Personal On Ridicule Of A Child

When she enters the bedroom, her voice changes from present to past tense and she starts to reminisce and begins to talk about her mother and aunts. She seems happy to remember her mother’s room and introduces her aunts to the audiences. Mary delivers her dialogue saying that the dressing table and the small elephant statue figures are all same. When Mary gently touches her mother’s photo, she delivers a sad tone. Her performance conveys to the audiences that she misses her mother. The tone of her voice represents that she is a gentle, innocent and a loving child. Her verbal and non-verbal interactions conveyed the viewers with a message that she is an orphan.

Often times, the decisions of choosing the two opposing extremes are made by an individual subconsciously, and thus, it is a strong reflection of their personality and character. “ But remember she’s been here a long time, she was here before most of us were born.” (Page 6)This shows Mary is more interested with the house’s past rather than its aesthetic value. She acknowledge the originality and

Through out the fifth chapter Mary's use of diction leads the readier to the images she most likely saw as she developed her novel. “Convulsive

She possessed a vibrant and vivacious personality and spoke her mind freely from childhood; friendly, sharp-witted and outgoing, she made friends easily, however she never hesitated to express to loved ones exactly what or how she thought they should handle a situation. This of course as everyone knew was regardless of her opinion being was solicited or not. This no doubt was the result of growing up as the baby of the family. Mary grew quite accustomed to getting her own way with her older siblings, Marvin and Corinne and growing up, surrounded by a bounty of loving family members; aunts, uncles and cousins.

Mary is wearing a large, dark blue robe that rests upon the floor as she kneels. A portion of it is suspended onto the stand from which she reads a book. The book’s pages are opened in an unrealistic manner, with a few pages seemingly stuck in one position. What little of her figure that is visible is oddly proportioned, with a plump

     From Mary's tragic life, we can draw some eerily similar parallels between her life and the novel. One of the most obvious links that can be made is the connection

Mary’s earliest memories were of education in fact, these were her only memories. Her security blanket was a set of q-cards. Her pacifier, a dose of caffeine. Her story book, the McGraw-Hill math text book. When her parents looked down on Coeus with tenderness, and care she was subjected to looks of disgust, and loathing.

Once the alarm went off, both girls groaned wanting to sleep for another hour. Unfortunately, dinner with the Hollis' was happening very shortly. Both girls got out of their bed and walked over to the bathroom to freshen up. Carmilla washed her face as Laura brushed her teeth, vice versa. Once they we're woken up, Carmilla walked over to her dresser while Laura walked over to her closet. Laura pulled out a lovely form fitting black dress that showed off her neck and her toned arms. Carmilla slid into her infamous leather pants, threw on a black tank, and topped it with a black blazer with the sleeves rolled up to her elbows. "Hey Laura, can you pass me my red heels?"

Andrea sat in the break room, waiting for her shift to start at 8:30, her long, crisp black hair covered the back of the seat. Andrea had her face deep into paperwork but, then noticed Mary walked into the room and looked up, took off her glasses and wiped her forehead. Andrea’s porcelain skin, looked like it has barely seen any sunlight, or even touched. Mary and Andrea had most of the day piled up in paperwork, except for their breaks. At lunchtime, Mary added to her stories of sleepwalking into the forest, including the one early in the morning.

She was highlighted in a strong light that shined down from the ceiling, exposing her to the jury and judge. Aged in her mid-40s, with chestnut hair pinned neatly into a bun on the back of her head, Odette stood with the composure of a lone leaf in a stout fall wind. Her hands, thin but calloused, trembled involuntarily, so she balled them up and placed them behind her back. She wiggled her toes, hidden inside of her flats, to work off the abundance of nerves ricocheting around inside of her. It wasn’t

Thesis: Mary explains her essay with use of the word “cute” and she does it by associating it with others expressions that means fake, plastic, diminutive, powerless and trainable, and inferring that nature is not cute, but wild and powerful.

Susie explained how she found that she was always wearing clothing that are too big for her body, so that she does not have to worry if the garment is hugging onto her form like the prom dress did. She always found herself not wanting anyone to see her figure, until she, herself, can say she looks skinny enough. With that stated, the dress she wore to prom consisted of colours that are very innocent and fragile looking. The fabric is sheer in some areas, like the stomach, so that it is visible for the audience to see what the person is hiding underneath their loose fitting clothing. Clothes that take any effort or make her stand out in any way becomes negligible. The goal for Susie is always to glide by, unnoticed. She

The grumbling started to turn into roars, which queued Mary to tell her friends that they had to go home cause she couldn’t play anymore. Mary was such a smart girl. Nine maybe ten years old, and she already had such a deep understanding of what her parents situation was like. I could tell she was trying to compose herself by acting like their fighting didn't phase her. She wasn't sitting by the bottom of the stairs listening like she normally does, but instead she stayed outside where her friends and her were playing.

When Mary was 6, her mother died. Her father remarried so they had a higher status in society. She had a happy childhood, but she thought she didn’t have very many friends. Mary thought that her childhood was kind of empty.

While Elizabeth is constantly studying other people’s behavior, Mary is so absorbed in herself that she cannot perceive when she acts disturbingly. At the Netherfield ball, Mary decides to sing for an extended period of time and fails to read other characters’ behavior to understand that she was making a fool of