He could be any one of us and that is the point. The poet is doing two important things here, firstly he is establishing a sense of drama and anxiety and secondly he is moving what we call the narrative focus on the poem from the general to the particular, or put another way, from the big picture to the fine details, in this instance the man hanging from the window. This technique refines the reader's perception of the poem. Just like in films,
E SSAYS ON TWENTIETH-C ENTURY H ISTORY In the series Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig Also in this series: Paula Hamilton and Linda Shopes, eds., Oral History and Public Memories Tiffany Ruby Patterson, Zora Neale Hurston and a History of Southern Life Lisa M. Fine, The Story of Reo Joe: Work, Kin, and Community in Autotown, U.S.A. Van Gosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in