Essay on Personal Transformation from Gilgamesh to Chihiro

The story of “Gilgamesh” depicts all of the heroic triumphs and heart-breaking pitfalls a heroic narrative should depict to be able to relate to today’s audience. However, “Gilgamesh” was once considered a lost and forgotten piece of literature for thousands of years, so there is a tremendous gap between the time it was created and the time it was translated into language that today’s audience can understand. That gap in history makes several aspects of the story of “Gilgamesh” strange and unfamiliar because what we now know about ancient Middle Eastern cultures and languages is a lot less than what we know about the cultures that prospered after ancient Middle Eastern cultures. Much of the content in the story of

(Gilgamesh 71)” Gilgamesh's grief for his friend was natural, but he shouldn't have abandoned his people and his royal duties. As ruler, his people have to follow his decree, and need his support to thrive. By forcing them to grief, and abandoning his position, he left them in a very vulnerable position. His last and final abandonment of his people began with Gilgamesh's quest for immortality. He was so upset and shocked by what occurred to Enkidu's body after death, that he vowed he would never die. His selfishness has grown so far, that when he finds his cure for mortality, he chooses to let an old man test the plant in case it brings death instead. “I will bring it to Uruk-Haven, and have an old man eat the plant to test it. The plant's name is “The Old Man Becomes a Young Man.” Then I will eat it and return to the condition of my youth. (Gilgamesh 106)” Gilgamesh was a powerful man with a lot of ambition, and potential. It was just ruined by his selfish nature. He was, all-in-all, a famous and great ruler... but not a just one.

maker of wine, since I have seen your face do not let me see the face

Gilgamesh encounters Utnapishtim, a man who survives the great flood and receives immortality. Utnapishtim gives Gilgamesh eclectic tasks to achieve eternal life. The first task is to stay awake for seven days, which Gilgamesh is unable to accomplish. Feeling sorry, Utnapishtim tells Gilgamesh a secret that if he finds the “plant that grows under the water… [it] restores his lost youth” (31). Gilgamesh lights up and ties rocks to his feet to sink down to search for the marvelous plant. Gilgamesh finds the ultimate boon. He is overjoyed and eager to bring the plant back to his homeland to restore the youth of all the men there. The refusal of the return occurs when, he was returning home and becomes careless and bathes in a nearby well of cool water, leaving the plant unattended. A snake suddenly appears and eats the plant, restoring the snake’s youth. Gilgamesh begins to weep upon seeing that he failed in his quest for immortality. Gilgamesh returns back to his homeland, Uruk, and engraves his story on a stone for everyone to see and

Abraham Lincoln said, “You cannot escape the responsibility of tomorrow by evading it today.” Often times in our society young people push off responsibilities, it's easy to do. Technology and other innovations have made it convenient for us to become distracted and to push things off. However when growing up, sometimes taking responsibility cannot be avoided. In coming of age stories, the author uses symbolism to exemplify how the protagonists experience new independence and responsibility while they transition from childhood to adulthood.

The two immediately become companions because Gilgamesh finally finds his match. They set off on an adventure to destroy the cedar forest and its guardian, Humbaba, all to be forever remembered. Gilgamesh appears to be improving his ways and not exasperating his people. However, Gilgamesh then takes his journey to be remembered one step too far and kills the bull of heaven. This infuriates the gods so greatly that they decide that one out of Gilgamesh and Enkidu must pay for their actions. The gods therefore bestow a deadly illness upon Enkidu, which brings about his death. Enkidu’s death devastates Gilgamesh, for he not only loses his best friend, but also comes to the realization that he soon too will die. Not only does Gilgamesh lose his best friend, but he also comes to the realization that he will also die some day. Thus, Gilgamesh decides to seek out immortality so he will not have to endure death.

