Persuasive Essay On Grammys

Even so, when the artist put their time and hard work into making songs that will catch the subscribers attention just for it be free. For instance, Jacob Carter of “The Changing Landscape of the Music Business” quotes “In November of 2014, award-winning musician Taylor Swift pulled her entire music catalog from Spotify, a popular streaming app, claiming that their business model suggests that music does not hold much worth.” This shows that Taylor Swift does not believe with the fact that her music is just out there for free and she not receiving money just for it be out there for the public. Thus, Darrius Johnson of “Selling Out Not Worth the Risk” quotes “In many situations, a record label owns the rights to an artist’s music, and if they license a song to a company or other party the artist has no control over how the song can be used.” To clarify, this information artists would not have their own opinion of doing any commercial because their music doesn’t belong to them but the record labels. This proves, that some artist has their opinion about their music they make and they just want to be free for the world to have because they took their time to create

Many artists and record companies do not think that it is a good thing to have their music available for free because they feel that they will lose a lot of money. The thing that they need to realize is that technology is only going to get better and they need to use it

I propose that all unsigned rising artist should target the business side of the music industry to be successful in the entertainment business because it allows the artist to be taken seriously and make solid connections that can further his/her career. Learning the works of the music industry also enables a new artist to be further successful and profitable. Recent studies show that most new artists without professional representation and a business mindset have a slimmer chance in getting signed to major or independent labels (Lowry, 2011). Overall, the specific change needed is that unsigned artists should be concentrating on their careers as professionals and not amateurs, thus focusing on the ins and outs of the music business and

In an age where everyone is expected to be recognized, there must be an understanding that the world does not progress by congratulating the “average.” I believe that giving participation trophies makes people stop competing; especially if the trophies are given at a very early age. For example, a team of small children have a terrible baseball season, but it’s okay! Because the coach gives out trophies to everyone. This in turn only teaches the child that no matter how bad life gets, they will always be rewarded. Participation trophies create future generations of entitled adults as seen by today’s generation. We need to reward kids that work hard for what they do for the sake of risk and reward. That is simply how progress is made in society. Yet I agree with one point made by the opposing side. I believe that participation should be recognized sometimes. Participation can teach kids that teamwork matters in every little aspect of society. Participation trophies should be eliminated but participation should still merely just be recognized with a pat on the back as said by Betty Berdan, a high school junior from Connecticut. Participation trophies overall hinder the growing and learning process of kids; whether it is through sports, or any other competitive involvement.

Many believe that rap music has taken a complete 180 in the industry and has turned their lyrics of inspiration and positivity, to drugs and gang violence. Although several signs can point to this statement being true, rap music does not encourage teens to act violently. In fact, many artists/rappers spread positive messages across, giving solutions, and inspiration to the audience.

The first problem is the royalty fees made with labels. An artist’s album can cost anything from $15,000 to $200,000 (Recording Connection) and the artist is often left in debt after which is slowly paid back through the sales of their own records which only leaves them a fraction of what the original product was sold for. Another major problem with most major record labels is that their sole reason to get artists is to further their own profit. Most major labels put business before art,

The music business is changing rapidly, and artists have to find new ways to adapt to the changes. Among the many changes is the selling of artists' music. The way artists sell their music has drastically changed from CDs, and cassettes to streaming, and online purchases. This new change has brought with it many adverse side-effects; including, the huge loss in revenue for artists brought in by these new changes. Artists have had to adapt to this by touring more often and using their music in advertising. Artists should be able to use their music in advertising because it helps the artists and the companies in numerous ways.

Throughout time music has been constantly changing and evolving, eventually causing it form to what it is today. As time has gone on, different genres of music have been introduced and became popular such as Rock n Roll, Blues, EDM etc. However, regardless of the genre of music, they have all come together to modernize and serve the purpose of entertaining the audience. If I were to induct modern musical artists, due to their popularity and overall impact on society, into the Rock n Roll Hall of Fame it would consist of: Dr. Dre, Drake, Beyoncé and Taylor Swift.

