Perspectives In Charlie And The Chocolate Factory, Edward Sccissorhands

The positives of being an individual are more present in the media but the negatives are normally overlooked . In the novel named The Chocolate War by Robert Cormier the main character Jerry has to deal with reality that it's not so easy to go against the grain .The novel does an excellent job highlighting how his individuality affects his social , personal life, and societal pressures and bullying .

   Mary Shelley's novel, Frankenstein, sheds light on the importance of appearance through the tale of an unwanted creation that is never given a chance by society. Ironically, the supposed beast was initially much more compassionate and thoughtful than his creator, until his romantic and innocent view of the human race was diminished by the cruelty and injustice he unduly bore. Not only does the creature suffer the prejudice of an appearance-based society, but other situations and characters in the novel force the reader to reflect their own hasty judgment. The semi- gothic novel includes several instances of societal prejudice that include the isolation and outcast of Frankenstein's creation,

One minor conflict is between Jerry and his unresolved feelings toward his mother's death. These feelings, I felt, were mainly the reason he did not take the chocolates. Jerry is looking for a change in his life; a change to get him away from thinking of his mother. Another minor conflict is between Obie and Archie. Obie feels that he is always taking blame for Archie's doings. If Archie fails then Obie takes blame. If Archie succeeds then Archie gets the credit. Obie becomes angrier with each assignment Archie gives out.

Do not judge a book by its cover. Those are the words of a famous American proverb that says a person’s character cannot be judged based on their appearance. This proverb is very fitting in regards to the monster from Frankenstein. On the outside, he has a terrible appearance, and as a result is victimized and made to suffer by those who cannot see past his looks. Yet he has a kind soul and is simply looking for happiness and a little compassion from others. Both the book and the play present him as a sufferer in a cruel world but ultimately the book does a better job portraying his pain and eliciting empathy from the reader. The monster in the book details his suffering in greater detail, is more eloquent and persuasive and also

In addition to his actions, much has previously been made of Dracula's physical appearance. However, as Stevenson so aptly puts it, Dracula's physical appearance is only "a convenient metaphor to describe the undeniable human tendency to separate 'us' from 'them' " (140).

Childhood, as we all know, is the state or period of being a child; the early period in the development of something (Merriam-Webster). The movie Willy Wonka & the Chocolate Factory (1971) illustrates five different children with each having different behavior, and they have one thing in common they are the only child in their family. These children are in the middle childhood, primary school age, around age seven or eight. What makes them different from each other is interesting. It allows the viewers to think if their behavior is either result of their experience or how they were raised. How they perceive things and how they behave are part of their cognitive development. The major domain of early childhood development is their cognitive development and the arguable aspects of the Nature-Nurture.

  One of the main themes in Mary Shelley's Frankenstein is the importance of appearance and acceptance in modern society. In today's society, and also in the society of Frankenstein, people judge one often solely on their looks. Social prejudice is often based on looks, whether it be the color of someone's skin, the clothes that a person wears, the facial features that one has and even the way one stands. People make snap judgments based on these and other considerations and they affect the way that they present themselves to one, and also the way that the treat the judged person. In Frankenstein the society of that time is much like our own today. It is an appearance

In this essay I will examine how the monster’s looks and actions reflect the predominant cultural feelings that those who look different are bad, evil or incapable of normal feelings. That somehow because one may look different from the rest of us there must be something emotionally as well as physically wrong with them.

The monster was always judged on the way he looked which made him the outcast because he was not normal in the human’s eyes. By using this in depth character interplay, Shelley further expands upon the monster archetype and allows the reader to question who truly is the monster inside of Frankenstein.

This example of the significance of appearance in modern society is also echoed in Frankenstein. The parallel between the society in the novel and modern society is that of snap judgements based solely on appearances. In the novel, Victor Frankenstein is a perpetrator of such judgements. Victor “selected his features as beautiful.” Here it is seen Victor’s shallowness as he picked the most perfect body parts and beauteous features, all to be pieced together in great anticipation. However as one can see, the result is horrific and due to the hideousness of the wretch that he has created, he abandons him. This same shallowness of judgement due to appearance again surfaces when Victor accuses the creature of murdering William

Although humanity prides itself on its continuous societal improvements, superficial judgment continues to thrive, especially between those who differ in looks. The art of physiognomy dates back to the beginning of mankind and has continued to evolve with humanity, negatively impacting those who are categorized into unfavorable stereotypes. In Frankenstein by Mary Shelley, there are flagrant displays of the upsetting role appearance plays in society, as modern-day racism parallels the prejudice the monster experiences due to his exterior. Despite its publication year of 1818, the novel is still pertinent, especially as the world struggles to override unconscious biases correlating to race or unorthodox physicality.

The acute variation between the presented images of Dracula and Edward mirror the different perspectives, held by the cultures that birthed them, on the importance of physical appearance. For example, Dracula’s facial description is “very strong,” with a “thin nose,” a “lofty domed forehead,” and enormous eyebrows, “almost meeting over the nose” (Stoker 25-26). Attributes such as these are not standard descriptors of an overwhelmingly enticing appearance, but rather, detail an elderly or distinguished gentleman. Contrastingly, the depiction of Edward’s facial features is outwardly alluring, with descriptions such as, “flawless” (Meyer 162) and “devastatingly, inhumanly beautiful”

Tim Burton once said, “My parents suffered from that ideal of a perfect nuclear family. They found that a difficult pressure, I think”. Tim Burton is a famous filmmaker who sometimes incorporates his life into his films. Tim was an odd child in that he liked being alone and spending his time in a graveyard. In his childhood, he was the outsider in a “perfect” world. People can judge him on his odd and different childhood. That is what he tries to teach in his films. In both Charlie and the Chocolate Factory and Edward Scissorhands, Burton reveals that society wrongly judges those who do not fit in.

Beauty and prejudice have become commonplace in today’s society; the tiring cycle of living up to impossible beauty standards and facing the constant criticism of one’s image seems never-ending. However, this incessant obsessiveness over image has been around for thousands of years. In Mary Shelley’s novel Frankenstein, a prominent struggle between beauty and hideousness occurs throughout the book. Shelley uses the motif of undesirable appearances and the constant praise of beauty throughout Frankenstein to establish the theme of prejudice.

rejoices at Charlie not having to starve ever in his life again. On the day of the factory tour,