, but also mentally and psychologically through my newfound love of abstraction.

The smell of freshly pressed parchment caressed my nose as I clipped one large, single sheet to the easel. I pressed my fingers to its edges; they were rough and uneven, ridges and divettes ran across its service. I found my sable, bright brush and dipped it’s soft, brown bristles into the cold glass of water on my right. Picking up a small silver tube of acrylic paint, I gently squeezed it between my fingers, producing smooth swirl of azure blue paint on my palette. The brush scooped, swept, and glided across the ivory face of the canvas. A single stroke, a deep breath… tranquility.

I’ve always been interested in the arts, always one to doodle on papers in class, and run to the sidewalk chalk during recess. But over time, that love of creativity that had invariably been a part of my personality slowly trickled away. Perhaps it was lack of motivation, likely my depression played a part, maybe it was just a part of growing up, whatever the cause, during the beginning of my freshman year of high school, I found that I hadn’t created a single sketch, much less a finished project, in over a year. I’d packed up my pencils and put away my brushes for what seemed to be the last time. That all changed the day I walked into that museum and found my love of art rekindled into the burning passion it had once been. The glorious modern building of the Kimbell Art Museum became my refuge, my second home, and most importantly the inspiration for the next phase of my life.

Today’s modern world is often complex, colorful, noisy and fast-paced. When I am engaged in art, I frequently look for works that allow me to escape from my hectic lifestyle. Clean lines and use of space appeal to my senses and calm me. Sometimes, what is not stated says more than what is stated.

During my time as a high school student, I considered myself an artist and was deeply involved with the art community within my school. However ever since I began college and was bombarded with all the new responsibilities and expectations, I have constantly failed to connect with that part of myself once again, and as I sat in my chair at the unveiling of this year’s edition of the student-run magazine Metromorphosis, with a version of it opened within my hands, I felt the artist within me resurface as if it was coming back from a long slumber. Within the pages of the magazine, I observed various works from other students from the campus, some of them caught my interest due to the message they were trying to communicate, or the skill

As an artist, my innate need to create is based on a need to express myself. According to Drozt, ‘visionary art’ refers to art made with an inner vision or an intense feeling that is expressed throughout the work (2008). Visionary art accurately captures the drive and feelings I experience when I feel conceptually inspired, although I do not consider myself an outsider to artmaking. My work is always personal and I strive to be genuine to that experience. Because of this experience, I have added a layer of intentionality in my selection of materials and contemplation of the art’s environment to my method of working. When I

Art is the flower that blossoms my ideas into process. It guides me through the journey that is my life and allows me to explore myself through each piece I produce. As an artist, I am continuously etching the surface of life in pursuit of a deeper understanding. I seek a personal creative awakening and enlightenment through my endless pursuit of knowledge. While reflecting upon my creative intent, I found it difficult to come up with the words for what motivates me to design. I found that this strong desire is linked very closely to my upbringing. As a child, I was constantly pushed to my breaking point. My parents expected nothing less than perfection and art was the only outlet in which I could define my own standards of perfection. I learned to create to overcome personal obstacles to better comprehend my artistic trek. To grasp the grandeur of my artistic catalysts, I have expressed them in a unified symbol entitled Untitled. Because my mind operates visually, most of my thoughts and ideas are better expressed as images and feelings rather than words. Therefore, I choose not to title most of my artwork. Although I feel that words can often be a more powerful art form than images, I create my work with the intent of it having its own voice. I believe art is an experience and should be an open dialogue between the artist and the observer. By removing the title, I feel that there is a greater possibility for a more thought provoking discussion about the piece