Every weekend at stadiums across America college football fans gather to support their team and the start of football season. For the athletes this is the beginning of the journey for the most prized award is the sport, the Heisman trophy. The Heisman is awarder to the athlete for outstanding performance in the sport. The Heisman trophy embodies the hard work and dedication to the sport and is considered an honor to become an awardee of the trophy. The Heisman was first awarded in 1935 to Jay Berwanger, a senior at Chicago University.

Being an athletes is one of the best-paid jobs on Earth. Being that they are paid so much the cost for the consumer is very high. The prices of tickets and sports memorabilia have been steadily rising over the years. The average ticket prices for the NHL, MLB, NBA and NFL all rose 5% to 10% this year, according to Jon Greenberg, executive editor of Team Marketing Report. (Mihoces).

Hip-hop has been a part of African-American culture since it’s inception. Amir “Questlove” Thompson’s memoir Mo’ Meta Blues, co-written by Ben Greenman, shows the evolution of hip-hop from it’s early beginnings through 2013, as well as tells the story of one of the genre’s best musicians childhood in Philadelphia. Quest love grew up in Philadelphia and was raised by his father, a doo-wop singer, and mother, a singer/dancer who also ran a clothing store. From an early age Questlove was exposed to music, but only the music his parents wanted to hear. Questlove even tells of how he had to hide Prince albums in his drums set so his parents wouldn’t take him

No one can deny that technology is actively changing the music industry. Production, distribution and sales of music have been affected dramatically within the last 10 years along with artists, composers, and technicians. Most of the changes have been great for consumers, but vastly negative for professionals in the music industry, however a few artists have found ways to adapt to the changing atmosphere of digitally downloaded music and use it to their advantage. We’ve seen music change form from physical, tangible products like records and CD’s to electronic single tracks stored in an invisible cloud. Two major factors in this sudden revolution are online music stores (specifically iTunes) and file sharing websites that allow music to be downloaded illegally.

The music industry is an oligopoly. Since the late 1800’s people like Thomas Edison have been buying up patents in communication technology, forming monopolies, leading to a non-competitive entertainment industry. With only a handful of corporations controlling all aspects of acquisition, distribution and marketing of music, harsh business principles create an exploitative industry that takes the best of what artists have to offer and leaves many of them unable to support themselves. Beginning in the 1950’s with payola and white cover music and ultimately evolving into iTunes and Spotify, the music industry has grown into a billion dollar industry with far-reaching influence and control. Contracts rarely serve the artists’ best interest and many are left out to dry when their usefulness has expired.

The internet is the one media that brings up the most controversy in bands spreading their music. Whether they promote it or not their music is downloaded for free on the internet. Most bands do not like that their music is downloaded for free, but they can’t do much to stop it. In a way downloading music for free could bring the musicians even more money. If a person likes one of the songs they downloaded off of the internet they may be inclined to buy the entire album or at least the single. After the person buys the latest album they may even buy earlier albums from the same artist if they like the music enough. The internet has

Producers are in the same situation. Inside producers only receive salary plus some royalties as compensation. While outside producers received a production fee and negotiated a royalty of 1% to 5%of the suggested retail price. Production fee varied dramatically, which means the production fee producers received depends most on the level of the producers themselves and the level of the artists they helped. However, they were only about 20 to 30 top producers who may receive so high production fee that they would like to pay for Hit Song Science. Other producers with low or relatively low production fee may not be willing to pay for Hit Song Science out of their slender income. It makes sense that famous artists prefer top producers who can help them make a hit and in turn, receive benefit from the hit. If artists, unsigned artists and producers only received a small portion of income from music, the biggest winner in the process of recording activity is record company. Managers and talent agents alone extract between 25% and 40% of a performer’s income. Record labels have the ability to pay for Hit Song Science. More importantly, they want to forecast sales levels for the titles in their portfolios.