The first part of the hero’s journey is the call to adventure. This is the voyage that the hero is asked to go on in order to accomplish greater good for human kind. This is the hero’s chance to help his or her community, family or friends by embarking on a long journey and challenging his, or herself. Gilgamesh does not go on a journey to help others, he goes to make himself look better. “ I have not established my name stamped on bricks as my destiny decreed, therefore I will go to the country

Gilgamesh expresses sorrow to Ur-shanabi over losing the regenerative plant, truly opening up his human self at the end of the journey. Gilgamesh’s loss of his “bounty” to the “Lion of the Earth” brings out the main shift in his identity (XI 313-314). The key to understanding the shift is the symbolism of lions. Prior to this event, Gilgamesh had been dominant over the wild and once killed lions for clothing. Now, Gilgamesh lost his regenerative plant to a snake, the lion of the earth. The contrasting relationships with the wild highlight Gilgamesh’s changing status. His vulnerability to the wild becomes an aspect of himself that he must confront. A human side is breaking out of the prison that was once the godly Gilgamesh and taking over. Human Gilgamesh “ha[s] done a favour” to “the “Lion of the Earth”” which Gilgamesh hates and would take back (XI 314). However, in the end, the benefit may have been to Gilgamesh because he is now on the path to becoming wise by facing his mortality.

“You will never find that life for which you are looking. When the gods created man they allotted him death, but life they retained in their own keeping,” Siduri talking to Gilgamesh. (Gilgamesh 4). The epic of Gilgamesh has an abundance of parallels to the trial and tribulations of any human life. Gilgamesh’s story is humanities story of life, death, and realization. The awaking of Gilgamesh from a childish and secure reality connects my own life experiences to the epic tale.

Gilgamesh then gave up on his work to try to defeat death and despite his long hard journey, returns to Uruk no closer to immortality than he left. His fear of ending up dead like his friend Enkidu has finally become an inevitable reality and he has the ferrymen

There once lived a king, the great king of Uruk in Mesopotamia. This great leader was Gilgamesh. His preserved epic is of great significance to modern day culture. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed. In the Epic of Gilgamesh, it is a great love, followed by a lingering grief that cause a significant change in the character of Gilgamesh.

He then sent out to find Untapishtim which is where he thought eternal life would be. The first place his journey takes him is the twin peaked mountains called Musha. After rushing through the tunnel to beat the sun he emerges into a beautiful garden by the sea that’s where he meets Siduri. Siduri warns him that immortality is futile and he should be satisfied with his life and what he has. He doesn’t listen to Siduri and insists on moving forward being optimistic about finding eternal life. When Gilgamesh arrives to Untapishtim, he demands that he should be granted with eternal life. Utnapishtim gives him a test, “Prevail against sleep, and perhaps you will prevail against death.” (Mitchell, 191) Gilgamesh accepts this challenge, but fails immediately. Untapishtim orders him to return to Uruk, but he tells Gilgamesh of a spiny plant that grows in the water of the Great Deep. A miraculous plant that would restore youth. Gilgamesh goes and retrieves the plant. He plans to share it with the elders of Uruk, but before he could reach the city a snake steals the plant away. Gilgamesh did not return emptyhanded. He instead came back with the acceptance of mortality and a name for himself.

In finding his key to immortality, he becomes very excited to bring it back to Uruk with him. The translation makes it unclear whether or not he plans to share it with his people, but if so, then that would show Gilgamesh's generosity, something we did not see before in him. He does not make it home with his bounty of Hunbaba. While Gilgamesh is bathing in a pool, a serpent smelled the fragrance of the plant; it came up from the water and snatched the plant out of his hand. After the product of all his searching is taken from him by an earth-lion, Gilgamesh sat down and cries at this loss, it is a much less dramatic reaction than the one he had when Enkidu died. Understandably so, it is much sadder to lose a friend than to lose a material

Chihiro is a little girl who was lost in a world of wonders, which was dangerous and good at the same time. She tried to save her identity by believing that she is going to go back to the normal world and live with her parents. The first thing that made Chihiro feel that she halves to work hard when she meet Yubaba '' You're called Chihiro? That name is too long and hard to pronounce from now on you'll be called Sen. You got that? You are Sen''. Yubaba made Chihiro feel that she lost her identity, so she can live in that world and it also made her work hard so she can have her identity back.

Sad that she is moving away from her friends and school to a whole new place she has not met. Due to the intrigue of her parents, they go into a rare world, and because of her father’s cravings, they supernaturally transform into pigs. She has the purpose to bring them back to normal. In this world, Chihiro has to work hard for a cruel creature called Yubaba; it can be compared that both of the movies’ characters bosses’ are the film’s villain. Even though she went through a lot of work, she also gets to make new friends and memories she will never